Published by Steidl, Göttingen, 2008
ISBN 10: 3865216730 ISBN 13: 9783865216731
Seller: La Social. Galería y Libros, Barcelona, BCN, Spain
Tapa dura. Condition: Muy bien. EXCELENTE ejemplar. S/p.
Published by Editions Macula and Centre Pompidou, 2016
ISBN 10: 2865890899 ISBN 13: 9782865890897
Seller: ANARTIST, New York, NY, U.S.A.
Signed
Softcover, 244 pages; in French; as new condition; clean and crisp; signed by JOhn Cohen under his printed name on fist page; no other internal marks. Foreign shipping may be extra.
Published by MACULA, 2016
ISBN 10: 2865890899 ISBN 13: 9782865890897
Seller: Gallix, Gif sur Yvette, France
Condition: Neuf.
Paperback. Composed in two paginations: 104p. plus another section of about 90p., the Fitzhugh Ludlow novel printed four facsimile pages to one (totaling 371 in the plate). A huge (15.5x 11.5 inch) softbound, rubricated title, presswork on what amounts to newsprint. Few illustrations but the few photographs include several by Robert Frank. Paperstock is very toned, fragility an issue, eccentric trimming of foredge, an oddity in most every respect; good condition, handleable if done gingerly. Includes Kerouac's "The Flying Horses of Mein-Mo," Ginsberg's "Aether," a play by John Ashbery, materials on Cuba, and the complete facsimile text of Ludlow's "The Hasheesh Eater.".
Published by Grove Press, New York, 1961
Seller: Bad Animal, Santa Cruz, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. Grove Press: 1961. Octavo. Soft cover. First printing. Sticker residue to the front cover. Some rubbing and wear to the wraps. On the lower end of very good condition.
Published by New York: The Hasty Papers, 1960
Seller: Philip Smith, Bookseller, Berkeley, CA, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st edition. Near VG. Folio, ~128pp (printed two-column), printed wrappers. Alfred Leslie's unique one-shot review from 1960, containing a delirious amalgam of literary and countercultural contributors (including Fitzhugh Ludlow's The Hasheesh Eater, reproduced in its entirety). Unmarked copy, typical toning of interior newsprint stock, a little toning, soil and wear to covers (1-1/4" closed tear at top of spine). Highly recommended. Not Signed.
Hardcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket. First Edition; First Printing. First hardcover edition. Fine in pictorial boards, without dust jacket as issued. (Unpaginated) Introduction by Jerry Tallmer. ; 5" x 8"; 64 pages 978-3-86521-673-1.
Published by Grove Press, New York, 1961
Seller: Lorne Bair Rare Books, ABAA, Winchester, VA, U.S.A.
First Edition
First Edition. First printing. Small octavo; stiff pictorial wraps; 38pp text + photo illus. Faint creasing, moderate rubbing and soil to covers. By no means a standout copy, but still Very Good, free of markings or internal wear. Text, mainly by Kerouac (but the title poem co-written by Kerouac and Ginsberg) for the short film produced by Robert Frank and Alfred Leslie, documenting life within the "highest echelons of Beat society" (from the rear cover blurb).
Soft cover. Condition: See Description. 1st Edition. Pull My Daisy, Text by Jack Kerouac for the Film by, Robert Frank and Alfred Leslie. Published by Grove Press, New York, USA, 1959/61. First Edition. Stated First Printing. Softcover. 8vo. over 7¾" - 9¾" Unpaginated. Numerous black and white stills from the film by Robert Frank. Text in English by Jack Kerouac. Light edgewear, soiling and rubbing to card covers. Previous owners name top edge free endpaper; otherwise clean internally with an occasional very small fox mark. From the back cover- "Here is the complete Kerouac text, with photos selected by Robert Frank from the film Pull My Daisy- a short cinematographic exhibition of 'Beat' life in a Bowery 'pad' on New York's Lower East Side, with spontaneous performances by poets Allen Ginsberg, Gregory Corso, and Peter Orlovsky, painter Larry Rivers, composer David Amram, and other characters drawn from the highest echelons of Beat Society.".
