Published by Flowerpot Press, 2021
ISBN 10: 1486718833 ISBN 13: 9781486718832
Seller: HPB-Movies, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Flowerpot Press, 2016
ISBN 10: 1486708021 ISBN 13: 9781486708024
Seller: -OnTimeBooks-, Phoenix, AZ, U.S.A.
Condition: good. Mark Kummer (illustrator). Book may contain some writing, highlighting, and or cover damage. Shipped fast and reliably!.
Published by Flowerpot Press, 2019
ISBN 10: 1486716547 ISBN 13: 9781486716548
Seller: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condition: new.
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Published by Flowerpot Press, 2022
ISBN 10: 1486721079 ISBN 13: 9781486721078
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Flowerpot Press February 2016, 2016
ISBN 10: 1486708013 ISBN 13: 9781486708017
Seller: Firefly Bookstore, Kutztown, PA, U.S.A.
Board Book. Condition: Used Very Good. Mark Kummer (illustrator). Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.
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Published by Flowerpot Press, 2019
ISBN 10: 1486716539 ISBN 13: 9781486716531
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Flowerpot Press, 2016
ISBN 10: 1486707998 ISBN 13: 9781486707997
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Mark Kummer (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Prentice - Hall, Inc., Englewood Cliffs, New Jersey:, 1971
ISBN 10: 0131974424 ISBN 13: 9780131974425
Seller: About Books, Henderson, NV, U.S.A.
First Edition
Paperback. Condition: Very Good condition. Muni Lieblein cover design. (illustrator). First Printing of the First Edition. Englewood Cliffs, New Jersey:: Prentice - Hall, Inc., 1971. 5.5" wide by 8" tall. Bright, shiny, clean, square, and tight. No remainder marks. No owner's name or bookplate. Flat, uncreased spine. Anthology, with brief biographies of the 22 contributors: Tristan Tzara, Jean Arp, Marcel Janco, John Heartfield, Hans Richter, Theo van Doesburg, Man Ray, Hannah Höch, Enrico Prampolini, Jean Crotti, Francis Picabia, etc. First printing, with complete number row (10 987654321) on the copyright page. From the rear cover: "Lucy Lippard reconstructs the anarchic history and harsh, vivid spirit of the Dada movement by presenting the prose, poetry, and polemic of the artists themselves and of their poet friends. Articles - several appearing in English for the first time - by Marcel Duchamp, Max Ernst, Richard Hulsenbeck, and many others reflect the political and artistic revolution with which the Dadas confronted the crises in Europe after World War I. This collection provides vivid examples of the Dada influence on the Western world and demonstrates Dada's continuing power to affect the arts of the sixties and seventies.". First Printing of the First Edition. Trade Paperback. Very Good condition. Illus. by Muni Lieblein cover design. xii, 178pp.
Published by Art-Rite Publishing Co. New York, NY, 1975
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.
Published by Art-Rite Publishing Co. New York, NY, 1975
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.
Published by [New York], [NY], 1969
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.