Published by MIT Press (MA), 1999
ISBN 10: 0262681072 ISBN 13: 9780262681070
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.4.
More buying choices from other sellers on AbeBooks
New offers from US$ 52.13
Used offers from US$ 6.98
Also find Softcover
Published by Fundacion La Caixa De Pensiones, 1993
ISBN 10: 8476644191 ISBN 13: 9788476644195
Seller: Housing Works Online Bookstore, New York, NY, U.S.A.
Condition: Good. Light general wear. May have light notes/highlighting. Shelfwear minor bruised edges on cover, scuffs on cover Hardcover.
More buying choices from other sellers on AbeBooks
Used offers from US$ 7.82
Published by Mit Pr, 1997
ISBN 10: 0262181843 ISBN 13: 9780262181846
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
More buying choices from other sellers on AbeBooks
New offers from US$ 28.69
Used offers from US$ 14.35
Also find Hardcover
Published by Scala Books, 2008
ISBN 10: 1857595386 ISBN 13: 9781857595383
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Good condition ex-library book with usual library markings and stickers.
More buying choices from other sellers on AbeBooks
New offers from US$ 30.09
Used offers from US$ 16.41
Also find Hardcover
Published by Warbler Press, 2024
ISBN 10: 196257282X ISBN 13: 9781962572828
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
More buying choices from other sellers on AbeBooks
New offers from US$ 20.00
Used offers from US$ 20.43
Also find Softcover
Published by Kunstverlag Weingarten / Verlag Der Kunst, 1990
ISBN 10: 3817025084 ISBN 13: 9783817025084
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Walter Rosenblum (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 3.
More buying choices from other sellers on AbeBooks
New offers from US$ 66.16
Used offers from US$ 21.40
Also find Hardcover First Edition Signed
Published by Schirmer/Mosel, 2007
ISBN 10: 3829602790 ISBN 13: 9783829602792
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.62.
More buying choices from other sellers on AbeBooks
New offers from US$ 148.47
Used offers from US$ 23.37
Also find Hardcover
Published by Chrysler Museum Library, 1994
ISBN 10: 094074466X ISBN 13: 9780940744660
Seller: W. Lamm, Los Angeles, CA, U.S.A.
First Edition
Soft Cover. Condition: Very Good. First Edition; First Printing. Numerous illustrations. Published in conjunction with an exhibition held at The Art Museum, Princeton University, March 25 - June 7, 1994 and at the Chrysler Museum, June 21 - September 11, 1994. ; Tight, clean and crisp. A touch of very light shelf wear, otherwise a gently read book in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; 8 X 0.25 X 1.25 inches; 87 pages.
More buying choices from other sellers on AbeBooks
New offers from US$ 173.76
Used offers from US$ 24.95
Also find Softcover First Edition
Published by Mit Pr November 1999, 1999
ISBN 10: 0262681064 ISBN 13: 9780262681063
Seller: A Cappella Books, Inc., Atlanta, GA, U.S.A.
Oversize Softcover. Condition: Very Good.
More buying choices from other sellers on AbeBooks
New offers from US$ 254.91
Used offers from US$ 25.00
Also find Softcover First Edition
Published by Kunstverlag Weingarten / Verlag Der Kunst, 1990
ISBN 10: 3817025084 ISBN 13: 9783817025084
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Walter Rosenblum (illustrator). First Edition. 4to - over 9ž" - 12" tall. Solid copy in jacket (jacket chipped with some creasing; ink stamp to bottom edge). 211 pages. Text in German and English. Survey of the works of the noted American photojournalist, from 1938 to 1980; notable for the documentary photos of Haiti (1958/59) and of the South Bronx (1980). Essays by Rice and Naomi Rosenblum; biographical chronology and selected bibliography.Rosenblum, Walter (photographer); 140 b/w Photographs.
Published by University of Colorado Boulder, Boulder, CO, 1987
First Edition
Stapled Wraps. Condition: Very Good. 1st Edition. First edition, stapled wraps, touch of light sunning and soiling to the covers, otherwise a VG copy.
