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Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good-. 1st Edition. Couple chips and edge wear to jacket. Price-clipped.
Published by Bloomsbury Books, 1988
ISBN 10: 1870630270ISBN 13: 9781870630276
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Ebury Press:, UK, 1985
ISBN 10: 0852234082ISBN 13: 9780852234082
Seller: PASCALE'S BOOKS, NORTH READING, MA, U.S.A.
Book
Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. The first impression stated, 96 pages, illustrated in color. "Teddy Bears: A celebration is a nostalgic, entertaining and informative history of the world's favorit toy." FINE HARDCOVER, FINE DUST JACKET. Size: 8vo - over 7¾" - 9¾" tall, oblong.
Published by Stuttgart Mundus Vlg, 1986
Seller: Buch & Kunst, Braunschweig, Germany
256S., 264 Abb., OLn, OU.
Published by DUKE UNIVERSITY, * * * * *, 1981
Seller: L. Michael, North Hollywood, CA, U.S.A.
Book
Soft cover. Condition: Fine. Volume 6, Number 3; 1981 B00K: Fine/+, (illustrator). B00K: Fine/+, $39.03 JOURNAL of HEALTH POLITICS, POLICY and LAW; Volume 6, Number 3; FALL 1981 MARMOR, T. R.; FALCONE, David J.; EICHER, Terry B.; TRESH, Sylvia; SALTMAN, Richard B.; YOUNG, David W.; THOMPSON, Frank J.; CAMPBELL, Richard W.; WRISTON, Sara; HILLER, Marc D.; BEYDA, Vivian; CAPLAN, Arthur L.; STEINBROOK, Robert L.; SHEPPARD, Samona; MAHLER, Julianne; SOMERS, Anne R.; SCHRAMM, Carl J.; HENCKE, Mary S.; WATTS, Thomas D.; BEAUCHAMP, Dan E. DUKE UNIVERSITY 1981 S/C. Blue Spine, With Title In Black Letters, Soft Cover BooK: Fine/, Almost As New/, Slightest Shelf, Edge And Corner Wear. Pages 369 To 575, Printed On Off White Paper, In Fine/As New/ Condition, That Were Lightly Viewed, Or Not Read At All, Clean And Tight To The Spine, Slight Shelf, Edge And Corner Wear. D/J: None. No Tears. No Odor. No Stains. No Writing. No Names. Description Applies To This Book, Only. This BooK Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. WORLD WIDE SHIPPING, AVAILABLE.
Original Cloth. Good/Good. First Edition. 4to - over 9¾" - 12" tall.
Frankfurt, Ariel Verlag 1968. 256 Seiten m. zahlreichen Abbildungen. Orig. hardcover, Schutzumschl., Gr.8°. Schnitt etwas fleckig, Schutzumschl., mit Randläsuren und etwas fleckig, sonst gut erhalten.
Published by Mundus Verlag, Stuttgart, 1986
ISBN 10: 388385008XISBN 13: 9783883850085
Seller: Antiquariat Wortschatz, Markt Hartmannsdorf, Austria
Book
Hardcover. Condition: Gut. k.A. (illustrator). . Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Leinen - Gewicht: 1050 - Illust.: k.A. - Zustand: Gut - leichte Benutzungspuren.
Published by Ariel - Verlag, Erscheinungsort: Frankfurt, 1968
Seller: Sammlerantiquariat, Krukow, Germany
Hardcover. Condition: Gut. Hardcover Einband guter Zustand - Ohne Schutzumschlag - Erscheinungsjahr: 1968 - Buch mit 255 Seiten. Index: 153 0.0.