Steidl. 2012. 8°. Slim octavo. 88 (4) Seiten / pages. DVD + a text booklet with an introduction. In printed cardboard box. Pull My Daisy is a collectable object containing Robert Frank's famous film of 1959 on DVD; a text booklet with an introduction, the transcript of the film and lyrics to the opening song; and a photo-magazine of on-set documentary photos by John Cohen. Pull My Daisy typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Pull My Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It stars Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, the movie tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959. Frank's other important projects include the books Black White and Things (1952), and Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling Stones. He divides his time between New York City and Nova Scotia, Canada. - Tadellos. Noch in Schutzfolie verschweißt. Fine copy. Still sealed. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Published by Cinema 16 New York, NY, 1959
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[4] pp.; 21.3 x 16.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single fold program for screenings of "Pull My Daisy," produced and directed by Robert Frank and Afred Leslie and "Shadows" directed by John Cassavettes held at Cinema 16 in New York City, November 10/11, 1969. Essay "A Few Notes on Spontaneous Cinema," by Jonas Mekas. Good. Folded in four. Robert Frank's name highlighted in yellow on recto. Light yellowing soiling to bottom left corner of recto including 3 mm., 2 mm., 2 mm., 4 mm. and 1 mm. marks. Additional light handling wear. Contents clean and unmarked.
Steidl. 2012. 8°. Slim octavo. 88 (4) Seiten / pages. DVD + a text booklet with an introduction. In printed cardboard box. Pull My Daisy is a collectable object containing Robert Frank's famous film of 1959 on DVD; a text booklet with an introduction, the transcript of the film and lyrics to the opening song; and a photo-magazine of on-set documentary photos by John Cohen. Pull My Daisy typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Pull My Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It stars Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, the movie tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959. Frank's other important projects include the books Black White and Things (1952), and Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling Stones. He divides his time between New York City and Nova Scotia, Canada. - Tadellos. Noch in Schutzfolie verschweißt. Fine copy. Still sealed. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Steidl. 2012. 8°. Slim octavo. 88 (4) Seiten / pages. DVD + a text booklet with an introduction. In printed cardboard box. "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION" - WIR SIND BEKANNT FÜR SOLIDESTE VERPACKUNG" Die angegebenen Versandkosten gelten für Bücher bis 1000 Gramm. Bücher über 1000 Gramm kosten nach Deutschland EUR 4,50. Pull My Daisy is a collectable object containing Robert Frank's famous film of 1959 on DVD; a text booklet with an introduction, the transcript of the film and lyrics to the opening song; and a photo-magazine of on-set documentary photos by John Cohen. Pull My Daisy typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Pull My Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It stars Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, the movie tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959. Frank's other important projects include the books Black White and Things (1952), and Lines of My Hand (1972), as well as the film Cocksucker Blues (1972) for the Rolling Stones. He divides his time between New York City and Nova Scotia, Canada. - Tadellos. Noch in Schutzfolie verschweißt. Fine copy. Still sealed. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Published by Grove Press, 1961
Seller: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, Australia
First Edition
Stiff Wraps. Introd. Jerry Tallmer (illustrator). 1st Edition. First printing. E-294. Original stiff illustrated wraps, b&w illus, pp 38 plus photograph section. Lightly creased lower front corner, previous owner's bookplate. Very good condition. The complete Kerouac text, with photos selected by Robert Frank for the film Pull My Daisy - a short cinematographic exhibition of Beat life on the Lower East Side, with spontaneous performances by poets Allen Ginsberg, Gregory Corso, and Peter Orlovsky, painter Larry Rivers, composer David Amram, and other characters drawn from the highest echelons of Beat society. Extensively illustrated with stills from the film.
Published by Grove Press/Evergreen Books, 1961
Seller: Simply Read Books, Boat Of Garten, United Kingdom
First Edition
Soft cover. Condition: Very Good. 1st Edition. 1961 Grove Press/Evergreen Books first printing paperback; Very Good clean copy, appears unread; UK dealer, immediate dispatch.
Paperback. Condition: Very Good. First edition. First printing stated. A small trade paperback original book. Text ad-libbed by Jack Kerouac. Containing stills from the Robert Frank film. A clean and tightly bound copy. Typical light fade to spine colors.
Published by Grove Press, New York, 1961
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Very Good. First edition. Paperback original. Text by Jack Kerouac for the Film by Robert Frank and Alfred Leslie. Illustrated wrappers. Faint crease and modest age-toning both on the front wrap, very good.
