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Published by Museum of Modern Art, 1968
Seller: The Bookman & The Lady, Santa Fe, NM, U.S.A.
Book First Edition
Hardcover. Condition: Good. Dust Jacket Condition: None Issued. First Edition. Hardcover with metal covers. Owner name to front end page. Otherwise clean and unamrked. Binding strong. Metal spine has some rusting, light wear to covers. Decent copy in good condition. Additional photos available upon request. All of our books are carefully wrapped and shipped in a box.
Hardcover. Condition: Very Good. 1st Edition. DECORATED METAL COVERS AND SPINE ARE VERY GOOD.CONTENTS ARE CLEAN AND BRIGHT.
Published by The Museum of Modern Art, New York, 1968
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.
square 8vo. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color. 216, (2) pages. Well-illustrated exhibition catalogue. Very good condition. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color.
Published by Museum of Modern Art, 1968
Seller: Brooklyn Rare Books, Brooklyn, NY, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. First Printing.
Published by The Museum of Modern Art, New York, 1968
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: No Dustjacket. Presumed First. Presumed first edition w/NAP, metal covers with painted illustration to front, has a touch of bowing to the front cover, faint rubbing and scuffing to covers and spine, a hint of spotting to spine, and a thin crease with some smudges of soiling to the front endpage, otherwise a solid, tight VG copy.
Published by Museum of Modern Art,, New York:, 1968
Black & White Photographs (illustrator). New York:: Museum of Modern Art, 1968. Sm 4to., 218 pp. .
Published by MOMA., NEW YORK., 1968
Seller: Angus Books, SHEFFIELD, MA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. UNUSUAL METAL BINDING WITH FULL COLOR EMBOSSED COVER ILLUSTRATION.METAL SPINE DISCOLORED.BINDING ELSE FINE.CONTENTS CLEAN.B/W ILLUSTRATIONS.NOTES.BIBLIOGRAPHY.INDEX.
Published by The Museum of Modern Art, New York, NY, 1968
Seller: Antiques & Art, Piedmont, SD, U.S.A.
metal cover. Condition: good, fon. 216 Art and machine at the MET. Interesting metal binding.
Louisiana, Museum for Moderne Kunst, Humlebæk 1973. 4to. 51 sider. Rigt illustreret i s/h. Tekstsiderne trykt på tyndt pergament eller kalke. Heftet med orig. omslag. Ganske lette brugsspor. * Jean Tinguely's tilbagekomst på Louisiana, efter han i 1961 på det nærmeste afbrændte og pulveriserede en due i sin selvdestruerende mobile-maskine "Etude til verdens undergang nr. 1".
Published by The Museum of Modern Art, New York, 1968
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
First Edition
Hardcover. Condition: Very Good. First Edition. 4to. Pp. [2], 3-216. Frontis. Black & white photograph of "Homage to New York," a self-constructing and self-destroying work of art by Jean Tinguely. Laden with black & white photography and illustrations. Notes. Index. Bound in stamped tin boards depicting in color a NYC street scene with MOMA as the centerpiece. Spine just a tad tarnished. Swedish art collector and museum director K. G. Pontus Hulten, (1924-2006), compiled this catalog for the MOMA exhibition, 1968-1969, for which he served as curator. Hulten described the show as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly important." A handsome copy.
Published by Museum of Modern Art, 1968
Seller: Broad Street Books, Branchville, NJ, U.S.A.
Book
hardcover. Condition: As New. Book is in excellent condition, text is unmarked and pages are tight.
Published by MOMA, 1968
Seller: Friends of Poughkeepsie Library, Poughkeepsie, NY, U.S.A.
Book
Hardcover. Condition: Good. Good, Metal covers and spine with wear and scratching, some small areas of shallow metal loss. Title Page with soft creasing toward hinge. Tanning to page margins. Soil to first few pages and text block edges. Shelf 3a.
Published by Generic, 1968
Seller: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condition: Good.
Published by MOMA January 1968, 1968
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Hardcover. Condition: Used - Very Good. Metal Cover Has a crease in back corner otherwise a nice clean tight copy . Very light page toning.
Published by The Museum Of Modern Art (Moma), New York City, 1968
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Book First Edition
Hardcover. Condition: Very Good. Photographs Throughout (illustrator). 1st Edition. 218 Pp. Original Stamped Metal Covers, Hinged At Spine, With Colored Illustration Of The Entrance To Moma On Front Panel. Light Wear At Edges, Cover Illustration And Hinges Intact, Discoloration To Metal Spine, 1/4" Area With Slight Waviness At Top Of Front Spine Overlap.
Published by New York Graphic Society, Boston, 1975
ISBN 10: 0821205471ISBN 13: 9780821205471
Book
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fair. Dust jacket has three two to three inch tears and a few small ones (now in maylar to protect it).
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Also find First Edition
Published by Museum of Modern Art, 1968
Seller: Sheafe Street Books, Portsmouth, NH, U.S.A.
Book
Hardcover. Condition: Very Good. Decorated Metal covers. Many photos and drawings of Machines through the ages.
Published by THE MUSEUM OF MODERN ART,NEW YORK.1968., 1968
Seller: Angus Books, SHEFFIELD, MA, U.S.A.
Book
Hardcover. Condition: Good PLUS. FIRST EDITION.NF BOOK WITH HINGED ALIMINIUM DECORATED COVERS.
Published by The Museum of Modern Art, New York, 1968
Seller: Small Volume Books, Providence, RI, U.S.A.
