Published by C R Billiards, 1993
ISBN 10: 1880135035 ISBN 13: 9781880135037
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Publication Date: 1978
Seller: Jt,s junk box, Newcastle, STAFF, United Kingdom
Soft cover. Condition: Good.
Published by Kensim Press Ltd, London, UK, 1975
Seller: Sarah Zaluckyj, KINGTON, United Kingdom
Soft cover. Condition: Good ++/Very Good. 143 pages. Cllean white background covers with white spine and black titles - label abrasion to front top corner area of front cover. Light/moderate wear to covers' corners and edges. Page-edges lightly greyed o/w pages clean and tidy.
Published by Dora Stratou Theatre ?, Athens
ISBN 10: 9607204093 ISBN 13: 9789607204097
Seller: BOOKSTALLblog, Thessaloniki, Greece
First Edition
Condition: Very Good-. 1st bilingual. A 1st bilingual ed. very good- paperback (flaps), minor signs of wear on cov. as in image, text/block tight clean, FON. 40 col. photos of costumes + col. photos inside flaps. 94p. 30x23cm. 500gr. It is quite unusual for a theater to present its wardrobe costumes in a book. Costumes - like sets - are designed and built to serve a performance, so the viewer sees them as an integral part of the play. On their own they don't have much to say, because they were made only for the stage and not to be worn outside of it. This perception also prevailed in our own theater in its 47 years of history which are now completed. We were satisfied with the fact that the spectators had the opportunity to enjoy them in the 200 performances that we give every year, and even enlivened in the most charming way: with the dances and music that suit each one. Today we come, albeit belatedly, to remedy this omission by presenting costumes on their own, without their dances and music. Thus the reader will be enabled to notice so many remarkable details, which our theatre-goers cannot do, with the distance that separates them from the stage and the movement of the dancers. By publishing these photos, we symbolically make up for the lack of an exhibition space where we could show the visitor even a small part of a huge collection: 2,000 complete costumes plus their individual parts, jewelry, accessories, etc. (from the foreword).