Published by National Museum of Women in the Arts; Scala, Washington D.C. and London, 2008
ISBN 10: 1857595726 ISBN 13: 9781857595727
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 135 pages, illustrations (some colour); 31 cm. Published to coincide with the exhibition at The National Museum of Women in the Arts, Washington, D.C., October 17, 2008 to January 25, 2009. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "In today's image-conscious world, photography is one of the most powerful mediators of our sense of self. Exploring the ways in which female identity is constructed and mediated through the art of photography is the central theme of this fascinating, fully illustrated book, published to accompany a major exhibition at the National Museum of Women in the Arts in Washington, D.C." "This book features the work of two generations of artists whose portraiture, self-portraiture, and narrative photographs have indelibly inflected our understanding of gender and identity over the past thirty years. More specifically, it focuses on how role models and role-playing have been central to the art, meaning, and social function of contemporary photography. "Role Models" begins with the early 1980s, a time when many American women artists and photographers such as Eleanor Antin and Cindy Sherman realised that they could be both the creator and the subject of their work, while others such as Nan Goldin, Sally Mann, and Mary Ellen Mark sought to document the varied roles that women and girls try on in their struggle to find an identity that fits. "Role Models" also considers how, by the late 1990s, a generation of photographers including Anna Gaskell, Catherine Opie, and Nikki S. Lee had become exemplars for a new cadre of younger women artists by collapsing old boundaries between postmodern and documentary photography, establishing new post-feminist sensibilities and evolving more fluid concepts of female identity." - Publisher. CONTENTS: Preface, by Susan Fisher Sterling; Enigmatic spectacle: key strategies in contemporary staged photography, by Lucy Soutter; Crosscurrents: models, migrations, and modernisms, by Shelley Rice; Fashioning feminine identity in contemporary American photography, by Susan Fisher Sterling and Kathryn A. Wat; Plates; Artist biographies; Exhibition checklist. Size: 4to. Collectible.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition. 211 pages. Profusely illustrated with black and white photos. Fine condition in fine dust jacket. (K5).
Published by University of Colorado Boulder, Boulder, CO, 1987
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Oblong softcover. Features black and white images by Eileen Cowin, Nathan Lyons, Mary Ellen Mark, and John Wood with Mark Johnstone, Leroy Searle, Shelley Rice, and Susan E. Cohen writing about them respectively. A clean very near fine copy in stapled wrappers.
Published by The Museum of Modern Art, New Yo, 2017
ISBN 10: 1633450287 ISBN 13: 9781633450288
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Published by The New Museum, 1980
Seller: ANARTIST, New York, NY, U.S.A.
Softcover staple-bound, 44 pages; very good condition, except light rubbing to covers with 3-inch crease to upper left corner; no internal marks. Includes: Cecile Abish, Eileen Berger, Dara Birnbaum, Barbara Crane, Bonnie Gordon, Andrea Kovacs, Ray K. Metzker, Vision Stations.
Published by Verlag der Kunst, Dresden, 1990
ISBN 10: 3817025084 ISBN 13: 9783817025084
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Signed
hardcover. Condition: fine. Dust Jacket Condition: fine. Walter Rosenblum (illustrator). First. Numerous photographic illustrations throughout. 211 pages with text in English and German. Square 4to, white cloth, d.w. (Dresden: Verlag der Kunst, 1990). A fine copy in a fine dust wrapper. Inscribed by the photographer.
Published by Hicks Art Center Gallery, Bucks County Community College, Newtown, PA, 1983
Seller: Heartwood Books, A.B.A.A., Charlottesville, VA, U.S.A.
Near Very Good oblong thin paperback copy. Internally clean and solid. Some minor curling to the covers. Includes Emmet Gowin, Nancy Hellebrand and 20 others. Unpaginated, 56 pages. #.
Published by The New Museum, 1980
Seller: Dilly Dally, Mobile, AL, U.S.A.
Soft cover. Condition: Very Good. Flat and clean with a tight binding. Some mild edge and corner wear. Erased pencil numbers front end paper, no other markings.
Published by The New Museum, 1980
Seller: Il Leviatano, Torino, TO, Italy
First Edition
Brossura. Condition: molto buono. prima edizione. Catalogo della mostra, brossura, 41 pagine illustrate in bianco e nero, 23x20 cm. Copia ben conservata.
Published by University of California, Riverside, CA, 1995
Softcover. Purple wraps w/ vertical yellow printing. 63 pp. Appx. 80 bw plates. Illustrated throughout. Exhibition held at University of California, Mar. 4 to Apr. 30, 1995, one other location. VG- (rubbed scuffs & scratches to wraps; rubbed edge-wear. rubbing to spine & edges. rubbing to corners. remains fairly tightly bound).
Published by MIT Press, Cambridge, MA, 1999
ISBN 10: 0262681064 ISBN 13: 9780262681063
Softcover. flexible, olive and pictorial wraps w/ black printing. 168 pgs w/ 56 bw & color plates & additional illustrations. "Claude Cahun, Maya Deren, and Cindy Sherman were born in different countries, in different generations - Cahun in France in 1894, Deren in Russia in 1917, and Sherman in the United States in 1954. Yet they share a deeply theatrical obsession that shatters any notion of a unified self. All three try out identities from different social classes and geographic environments, extend their temporal range into the past and future, and transform themselves into heroes and villains, mythological creatures, and sex goddesses. The premise of Inverted Odysseys is that this expanded concept of the self - this playful urge to "try on" other roles - is more than a feminist or psychological issue. It is central to our global culture, to our definition of human identity in a world where the individual exists in a multicultural and multemporal environment. This book is an "odyssey" through historical, theoretical, critical, and literary perspectives on the three artists viewed in the context of these issues."--Jacket. VG. creases to front cover; light scuffs & edge-wear; slight crease/furrow to spine. pgs clean, color plates bright.
