Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
Condition: Good. Good condition. No Dust Jacket (Women Authors, Conferences, Criticism) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
Seller: Jackson Street Booksellers, Omaha, NE, U.S.A.
First Edition
Hardcover. Condition: Near Fine. 1st Edition. Near fine copy in blue cloth with silver titles. No jacket. Literary Criticism.
Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Greenwood Press, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Bloomsbury, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by ABC-CLIO, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Bloomsbury 3PL, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by ABC-CLIO, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Bloomsbury Publishing Plc, Westport, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Hardcover. Condition: new. Hardcover. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Each of the thirty-four essays, contributed by some of today's most distinguished writers, speaks to the work of a particular twentieth-century woman writer, and each constitutes a contribution to the scholarly debate. Questions are raised as to the appropriate posture a critic should adopt, and whether a critic of women's writing should deal with the work as the product of a woman's hand, dwelling on the sensibilities of the female consciousness, or assume that the proper point of departure remains the artistic and aesthetic norms that have emerged from generations of male-defined practice. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Praeger Pub Text, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Hardcover. Condition: Brand New. 359 pages. 9.50x6.25x1.25 inches. In Stock.
Published by ABC-CLIO, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
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Published by Greenwood Press, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
Seller: moluna, Greven, Germany
Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics perceptions about how women writers have dealt with the complexity of changing female visions.
Published by Praeger, 1988
ISBN 10: 0313259569 ISBN 13: 9780313259562
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the twentieth century. Each of the thirty-four essays, contributed by some of today's most distinguished writers, speaks to the work of a particular twentieth-century woman writer, and each constitutes a contribution to the scholarly debate. Questions are raised as to the appropriate posture a critic should adopt, and whether a critic of women's writing should deal with the work as the product of a woman's hand, dwelling on the sensibilities of the female consciousness, or assume that the proper point of departure remains the artistic and aesthetic norms that have emerged from generations of male-defined practice.