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Published by Turnhout: Brepols, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: Anselm Scrivener Books, Chapel Hill, NC, U.S.A.
Book
Contains articles in English, French, and Dutch, as well as an accompanying CD of music, Ik ben getrouwd met een kwaaie Griet, performed by Ensemble Cannamella, dir. Aline Hopchet. 277 pp.; black-and-white plates throughout. Paperback. Unread, as new. New list price: $98.00.
Published by Brepols Publishers, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: ISD LLC, Bristol, CT, U.S.A.
Book First Edition
paperback. Condition: New. 1st.
Published by Brepols Publishers, 2012
ISBN 10: 2503542271ISBN 13: 9782503542270
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 01 edition. 250 pages. 11.75x8.50x0.50 inches. In Stock.
Published by Brepols N.V., 2012
ISBN 10: 2503542271ISBN 13: 9782503542270
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Book
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Brepols Publishers, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. paperback/cd bl edition. 277 pages. 11.50x8.00x0.75 inches. In Stock.
Published by Brepols, Turnhout, 2012
ISBN 10: 2503542271ISBN 13: 9782503542270
Seller: Luigi De Bei, PREGANZIOL, TV, Italy
Book First Edition
Couverture souple. Condition: As New. Dust Jacket Condition: As New. Edition originale. Museums at the Crossroads (MAC) Family Ties Art Production and Kinship Patterns in the Early Modern Low Countries K. Brosens, L. Kelchtermans, K. Van der Stighelen (eds.) 239 p., 150 b/w ill., 210 x 297 mm, 2012 ISBN: 978-2-503-54227-0 Languages: English Paperback The publication is available. Retail price: EURO 98,00.- Table of Contents: Hessel Miedema, Kinship and Network in Karel van Mander; Axel Marx, Why Social Network Analysis Might Be Relevant for Art Historians: a Management Perspective; Koenraad Brosens, Can Tapestry Research Benefit from Economic Sociology and Social Network Analysis?; Neil De Marchi and Hans J. Van Miegroet, Uncertainty, Family Ties and Derivative Painting in Seventeenth-Century Antwerp; Rudi Ekkart, Dutch Family Ties: Painter Families in Seventeenth-Century Holland; Brecht Dewilde, On Noble Artists and Poor Painters: Networking Artists in Renaissance Bruges; Natasja Peeters, From Nicolaas to Constantijn: the Francken Family and their Rich Artistic Heritage (c. 1550¿1717); Miroslav Kindl, The De Herdt (De Harde) Family in the Service of Emperor Leopold in Vienna; Nils Büttner, Rubens & Son; Jeremy Howarth, The Steenwyck Paintings, Products of Family Enterprise; Hans Vlieghe, Going their Separate Ways: the Artistic Inclinations and Paths of David Teniers I, II and III; Prisca Valkeneers, Justus van Egmont (1602¿1674) and his Workshop in Paris; Bert Timmermans, ¿Siet wat een vrucht dat baert hen kercken te vercieren¿. Family, Agency and Networks of Patronage: towards a Mapping of the Revival of the Family Chapel in Seventeenth-Century Antwerp; Alison Stoesser, Lucas and Cornelis de Wael: their Family Network in Antwerp and Beyond language : english text Size: 210 X297 Mm.
Published by Brepols Publishers 2013, 2013
Paperback, 280 pages., 120 b/w ill., CD, 210 x 297 mm, Languages: English. ISBN 9782503542287. It would appear that Flemish Baroque has come to be regarded as synonymous with Antwerp Baroque. The aim of this publication on art and art production in Brussels in the period 1600?1800 is to reconsider the art-historical position of Brussels as a major hub of activity and place of residence for courtiers and artists alike. Attention will focus on matters as diverse as literature, music, housing, and the guild system, besides which aspects of the art trade, style differentiation and case studies relating to individual artists will be discussed. In the seventeenth and early eighteenth centuries, the Habsburg Court was viewed as the supreme creative centre, where systems of symbols were forged and propagated that were designed to display both the artist?s craftsmanship and the ruler?s piety. I. The Context of The City, Veerle De Laet, At home in seventeenth-century Brussels. Patterns of art and luxury consumption, Harald Deceulaer, Fashion, innovation and regional distribution. The clothing trades in Brussels, sixteenth?eighteenth centuries, Karel Porteman, A few literary-historical vedute of seventeenth-century Brussels, Maartje De Wilde, De lokroep van de nachtegaal: wereldlijke liedboeken uit het zeventiende-eeuwse Brussel. II. Art Production 0 g.
Published by Brepols Publishers, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Soft Cover. Condition: new.
Published by Brepols Pub, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book
Condition: New.
Published by Brepols Publishers, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: dsmbooks, Liverpool, United Kingdom
Book
Paperback. Condition: New. New. book.
Published by Brepols N.V., Turnhout, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: CitiRetail, Stevenage, United Kingdom
Book
Paperback. Condition: new. Paperback. It would appear that 'Flemish Baroque' has come to be regarded as synonymous with 'Antwerp Baroque'. The aim of this publication on art and art production in Brussels in the period 1600-1800 is to reconsider the art-historical position of Brussels as a major hub of activity and place of residence for courtiers and artists alike. Attention will focus on matters as diverse as literature, music, housing, and the guild system, besides which aspects of the art trade, style differentiation and case studies relating to individual artists will be discussed. In the seventeenth and early eighteenth centuries, the Habsburg Court was viewed as the supreme creative centre, where systems of symbols were forged and propagated that were designed to display both the artist's craftsmanship and the ruler's piety. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Brepols Pub, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Book
Condition: New.
Published by Brepols N.V., Turnhout, 2013
ISBN 10: 250354228XISBN 13: 9782503542287
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Paperback. Condition: new. Paperback. It would appear that 'Flemish Baroque' has come to be regarded as synonymous with 'Antwerp Baroque'. The aim of this publication on art and art production in Brussels in the period 1600-1800 is to reconsider the art-historical position of Brussels as a major hub of activity and place of residence for courtiers and artists alike. Attention will focus on matters as diverse as literature, music, housing, and the guild system, besides which aspects of the art trade, style differentiation and case studies relating to individual artists will be discussed. In the seventeenth and early eighteenth centuries, the Habsburg Court was viewed as the supreme creative centre, where systems of symbols were forged and propagated that were designed to display both the artist's craftsmanship and the ruler's piety. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.