Hinged Metal. 4to. 216 pp. Pressed aluminum binding designed by Anders Osterlin, after photograph by Alicia Legg. Light scuffing to front and rear panels. Light toning to margins throughout. Profusely illustrated exhibition catalogue.
Published by Museum of Modern Art, New York, New York, 1968
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Very Good. First edition. Square octavo. 216 [2] pp. Illustrated. Color pictorial metal covers. Covers rubbed and soiled with small stains, very good, lacking the cardboard slipcase.
Published by Museum of Modern Art. First American edition, New York, 1968
Seller: Badger Books, Woollahra, NSW, Australia
First Edition
Hardcover/Hardback. Condition: Fine. First Edition. Exhibition catalogue. The representation of the machine -utopian, oppressive, convenience, speed, wonder - through the ages, inside and outside of the body; 100+ reproductions. Pressed tin binding of coloured MOMA New York scene; three rivets on spine. Rust marks along spine and adjacent to MOMA sign on cover, else very good. book.
Published by Museum of Modern Art, New York, 1968
Seller: Pegasus Books, Farmington Hills, MI, U.S.A.
First Edition
Hardcover. Condition: Very Good+. First Edition (?). B & W and Color; 9.40 X 8.30 X 0.10 inches; 218 pages; Covers are most unusual, made out of stamped metal, with a very colorful front cover. Metal hinges; light rubbing, scuffing to covers and spine. Former owner's sticker and small sticker residue spot on front leaf. Pages are clean and tight. Lavishly illustrated with mostly b/w art from the 15th century [Leonardo da Vinci] to 1968 [Lillian Schwartz, et al]. Artist's index. This was one of the most important exhibitions of the 1960s dealing with art and technology. The show was held at The Museum of Modern Art, New York, November 25, 1968 - February 9, 1969. Its curator K. G. Pontus Hultén described it as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly important." The exhibition traveled to University of St. Thomas, Houston, March 25 - May 18, 1969; San Francisco Museum of Art, San Francisco June 23 - August 24, 1969. Extra heavy 4#.
Published by New York: The Museum of Modern Art, (1968). (1968)., 1968
Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Very good. New York: The Museum of Modern Art, (1968). (1968). Very good. - Small quarto [9-1/2 inches high by 8-1/2 inches wide], color printed embossed aluminum boards designed by Anders Osterlin.The rear cover is rubbed & the front cover is lightly rubbed. The spine is rusted. 216 & [2] pages. Profuse illustrations in black, white & blue. There is an owner's inscription on the front endpaper. The page edges are darkened & there is some minor soiling to the fore-edge & top edge. Very good. Published in conjunction with an exhibition which was shown at the Museum of Modern Art, New York City from November 25, 1968 to February 9, 1969, and subsequently toured to Houston and San Francisco."Historically machines have often been regarded as toys, or agents of magic, marvel, and fantasy.The story of how artists in this century have looked upon and interpreted machines is highly dramatic. Their attitudes have ranged from deepest despair to devotion and even idolatry. It should be noted that such extreme positions have been taken by artists who are among the most significant of our time." [From the introduction by K. G. Pontus Hulten].
Published by Thames and Hudson, London, 1975
Seller: Dublin Bookbrowsers, Dublin, NONE, Ireland
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. First Edition. Pp. 364. Profusely illustrated. D.j.nicked and with tear to upper d.j. spine.
Published by MOMA, New York, 1968
Seller: Monroe Street Books, Middlebury, VT, U.S.A.
First Edition
Condition: Very Good. Dust Jacket Condition: None. 218 pages. Hinged metal covers. Previous owners name at top of title page. Black & white photographs and illustrations. Light wear. Clean, tight copy. Record # 611814.
Published by NY: Museum of Modern Art, 1968
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with printed metal covers; 218 pages; very good condition: metal cover is still very clean; no internal marks. Foreign shipping may be extra.
Published by The Museum of Modern Art, New York, 1968
Seller: Monroe Street Books, Middlebury, VT, U.S.A.
First Edition
Condition: Very Good. Dust Jacket Condition: None. 216 pages. Metal cover. Many b&w illustrations throughout. A nice, clean copy. Record # 853206.
Published by The Museum of Modern Art, New York, 1968
Hardcover. Condition: Very Good. Illustrated work presents artists' reflections on machinery and other forms of technology. Quarto (24.5 cm tall). 218 pp. Metal binding with decoratively stamped boards. From private collection. Metal is a little tarnished along spine and edges of boards. Light spotting to edges of book block.
Published by Stockholm: Moderna Museet, 1970
Seller: ANARTIST, New York, NY, U.S.A.
Softcover exhibition catalog, 168 pages, in French and Swedish, good condition, slight warping/ ruffled pages along base due to moisture exposure, 6-inch diagonal crease to rear cover affects last few pages; a few scuffs to cover; no internal marks. Includes: Lars Englund, Einar Hoste, Ulrik Samuelson, John-e Franzen, Olle Kaks, Lars Hillersberg, Dick Bengtsson, Ola Billgren. As is, but a very good reference copy.
Published by The Museum of Modern Art, New York, 1968
Seller: Counterpoint Records & Books, Los Angeles, CA, U.S.A.
First Edition
Metal. Condition: Good. First Thus. Metal illustrated covers show light wear/scuffing and scratches to edges and covers of book, meatl spine is moderately tarnished, covers are gently bowed. Book body is clean, illustrated in b/w, pages lightly age-toned.