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Published by Xlibris, Corp., 2011
ISBN 10: 1456895028ISBN 13: 9781456895020
Seller: My Dead Aunt's Books, Hyattsville, MD, U.S.A.
Book
paperback. Condition: VERY GOOD. 74 clean, unmarked, tight pages; pages have absorbed mild incense; very light shelf and corner wear on cover whose fore-edges are slightly flaired.
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Published by City Lights Books, San Francisco, 1991
ISBN 10: 0872862585ISBN 13: 9780872862586
Seller: Katsumi-san Co., Cambridge, MA, U.S.A.
Book First Edition
Trade Paperback Original. Condition: Very Good. First Edition. Binding has minor wear; back cover and pages at back have small bottom-corner creasing; tight, text clean. 241 p., illustrated. Includes excerpts from Cookie Mueller's rare first book, "How to Get Rid of Pimples" [oto br 21].
Published by Journey to Inner Calm, 2024
ISBN 10: 1738515702ISBN 13: 9781738515707
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Fine. Illustrations, Mariazinha (illustrator). Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear. 0.8.
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Published by Patersons Publications, Ltd., 1952
Seller: Shore Books, London, United Kingdom
Book
Soft cover. Condition: Very Good. 32 pages. "Scottish Reform or The Prince of Wales" / "The Dashing White Sergeant or Highland Reel" / "St. Patrick's day" / "Hey! Jenny, come down to Jock" / "Blue Bonnets" / "The Fairy Dance" / "The Rock and the wee pickle tow" / "Rachel Rae" / "Lady Macintosh'sRant" / "The Eight Men of Moidart" / "The Foursome Reel" / "The Reel of Tulloch" (M20).
Published by Journey to Inner Calm, 2024
ISBN 10: 1738515710ISBN 13: 9781738515714
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: New. Illustration, Mariazinha (illustrator). Buy with confidence! Book is in new, never-used condition 0.36.
Published by Artists Space New York, NY, 1981
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
5 vol. : vol.1: [4] pp. (brochure) ; vol. 2: [unpaginated] (envelope); vol. 3: [1] pp. (order form) ; vol 4: [unpaginated] (return envelope) ; vol. 5: [1] pp. (preview party invitation); 5 vol. : vol.1: 20.3 x 15.2 cm. (brochure) ; vol. 2: 20.8 x 16 cm. (envelope); vol. 3: 14 x 10.6 cm. (order form) ; vol 4: 11.5 x 15.8 cm. (return envelope) ; vol. 5: 10.6 x 14 cm. (preview party invitation); printed envelope; duotone; edition size unknown; unsigned and unnumbered; offset-printed Invitation to benefit exhibition "35 Artists Return to Artists Space," held at Artists Space, New York, December 4 - 24, 1981, and a preview party held December 3, 1981. Includes brochure, printed mailing envelope, preview party invitation card, ticket order form card, and return envelope. Artists include Auste, James Biederman, Jonathan Borofsky, Gary Bower, Troy Brauntuch, Farrell Brickhouse, Gary Burnley, Scott Burton, Cynthia Carlson, Charles Clough, R.M. Fischer, Hermine Ford, Don Gummer, Jack Goldstein, Mel Kendrick, Lois Lane, Tom Lawson, Robert Longo, Allan McCollum, Ree Morton, Matt Mullican, Judy Pfaff, Richard Prince, Judy Rifka, Walter Robinson, David Salle, Thomas Lanigan Schmidt, Barbara Schwartz, Cindy Sherman, Laurie Simmons, Charles Simonds, Jenny Snider, Donald Sultan, Anthony Thompson, and John Torreano. Invitation designed by Tara Collins. Very Good / Fine. Unmailed copy. Light yellowing of main envelope with light bumping of corners. Clean and unmarked.
