Published by Museum of Contemporary Art / Steidl, Los Angeles, CA & Gottingen, Germany, 2005
ISBN 10: 0914357921 ISBN 13: 9780914357926
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Softcover. 316 pages. Exhibition catalog for a traveling show that ran December 20, 2005 through April 2, 2006 in New York, May 21 through September 11, 2006 in Los Angeles, October 25, 2006 through January 21, 2007 in Paris,and February 17 through May 6, 2007 in Stockholm. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel and Charles Stuckey. Afterword by Pontus Hulten. Includes numerous color and black and white illustrations and an inventory and history of Combines compiled by Mary Beth Carosello. A tight very near fine copy in wrappers.
Published by The Museum of Contemporary Art, Los Angeles / Steidl, Los Angeles, CA / Gottingen, 2005
ISBN 10: 3865211453 ISBN 13: 9783865211453
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Hardcover. 317 pages. Exhibition catalog for a traveling show that ran December 20, 2005 through April 2, 2996 at The Metropolitan Museum of Art and then went on to The Museum of Contemporary Art, Los Angeles for a run of May 21 through September 11, 2006 and traveled to Paris and Stockholm for additional dates. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel, and Charles Stuckey. Afterword by Pontus Hulten. Includes numerous color and black and white illustrations and an inventory and history of Combines compiled by Mary Beth Carosello. A fine copy in cloth boards in a close to near fine printed glassine jacket with a chip to the base of the front panel A very attractively printed book. This is a heavy and oversized book and will require extra shipping.
Published by The Museum of Contemporary Art, Los Angeles (MOCA) and Steidl Verlag, Los Angeles and Göttingen, Germany, 2005
ISBN 10: 3865211453 ISBN 13: 9783865211453
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
First Edition Signed
Hardcover. Condition: New. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Signed in black ink on the half-title page by Rauschenberg. Hardcover. Beige cloth-covered boards with title debossed on front cover, stamped in white on rear cover, and stamped in black and red on spine; with photographically illustrated dust jacket. Combines by Robert Rauschenberg. Organized by Paul Schimmel. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel and Charles Stuckey. Afterword by Pontus Hultén. Includes an inventory and exhibition history of Combines, and a selected bibliography of Combine-related works. Designed by Tracey Shiffman with Ari Young and Jenny Yee. 318 pp., with numerous four-color and black-and-white plates beautifully printed in Germany by Steidl. Published on the occasion of an exhibition at The Metropolitan Museum of Art, New York; traveling to The Museum of Contemporary Art, Los Angeles, Musée national d'art moderne, Centre Georges Pompidou, Paris, and Moderna Museet, Stockholm. New in Near Fine dust jacket (1/8-inch closed tear at the top of the front fold, else Fine). From the publisher: "Organized by Chief Curator Paul Schimmel, Robert Rauschenberg: Combines focuses on the Combines created roughly between 1954 and 1964, the most important decade in the artist's 50-year career. The most complete survey of these works ever mounted, the exhibition featured close to eighty key works drawn from major collections. Poetic and lush, the Combines present layers of complex and sometimes conflicting information. This prescient approach has become increasingly relevant in the current age of cascading information, when even the most groundbreaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that is characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterliness of Abstract Expressionism and iconographical, subject-driven qualities of early Pop Art. The book constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance." Signed by Author.