Published by Legare Street Press, 2022
ISBN 10: 1015698468 ISBN 13: 9781015698468
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
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Publication Date: 2023
Seller: True World of Books, Delhi, India
LeatherBound. Condition: New. LeatherBound edition. Condition: New. Reprinted from 1808 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 347 Language: English.
Published by London: Longman Hurst Rees & Orme, 1809
Seller: historicArt Antiquariat & Kunsthandlung, Wiesbaden-Breckenheim, Germany
Art / Print / Poster Signed
1. Original-Kupferstich von Cook (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 9,5 x 15 cm, Blattgröße ca. 20 x 29 cm (jeweils Höhe x Breite), im breiten Blattrand minimal gebräunt, ansonsten sauber und sehr gut erhalten 1100 gr.
Published by Baldwin Cradock & Joy, London, 1837
Seller: The Bookmonger, Nottingham, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Size: Sheet 32 x 48.5 cm, platemark (both prints) 21.5 x 38 cm, Frontispiece image 13.5 x 17.5 cm, Tailpiece image approx. 13 x 12 cm Condition: Very good condition, an excellent impression on wove paper In 1761 a group of artists, including Hogarth, set up as the Society of Artists and exhibited their paintings in Charing Cross, London. The group was set up in protest at the organisation of an exhibition the previous year by the Society for the Encouragement of Arts, Manufacture and Commerce. Hogarth designed this frontispiece and tailpiece for the catalogue. The illustrations were originally engraved by Charles Grignion, but this print is from copper plates engraved (very close indeed to the originals) later, probably by Thomas Cook c1800. Both images are engraved on a single plate, unlike the originals. We believe that the original Grignion plates no longer exist, and this engraving was used as a substitute in early 19th century editions. This impression is from the 1835-1837 edition published in parts by Baldwin Cradock & Joy. The Hogarth designs are listed as 236 and 237 in Paulson's catalogue Hogarth's Graphic Works, 1989, where a full description and other details can be found.
Published by The London Printing and Publishing Company, 1859
Seller: Alplaus Books, Alplaus, NY, U.S.A.
Leather Bound. Condition: Fair. Volume 2 only. Ex-library copy. Note: Reading copy only in poor condition. No date of publication is given on this copy, but appears to be from the leather bound editions published c. 1860. Warm brown leather with gilt decorations on cover and spine, gilt page edges on top and side. Front free endpaper removed. Rear hinge opening. Library stampings on first page, bookplate inside front cover. Mild foxing on many pages.
Publication Date: 2024
Seller: Gyan Books Pvt. Ltd., Delhi, India
Leather Bound. Condition: New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1821. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 313, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer:: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 313.
Publication Date: 2024
Seller: Gyan Books Pvt. Ltd., Delhi, India
Leather Bound. Condition: New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1821. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 316, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 316.
Publication Date: 2024
Seller: Gyan Books Pvt. Ltd., Delhi, India
Leather Bound. Condition: New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1808. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 347, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer:: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 347.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 29,5 x 23,5 cm. ( 11,5 x 9,5 inch). Size of print: 15 x 13 cm. On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, March. 1st. 1807 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 29,5 x 23,5 cm. ( 11,5 x 9,5 inch). Size of print: 17,5 x 13,5 cm. On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, July. 1st. 1807 . Druckgrafik.
Published by c.1805, 1805
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. An engraving depicting a masquerade at Somerset House, London, by Thomas Cook (c.1744-1818) after William Hogarth (1697-1764). Inscribed with the title and details to the lower edge. There is an identical impression in the Metropolitan Museum of Art, from which the date is taken. On wove. Size: Large (30-60cm) Framed: No.
Original engraving. Size of page: 29,5 x 23,5 cm. On strong paper. Hogarth pinxt / T. Cook & Son sc. / Published by Longman, Hurst, Rees & Orme, Nov. 1st. 1808 . Druckgrafik.
Published by G G & J Robinson London, 1803
Seller: The Bookmonger, Nottingham, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Size: Mount 66 x 55.5 cm, print inside mount 55 x 43.5 cm (22 x 17 inches approx) Condition: Print in excellent condition except for 3 small stains (wax?) bottom left - see images. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. This impression is on wove paper, and was published by G & J Robinson in 1803. THis copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison,not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 1795?1803, and which was published in 1806 under the title of 'Hogarth Restored.' This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored.
Engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23 x 29 cm. On strong paper. [ Hogarth pinxt / T. Cook sc. / Published by Longman, Hurst, Rees & Orme, ].
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 30 x 24 cm. ( 12 x 9,5 inch). On strong paper. Hogarth pinxt / T. Cook & Son sc. / Published by Longman, Hurst, Rees & Orme, July 1st. 1808 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, May 1st. 1807 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, Jan.y. 1st. 1807 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook & Son sculp. / Published by Longman, Hurst, Rees & Orme, July 1st. 1808 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 29,5 x 23,5 cm. (11,5 x 9,5 inch). On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, Jan.y. 1st. 1808 . Druckgrafik.
Published by London: Logman Hurst Bees & Orme, 1806
Seller: historicArt Antiquariat & Kunsthandlung, Wiesbaden-Breckenheim, Germany
Art / Print / Poster
1. Original-Kupferstich von Cook (in der Platte signiert) nach Hogarth auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 12,5 x 15,5 cm, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und gut erhalten 1100 gr.
Seller: Meiwes, Stuttgart, Germany
Art / Print / Poster
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, Oct.1st.1809 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, Jan.y. 1st. 1809 . A. absolute Gravity. B. Conatus against absolute Gravity. C. partial Gravity. D. comparative Gravity. E. horizontal, or good Sence. F. Wit. G. comparative Levity, or Coxcomb. H. partial Levity, or pert Fool. I. absolute Levity, or Stark Fool. Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 29,5 x 23,5 cm. ( 11,5 x 9,5 inch). On strong paper. Hogarth pinxt / T. Cook & Son sc. / Published by Longman, Hurst, Rees & Orme, August. 1st. 1808 . On left: Frontispiece. On right: Perseus Descending. Druckgrafik.
Seller: Meiwes, Stuttgart, Germany
Art / Print / Poster
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 30 x 24 cm. ( 12 x 9,5 inch). On strong paper. Hogarth pinxt / T. Cook sc. / Published by Longman, Hurst, Rees & Orme, May. 2d. 1807 . The iconography shows : Paintings Sculpture Architecture presented as three trees, watered by Britannia. Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 30 x 24 cm. ( 12 x 9,5 inch). On strong paper. Hogarth pinxt / T. Cook sc. / Published by Longman, Hurst, Rees & Orme, August 31st, 1807 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 29,5 x 23,5 cm. (11,5 x 9,5 inch). On strong paper. " A. Ppe a Plasterer white washing & Bespatting / B. any Body that comes in his way / C. not a Dukes Coach as appears by ye. Crescent at one Corner / D. Taste / E. a standing Proof / F. a Labourer. ". Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook & Son sculp. / Published by Longman, Hurst, Rees & Orme, April 1st. 1808 . Druckgrafik.
Seller: Meiwes, Stuttgart, Germany
Art / Print / Poster
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 23,5 x 29 cm. ( 9,5 x 11,5 inch). On strong paper. Hogarth pinxt . / T. Cook sculp. / Published by Longman, Hurst, Rees & Orme, Jan.y. 1st. 1808 . Druckgrafik.
Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Size of page: 30 x 24 cm. ( 12 x 9,5 inch). On strong paper. Hogarth pinxt / T. Cook & Son sc. / Published by Longman, Hurst, Rees & Orme, March 1st 1808. Druckgrafik.
ca. 1809. Original engraving after Hogarth by Thomas Cook. Hogarth, William (1697-1764). Hogarth's self-portrait as a modern English artist. Size of page:30 x 23 cm. On strong paper. Hogarth pinxt . T. Cook sculp. [ Published by Longman, Hurst, Rees & Orme.] "The portrait deliberately projects an image - a guide to the way Hogarth wanted others to think of him. The artist's painting in informal dress rests on a pile of books labelled (in the finished engraving) Shakespeare, Milton and Swift. William Shakespeare and John Milton were generally acknowledged to be the greatest modern English authors and Jonathan Swift was a vigorous modern satirist. The palette and graver represent Hogarth's twin roles as painter and engraver and the 'Line of Beauty' alludes to his favourite art theory. The only living object in the painting is Hogarth's pet pug, Trump." The British Museum. Druckgrafik.