Published by The Hon F D L Astor, 1957
Seller: Shore Books, London, United Kingdom
Magazine / Periodical
Soft cover. Condition: Very Good. 96 pages. Richard Lowenthal "Our Peculiar Hell" / G F Hudson "The Wars of our Time" / John Davy "Monolith in the Melting Pot" / K W Gransden "Rebels and Timeservers" / John Wain "How it Strikes a Contemporary" / Jenny Nasmyth "The Crack-up" / Burms Singer "Open Letter to a Critic" /W W Robson "Mt Auden's Profession" / David Sylvester "What's Wrong with twentieth-century Art?" / T H Huxley "The Prince of Controversialists: Cyril Bibby" / Sir Charles Tennyson "The Idylls of the King". (SL#5).
Published by Artists Space / The Committee for the Visual Arts, Inc. New York, NY, 1984
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
80 pp.; 22.9 x 15.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 31 - June 30, 1984. Organized by Linda Cathcart. Text by Linda Shearer, Susan Wyatt, and Linda Cathcart. Artists include Ericka Beckman, Gretchen Bender, Dara Birnbaum, Eric Bogosian, Jonathan Borofsky, Troy Brauntuch, Michael Brewster, Gary Burnley, Scott Burton, Michael Byron, Cynthia Carlson, James Casebere, Louisa Chase, Charles Clough, Arch Connelly, Marcia Dalby, Carroll Dunham, Nancy Dwyer, William Fares, R.M. Fischer, Hermine Ford, Stephen Frailey, Bobby G., Jack Goldstein, Don Gummer, David Haxton, Biff Henrich, Jenny Holzer, Rebecca Howland, Mel Kendrick, Jon Kessler, Jeff Koons, Barbara Kruger, Thomas Lanigan-Schmidt, Thomas Lawson, John Lees, Sherrie Levine, Robert Longo, Ree Morton, Matt Mullican, Nic Nicosia, Kevin Noble, Tom Otterness, Ken Pelka, Judy Pfaff, Ellen Phelan, Adrian Piper, James Pomeroy, Richard Prince, Walter Robinson, Tim Rollins, Ellen Rumm, Christy Rupp, David Salle, Cindy Sherman, Laurie Simmons, Charles Simonds, Michael Smith, Philip Smith, Ted Stamm, Donald Sultan, John Torreano, Roger Welch, Yunque, and Michael Zwack. Very Good / Fine. Light dusting to covers. Contents clean and unmarked.
Published by New York : St. Martin's Press, 2000, 2000
ISBN 10: 031227551XISBN 13: 9780312275518
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 176 pages : color illustrations ; 29 cm ; ISBN: 031227551X; 9780312275518; 9781841881423 LCCN: 2002-281759 ; LC: SB466.G8; Dewey: 712/.6/094241 ; OCLC: 46401271 ; purple cloth in color photographic dustjacket ; Contents: The setting -- The view from the house -- The cottage garden -- Wild flower meadow and woodland garden -- The arboretum and walled garden - Organic gardening at Highgrove. ; "When the marriage of Lady Di and Prince Charles fell apart, rumor had it part of the problem had to do with his gardening obsession. Gossip columns claimed Charles paid more attention to his gardens than his wife. The Garden at Highgrove takes readers on a tour of Charles`s favorite creation--a maze-like garden surrounding the estate where he has primarily lived for the past 20 years. Various styles thrive within the boundaries of the property: wildflower meadows, formal hedgerows, outdoor rooms, carefully plotted tapestries of Queen of Night tulips. If Diana complained of neglect, Highgrove`s landscape looks like it has been lavishly doted on. In one series of photos, we see the transformation of a large plot, viewed from the house, as it has been completely erased and re-created year to year. Who has time to complete and then entirely redo a garden on a regular basis? A prince, of course. Although the landscape glows with a vibrant, almost artificial green, Charles has long been a committed organic gardener. In the introduction he recalls the period when he came around to the cause of environmentalism. While driving through a declining English countryside in the 1960s and 1970s, "I remember longing to heal the countryside, to bind up its wounds and to reclothe it in its rightful form." The Garden at Highgrove will inspire gardeners, even those who don`t live in palaces, who are looking for images of elegance and can`t afford a staff to keep the hedges perfect. --Emily White" ; Candida Rose Lycett Green was a British author who wrote sixteen books including English Cottages, Goodbye London, The Perfect English House, Over the Hills and Far Away and The Dangerous Edge of Things. Her television documentaries included The Englishwoman and the Horse, and The Front Garden. Unwrecked England, based on a regular column of the same name she wrote for The Oldie since 1992, was published in 2009. ; FINE/FINE. Book.
