Published by Washington, DC - New Haven, CT: National Gallery of Art - Yale University Press, 1998., 1998
ISBN 10: 0894682288 ISBN 13: 9780894682285
Seller: David Hallinan, Bookseller, Columbus, MS, U.S.A.
367 pages. Large paperback: H 29.25cm x L 26.75cm. Glossy paper covers lightly rubbed with some scuffing at edges; patch of bubbling to rear cover's clear laminate at bottom center. Interior pages are bright and clean. Binding is firm. A very good+ copy. Published as the accompanying catalog for an exhibition held at National Gallery of Art in Washington, DC from March 29 to July 12, 1998 and at the San Francisco Museum of Modern Art from September 4 to December 1, 1998. Please note that this large book has an approximate shipping weight of 5.5 pounds (2.49 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0894682288.
Published by National Gallery of Art, 1998
ISBN 10: 0894682288 ISBN 13: 9780894682285
Seller: Moe's Books, Berkeley, CA, U.S.A.
Soft Cover. Condition: Very Good. No Jacket. Edges of cover are very lightly faded, and corners are slightly rubbed. Light scuffing on front cover. Inside is clean, bright, and unmarked.
Published by National Gallery of Art; Yale University Press, Washington D.C. and New Haven, CT, 1998
ISBN 10: 0300075189 ISBN 13: 9780300075182
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Cloth, 367 pages, illustrations (some colour); 30 cm. Catalogue of an exhibition held at the National Gallery of Art, Washington, 29 March to 12 July 1998 and San Francisco Museum of Modern Art, 4 September to 1 December 1998. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Catalogue of a centenary retrospective exhibition of 265 objects by Alexander Calder, including sculptures, paintings, drawings and jewelry. Text of the catalogue is divided into five chronological sections each of which is accompanied by a detailed chronology. The exhibition emphasizes the artist's early career into the 1940s when he created his first mobiles, stabiles and standing mobiles. His monumental public scuptures from the last two-and-a-half decades of his career is the focus of the final section. The publication also includes an essay titled Staging Movement by Arnauld Pierre and a detailed exhibition history by Alexander S.C. Rower." - Publisher. Size: 4to.