Published by Grove Press, New York, 1959
Seller: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
First Edition
Original Wraps. Condition: Near Fine. No Jacket. First Edition. 8vo - over 7¾" - 9¾" tall. Very light scuffing visible to black and white photograph on front cover, very small stain as well. Other wise fine.
Paperback. Condition: Very Good. First edition. First printing stated. A small trade paperback original book. Text ad-libbed by Jack Kerouac. Containing stills from the Robert Frank film. Light age spotting to endpapers, else a clean and tightly bound copy. Typical light fade to spine colors.
Published by Grove Press, New York, 1961
First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled, near fine.
Published by Grove Press, New York, 1961
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Near Fine. First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled, near fine.
First edition. Paperback original. Text by Jack Kerouac for the Film by Robert Frank and Alfred Leslie. Advance Review Copy with slip laid in. A tiny crease on front wrap, else fine. Slight offsetting on the review slip.
Condition: Near Fine. First Edition. A trade paperback original. Near fine in pictorial printed wrappers. (Orange hue on spine somewhat faded) A sharp copy of a slim & fragile title which is prone to wear. (B).
Published by Grove Press, New York and London, 1961
First Edition Signed
Paperback. Condition: Very Good. First edition. First printing stated. A small trade paperback original book. Text ad-libbed by Jack Kerouac. Containing stills from the Robert Frank film. A handsome near fine copy with typical light fade to spine colors. This copy has been SIGNED and briefly ANNOTATED by Allen Ginsberg who was one of the spontaneous performers in this production (along with Gregory Corso, Peter Orlovsky and Larry Rivers).
Published by Grove Press, New York, 1961
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Near Fine. First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled and rubbed, and a tiny stain on the foredge, else near fine. [With] Small broadside or handbill for the premiere of the film: "The New Yorker Theater . Beginning April 7 U.S. Premiere of Pull My Daisy." 8.5" x 11". Old folds, else near fine. A scarce ephemeral piece for the experimental film.
Published by Grove Press, Evergreen, 1961
Seller: ABL Books, Fulton, MO, U.S.A.
First Edition Signed
Soft cover. Condition: Fine. No Jacket. 1st Edition. Signed by Robert Frank. In beautiful condition, appears to be an unread copy. Just a slight touch of toning from the years. Minuscule rubbing on front lower left cover (see photo), two tiny foxing spots on back cover upper left edge, one tiny foxing spot on top edge spine and tiny foxing area front cover upper right edge. (One needs to be looking hard to even see these). The complete Jack Kerouac text, with photos selected by Robert Frank for the film Pull My Daisy - a short cinematographic exhibition of Beat life on the Lower East Side, with spontaneous performances by poets Allen Ginsberg, Gregory Corso, and Peter Orlovsky, painter Larry Rivers, composer David Amram and others. Signed by Author(s).
Published by Grove Press and Evergreen Books, 1961
Seller: Rob Warren Books, Richmond, VA, U.S.A.
First Edition Signed
Soft cover. Condition: Near Fine. 1st Edition. Signed by the following people who appeared in or were involved with the production of the film in1959 Pull My Daisy: Robert Frank, Allen Ginsberg, David Amram (Music), John Cohen (the still photographer for the film), Larry Rivers and Alfred Leslie. Pull My Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Pull My Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. The book is fairly scarce because many copies were destroyed in a fire at Alfred Leslie's studio. An excellent near fine copy. Front cover is lightly rubbed. Signed by Author(s).
Published by N.p., N.p., 1959
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Four vintage reference photographs from the 1959 short film. Three with the title in manuscript ink on the bottom margin of the recto, and one with a provenance label on the verso. Based on a purportedly true incident in the life of Beat icons Neal and Carolyn Cassady, wherein a couple's dinner party for a visiting bishop is crashed by their zany bohemian friends. Adapted by Jack Kerouac from the third act of his play "Beat Generation," with voiceover narration by Kerouac, and a title taken from the poem of the same name co-written by Kerouac, Cassady, and Allen Ginsberg. For years the film was rumored to have been entirely unscripted, capturing a real event at co-director Alfred Leslie's loft in the Bowery, until Leslie revealed in a 1968 interview that the film had in fact been scripted, heavily rehearsed, and shot in a photography studio. 10 x 8 inches. Small chips at the top edges, else about Near Fine. National Film Registry.