Wrappers. Condition: Near Fine. 4to. Bound in laminated plastic wraps with vertical piping. Title embossed on clear plastic spine. Green and blue images of cars to front and rear wrap, respectively. Faint uneven lightening to front wrap. Contents clean. NF in wrappers.
Published by University of South Florida, Art Museum Tampa, FL, 1991
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[27] pp.; 14 x 21.5 cm.; comb bound; black-and-white & color; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Exhibition catalogue published in conjunction with show held September 23 - October 19, 1991. Curated and with an essay by Stacia Payne. Artists include Jean-Michel Basquiat, Vernon Fisher, Jenny Holzer, Silvia Kolbowski, Jeff Koons, Alexander Kosolapov, Barbara Kruger, Richard Prince, Tim Rollins + K.O.S., Mitchell Syrop, and David Wojnarowicz. Includes exhibition checklist. "Recently we have seen a number of artists using words as the primary visual element in their work to make critical comments on diverse social, economic, political and aesthetic issues. 'Transpositions' demonstrates the strategy of contemporary artists who embrace and effectively use the power and familiar methods of mass media while simultaneously critiquing the message, the vehicle, and the consumer." -- from the foreword by Margaret A. Miller. Very Good / Fine. Light scuffing and handling wear to covers, otherwise Fine. Contents clean and unmarked.
Published by Art Metropole / Printed Matter Bookstore at Dia Toronto / New York, Canada / NY, 1991
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.
Published by Gagosian Gallery London, United Kingdom, 2010
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 21 x 25.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; other printing process Exhibition announcement / vinyl sticker published in conjunction with show "Crash: Homage to JG Ballard," held February 11 - April 1, 2010. Artists include Richard Artschwager, Francis Bacon, Hans Bellmer, Glenn Brown, Chris Burden, Jake & Dinos Chapman, John Currin, Salvador Dalí, Giorgio de Chirico, Tacita Dean, Jeremy Deller, Paul Delvaux, Cyprien Gaillard, Douglas Gordon, Loris Gréaud, Richard Hamilton, John Hilliard and Jemima Stehli, Roger Hiorns, Damien Hirst, Dan Holdsworth, Carsten Höller, Edward Hopper, Allen Jones, Mike Kelley, Jeff Koons, Roy Lichtenstein, Vera Lutter, Florian Maier-Aichen, Paul McCarthy, Adam McEwen, Dan Mitchell, Malcolm Morley, Mike Nelson, Helmut Newton, Cady Noland, Claes Oldenburg, Eduardo Paolozzi, Steven Parrino, Richard Prince, Robert Rauschenberg, Gerhard Richter, Ed Ruscha, Jenny Saville, George Shaw, Cindy Sherman, Piotr Uklanski, Andy Warhol, Rachel Whiteread, Christopher Williams, Jane and Louise Wilson, Christopher Wool, and Cerith Wyn Evans. "Ballard?s novels stand among the most visionary, provocative literature of the twentieth century, with his ominous predictions regarding the fate of Western culture and his insights into the dark psychopathology of the human race. This exhibition is a response to the enormous impact and enduring cultural significance of his work, following his death in spring 2009. Highlighting Ballard?s great passion for the surreal and his engagement with the artists of his own generation, Crash includes examples of his specific inspirations as well as works by contemporary artists who have, in turn, been inspired by his vision." -- publisher's statement. Very Good / Fine. Light bumping of corners, otherwise Fine.
