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Published by The Museum of Modern Art, New York, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Sunshine State Books, Lithia, FL, U.S.A.
Book
hardcover. Condition: As New. Hardback--no flaws.
Published by The Museum of Modern Art, New York, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Sunshine State Books, Lithia, FL, U.S.A.
Book
hardcover. Condition: Very Good. Paperback--excellent condition.
Published by The Museum of Modern Art, New York, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Southampton Books, Southampton, NY, U.S.A.
Book First Edition
Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. First Edition, First Printing. Published by MoMA, 2018. Folio. Brown cloth boards.Book is like new; clean with no writing or names. Spine straight, binding tight and pages crisp. Very light bumps to top corners. Dust jacket is like new with very light shelf wear. 355 pages. ISBN: 9781633450318. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!.
Published by MOMA and Schaulager, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover with dustjacket, 356 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Published by The Museum of Modern Art, New York, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book
Condition: Used - Very Good. Cloth, dj. Some shelf wear. Corners of spine, rear board creased, with attendant crease in jacket. Else fine. A nice, clean copy with pristine images. Very Good.
Published by Museum of Modern Art March 2018, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: Used - Like New. With a magician's sleight of hand, Nauman's art makes disappearance visibleAt 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world.This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images.Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. BEAUTIFUL COPY!!! wrapped in complimentary Brodart dust jacket protector.
Published by The Museum of Modern Art, New York, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Book
Condition: New. 2018. hardcover. Dust Jacket is Fine. In publisher's shrinkwrap. New.
Published by Museum of Modern Art, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Moe's Books, Berkeley, CA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine.
Published by MoMA, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Moe's Books, Berkeley, CA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. New.
Published by Museum of Modern Art, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 355 pages. 11.00x9.25x1.25 inches. In Stock.
Published by Museum of Modern Art, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: CitiRetail, Stevenage, United Kingdom
Book
Hardcover. Condition: new. Hardcover. With a magician's sleight of hand, Nauman's art makes disappearance visibleAt 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world.This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images.Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Museum of Modern Art, 2018
ISBN 10: 1633450317ISBN 13: 9781633450318
Seller: AussieBookSeller, Truganina, VIC, Australia
Book
Hardcover. Condition: new. Hardcover. With a magician's sleight of hand, Nauman's art makes disappearance visibleAt 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world.This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images.Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.