Published by Thames & Hudson London 1976, 1976
Seller: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
First Edition
1st edition softback with stiff wrappers Nice copy large octavo 200pp., col. & b/w pls., text ills., index,
Published by Prestel, München/ London/New York, 2011
ISBN 10: 3791351206ISBN 13: 9783791351209
Seller: Paule Leon Bisson-Millet, Beilstein, Germany
Book First Edition
Hardcover. Condition: Neu. Dust Jacket Condition: Neu. Judith Barry, Dara Birnbaum, Barbara Bloom, Sarah Charlesworth, The Guerrilla Girls, Lynn Hershman, Susan Hiller, Jenny Holzer, Deborah Kass, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Loui-se Lawler, Sherrie Levine, Adrian Piper, Martha Rosler, Cindy (illustrator). 1. Auflage. The Deconstructive Impulse. Women Artists Reconfigure the Signs of Power, 1973-1992. Neuberger Museum of Art, Purchase College, State University of New York, 11.1.-15.4.11. 267:229mm. 176S. 120 farb. Abb. Ppbd. Nancy Princenthal Hrsg. "Examines the feminist contribution to the deconstructivist movement. The practice of deconstructivism, a term describing artwork that examines the imagery of the popular media, was significantly shaped by dozens of important women artists during a critical era in late twentieth-century visual culture". Mit Arbeiten von Judith Barry, Dara Birnbaum, Barbara Bloom, Sarah Charlesworth, The Guerrilla Girls, Lynn Hershman, Susan Hiller, Jenny Holzer, Deborah Kass, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Loui-se Lawler, Sherrie Levine, Adrian Piper, Martha Rosler, Cindy Sherman, Laurie Simmons, Lorna Simpson, Sturtevant, Carrie Mae Weems, Hannah Wilke.
Published by MIT Press / Museum of Contemporary Art Cambridge / Los Angeles, MA / CA, 2007
ISBN 10: 0914357999ISBN 13: 9780914357995
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
Book
512 pp.; 27 x 23.5 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, Cambridge, MA, March 4 - July 16, 2007, organized by Cornelia H. Butler and Lisa Gabrielle Mark. "There had never been art like the art produced by women artists in the 1970s--and there has never been a book with the ambition and scope of this one about that groundbreaking era. WACK! documents and illustrates the impact of the feminist revolution on art made between 1965 and 1980, featuring pioneering and influential works by artists who came of age during that period--Chantal Akerman, Lynda Benglis, Theresa Hak Kyung Cha, Valie Export, Mary Heilmann, Sanja Ivekovic, Ana Mendieta, Annette Messager, and others--as well as important works made in those years by artists whose careers were already well established, including Louise Bourgeois, Judy Chicago, Sheila Levrant de Bretteville, Lucy Lippard, Alice Neel, and Yoko Ono. The art surveyed in WACK! includes work by more than 120 artists, in all media--from painting and sculpture to photography, film, installation, and video--arranged not by chronology but by theme: Abstraction, "Autophotography," Body as Medium, Family Stories, Gender Performance, Knowledge as Power, Making Art History, and others. WACK!, which accompanies the first international museum exhibition to showcase feminist art from this revolutionary era, contains more than 400 color images. Highlights include the figurative paintings of Joan Semmel; the performance and film collaborations of Sally Potter and Rose English; the untitled film stills of Cindy Sherman and the large-scale, craft-based sculptures of Magdalena Abakanowicz. Written entries on each artist offer key biographical and descriptive information and accompanying essays by leading critics, art historians, and scholars offer new perspectives on feminist art practice. The topics--including the relationship between American and European feminism, feminism and New York abstraction, and mapping global feminism--provide a broad social context for the artworks themselves. WACK! is both a definitive visual record and a long-awaited history of one of the most important artistic movements of the twentieth century. Essays by: Cornelia Butler, Judith Russi Kirshner, Catherine Lord, Marsha Meskimmon, Richard Meyer, Helen Molesworth, Peggy Phelan, Nelly Richard, Valerie Smith, Abigail Solomon-Godeau, Jenni Sorkin. Artists include: Marina Abramovic, Chantal Akerman, Lynda Benglis, Dara Birnbaum, Louise Bourgeois, Judy Chicago, Lygia Clark, Jay DeFeo, Mary Beth Edelson, Valie Export, Barbara Hammer, Susan Hiller, Joan Jonas, Mary Kelly, Maria Lassnig, Linda Montano, Alice Neel, Senga Nengudi, Lorraine O'Grady, Pauline Oliveros, Yoko Ono, Orlan, Howardena Pindell, Yvonne Rainer, Faith Ringgold, Ketty La Rocca, Ulrike Rosenbach, Martha Rosler, Betye Saar, Miriam Schapiro, Carolee Schneemann, Cindy Sherman, and Hannah Wilke." -- publisher's statement. Very Good. Light rubbing of dust jacket edges and 2.5 cm., 1 cm., and 1.7 cm. of soiling to text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Published by Twentieth Century-Fox, Los Angeles, 1960
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage black and white photograph of director Jack Cardiff and other crew members on location during filming for the 1960 British film. With a mimeo snipe in French on the verso, along with manuscript ink annotations regarding layout. Based on the 1913 novel by D.H. Lawrence, following a young man caught between his domineering mother, his repressed former girlfriend, and an attractive but married coworker. Nominated for six Academy Awards including Best Picture, Best Director, Best Actor, and Best Screenplay, winning one for Best Cinematography. Set in the town of Bestwood, and shot on location in Nottingham, UK. 8 x 10 inches. Very Good plus, lightly creased.