Published by N.p., New York, 1980
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manuscript / Paper Collectible
Original two-color silkscreen poster for "The Trap Door" (1980), by Beth B and Scott B, starring Jack Smith and John Ahearn, featuring numerous New York artists, including Jenny Holzer, Gary Indiana, Richard Prince, and William Rice. Printed on the verso, upside down, is a proof image of the poster with a variant design and color scheme. Prominent members of New York's No Wave film scene and, along with Amos Poe and Eric Mitchell, progenitors of the Cinema of Transgression, Beth and Scott B were a pivotal and galvanizing force in that era's explosion of punk-political filmmaking. "The Trap Door" was the duo's final film executed in Super 8, before moving to 16mm for their next (and final) feature, "Vortex" (1983). 11" x 17" inches. Verso with corners briefly bruised from tape removal, else Near Fine.
Published by Public Art Fund / New York Times New York, NY, 1988
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[12] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size 90000; unsigned and unnumbered; offset-printed Inserts is a project by Group Material with artworks by Mike Glier, Jenny Holzer, Barbara Kruger, Carrie Mae Weems, Felix Gonzalez-Torres, Nancy Spero, Nancy Linn, Hans Haacke, Richard Prince, and Louise Lawler. Each artist was given a full page for their project. The project was organized by Doug Ashford, Julie Ault, and Felix Gonzalez-Torres for Group Material. Inserts was sponsored by the Public Art Fund and published as a supplement to the Sunday New York Times, May 22, 1988, and placed within 90,000 copies of the newspaper below 23rd Street and in the Greenpoint / Williamsburg / Bushwick section of Brooklyn. "We had originally planned Inserts for the Daily News which is a more local less intellectual paper than The New York Times. We had been negotiating with the Daily News for about a year but never actually signed a contract. And then when we finally went to them with the mock-ups of artwork we wanted to produce they rejected it on the basis that 'it wasn't art it was editorial.' So then we took the project to The New York Times and worked with the 'advertising acceptability director' there, who was concerned that the piece by Carrie Mae Weems' work would be misunderstood by members of the audience as racist and wouldn't know it was made by an African-American artist, but eventually they accepted the project." -- Julie Ault. Very Good / Fine. Yellowing of covers and pages. Bumping to bottom right corner of publication with light edge-wear. Contents clean and unmarked.
Published by Public Art Fund / New York Times, Group Material,1988, 1988
Seller: DR Fine Arts, New York, NY, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. This is a document of 1980s political art; this artist booklet was printed on newsprint and distributed with the Sunday New York Times in 1988; organized by Group Material; it features the work of Mike Glier, Jenny Holzer, Barbara Kruger, Carrie Mae Weems, Felix-Gonzalez-Torres, Nancy Spero, Nancy Linn, Hans Haake, Richard Prince, and Louise Lawler; it deals with such topical issues as the AIDS pandemic, abortion, the Iran-Contra affair, gender and race equality, and the nuclear arms race. THE ARTIST BOOK: 12pp; paper wrappers, size: 11 x 8-1/4in (18x21 cm); glue bound; offset printed in b&w; edition size: 90,000; unsigned and unnumbered; each artist was given a full page for their project; project was organized by Doug Ashford, Julie Ault, and Felix Gonzalez-Torres for Group Material; "Inserts" was sponsored by the Public Art Fund and published as a supplement to the Sunday New York Times, May 22, 1988, and placed within 90,000 copies of the newspaper below 23rd Street and in the Greenpoint, Williamsburg, & Bushwick section of Brooklyn; "We had originally planned Inserts for the Daily News which is a more local less intellectual paper than The New York Times. We had been negotiating with the Daily News for about a year but never actually signed a contract. And then when we finally went to them with the mock-ups of artwork we wanted to produce they rejected it on the basis that 'it wasn't art it was editorial.' So then we took the project to The New York Times and worked with the 'advertising acceptability director' there, who was concerned that the piece by Carrie Mae Weems' work would be misunderstood by members of the audience as racist and wouldn't know it was made by an African-American artist, but eventually they accepted the project."; since it was printed on newsprint it has browned a little; issue is tight, and overall in VERY GOOD COND.