Product Type
Condition
Binding
Collectible Attributes
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Published by A. H. & A. W. Reed 1965, 1965
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
First Edition
First edition, super octavo hardcover (VG) in d/w (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition but usually secondhand; frequently they are superior examples. Ordering more than one book keeps postage costs down.
Published by HMSO, 1975
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
First Edition
Hardback. Condition: GOOD. 1st Edition. 1975. HMSO. First. Disbound loose sheets with clear protective covers. 7.5.x11. Complete specification for patent application together with drawings.
Published by Published by A. H. & A. W. Reed, 182 Wakefield Street, Wellington, New Zealand First Edition . New Zealand 1965., 1965
Seller: Little Stour Books PBFA Member, Canterbury, United Kingdom
Association Member: PBFA
First Edition
First edition hard back binding in publisher's original duck egg blue paper covered boards, navy title and author lettering to the spine, map end papers. 8vo. 9½'' x 6¼''. Contains 245 printed pages of text with monochrome photographs throughout. Slight sun fading to the cover edges, light dust marking and foxing to the closed page edges, ink message to the verso of the front free end paper dated 1965, pale foxing to few page margins. Very Good clean condition book in Very Good condition dust wrapper with rubs and creases to the cover edges and surface rubs, not price clipped 42s. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. NEW ZEALAND (Aotearoa).
Published by Art Workers Coalition New York, NY, 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
First Edition
142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.