Published by Monika Sprüth Galerie Cologne, Germany, 1987
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
83 pp.; 29.6 x 19.5 cm.; glue bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed; Issue no. 2 out of three published issues of Eau de Cologne, a magazine edited by gallerist Monika Sprüth focused on women in the artworld. Includes features on Meret Oppenheim, Christiane Meyer-Thoss, Sophie Taeuber-Arp, Louise Lawler, Jenny Holzer, Marianne Eigenheer, Nancy Dwyer, Annette Lemieux, Gretchen Bender, Anne Loch, Bettina Semmer, Jutta Koether, Ina Barfuss, Katharina Fritsch, and Susan Hiller ; "Louise Bourgeois : LAIR," by Stuart Morgan ; "Russische Konstruktivistinnen Die 'Anderen' der Anderen welt" by Jo-Anna Isaak ; an interview between Eva Hesse and Cindy Nemser ; "Desire" by Ulla Frohne ;"Speech Acts : Tokens of the 1980s," by Paul Taylor ; "If You're Successful Why Do You Feel Like a Fake," by Mary-Anne Staniszewski Interviews with Barbara Kruger, Barbara Jakobson, Iwona Blazwick, Catherine Lacey, Maureen Paley, Dorine Mignot, Marie-Claude Jeune, Adelina von Fürstenberg, Carmen Giminez, Maria Corall, Grazia Gunn, Mary Jane Jacob, Lisa Phillips, Linda Shearer, Bernice Rose, Joan Simons, Kathy Halbreich, Sue Grace, Katharina Schmidt, Marie-Luise Syring, Evelyn Weiss, and Marianne Stockebrand. Cover image by Barbara Kruger.Text in English and German. Very Good. Light rubbing of covers. 1 cm. tear to top layer of paper along lower edge of spine. Contents clean and unmarked.
Published by N.p., N.p., 1959
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manuscript / Paper Collectible
Shooting script for the 1960 film. Title annotated on the right edge of the front wrapper in manuscript pencil and copy number "36" annotated on title page above title in manuscript ink. Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering, manipulative mother, his repressed former girlfriend, and an independent but married co-worker. Winner of an Academy Award, nominated for six others including, Best Picture, Best Director, Best Actor for Trevor Howard, and Best Screenplay. Nominated for the Palme d'Or. Set in an English coal-mining town in the early twentieth century. Shot on location in English coal-mining county of Nottinghamshire. Red untitled wrappers with die-cut title window in the British style. Title page present, dated December 8th, 1959, noted as SHOOTING FINAL, with credits for screenwriter Gavin Lambert and author D.H. Lawrence. 109 leaves, with last page of text numbered 107. Mimeograph duplication, rectos only, with white revision pages throughout, dated variously between Dec. 2. 1959 and Dec.5/2. 1959. Pages Near Fine, wrapper Near Fine, bound internally with three flat metal brads.
Published by N.p., N.p., 1959
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manuscript / Paper Collectible Signed
Shooting Final script for the 1960 film. Presentation copy belonging to producer Jerry Wald, with his name in gilt on the spine. 20 reference photographs bound in variously among the script pages. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Based on the 1913 novel by D.H. Lawrence, about a young man caught between his domineering mother, his repressed former girlfriend, and an independent but married coworker. Nominated for seven Academy Awards, and nominated for the Palme d'Or. Set in an English coal-mining town in the early twentieth century, and shot on location in Nottinghamshire. Bound in blue cloth with navy quarter leather binding, with five raised bands and gilt titles on the spine. Title page present, dated December 8th, 1959, noted as SHOOTING FINAL, with credits for screenwriters T.E.B. Clarke and Gavin Lambert and author D.H. Lawrence. 150 leaves, with last page of text numbered 107. Mimeograph duplication on eye-rest green stock, rectos only, with revision pages on eye-rest green and blue stock throughout, dated variously between December 23, 1959, and April 18, 1960. Pages Near Fine, binding Near Fine.