Published by M.I.T. Press, 1999
Seller: Structure, Verses, Agency Books, Spray, OR, U.S.A.
First Edition
Softcover. Condition: As New. First Edition. A brilliantly conceived survey of the lives and works of Claude Cahun, Cindy Sherman and Maya Deren. Published to accompany an exhibition that was held at N.Y.U.'s Grey Art Gallery and the Museum of Contemporary Art of North Miami, Florida. Edited expertly by Shelley Rice, and with contributions by her and by Lynn Gumpert, Lucy R. Lippard, Abigail Solomon-Godeau, Jonas Mekas, Ted Mooney, and Erin Donnelly. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy illustrated wraps, in gete-fold. From the publisher's blurb, "Claude Cahun, Maya Deren, and Cindy Sherman were born in different countries, in different generations - Cahun in France in 1894, Deren in Russia in 1917, and Sherman in the United States in 1954. Yet they share a deeply theatrical obsession that shatters any notion of a unified self. All three try out identities from different social classes and geographic environments, extend their temporal range into the past and future, and transform themselves into heroes and villains, mythological creatures, and sex goddesses. The premise of Inverted Odysseys is that this expanded concept of the self - this playful urge to "try on" other roles - is more than a feminist or psychological issue. It is central to our global culture, to our definition of human identity in a world where the individual exists in a multicultural and multitemporal environment. This book is an "odyssey" through historical, theoretical, critical, and literary perspectives on the three artists viewed in the context of these issues." Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. xi, 168 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Published by MIT Press, Cambridge, MA, 1997
Seller: Back in Time Rare Books, ABAA, FABA, Jacksonville, FL, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition, First Printing. 7 3/8 X 9 1/4 Inches. 267 PP. First printing copy of this history of architecture in the "City of Lights." Illustrated with numerous photographs throughout. "During the Second Empire (1852-1870), Baron Haussmann and Emperor Napoleon III reconstructed Paris into the "City of Light" we know today. The government and other public institutions commissioned many photographersâ"among them Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Grayâ"to record the old Parisian architecture and to document the demolition and reconstruction. In Parisian Views, Shelley Rice explores not only the literal connections between photography and the transformation of Paris but also the metaphorical ones. For like Haussmann and Napoleon III, the photographers forged a new visual image of the city. As they constructed their "views" of Paris, they imposed order on the architecture, vistas, and street life of a city-in-progress perceived from above and below, from the skies and the sewers, from the marketplace and the windows of passing trains." - From the DJ.
Encuadernación de tapa blanda. Condition: Muy bien. Texto en catalán, castellano e inglés. Con 158 fotografías en negro f/t. 29,5x24. 180 págs. Cine-Fotografía, Catálogos Arte.
Published by Steidl; Instituto Moreira Salles, Göttingen; Sao Paulo, 2015
ISBN 10: 3869309105 ISBN 13: 9783869309101
Seller: Moe's Books, Berkeley, CA, U.S.A.
First Edition
Hard cover. Condition: Near fine. No jacket. First edition. Two volume set. In slipcase. Slipcase has light shelfwear, but books themselves are in excellent condition with no visible flaws. Bindings are tight and all pages are clean and unmarked.
Published by la Caixa Barcellona, 1993
Seller: Laboratorio del libro, Condove, Italy
180 pp., brossura, in 4°, come nuovo.
Published by Fundacio "la Caixa", Barcelona, 1993
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
First Edition
softcover. Condition: Fine copy. Profusely illustrated (illustrator). 1st edition. 4to, 180 pp.
Published by New York: Erez Sabag, 2004, 2005
ISBN 10: 0976753405 ISBN 13: 9780976753407
Seller: Atlantic Bookshop, Brooklyn, NY, U.S.A.
First Edition Signed
Hardcover. Condition: Very Good. 1st Edition. 4to, hardcover, unpaginated, DVD. First edition. Signed and inscribed by Sabag at the title page. VG+: a clean, bright and sound copy. The DVD is present in the rear envelope, but a pair of light scratches at the outer edge may make for problems in play. Extra postage may be asked (3). Signed by Author(s).
Published by The Chrysler Museum, Norfolk VA 1994, 1994
Seller: THE CROSS Art + Books, Sydney, NSW, Australia
25.0 x 20.0cms, 88pp, 100 b/w illusts, very good paperback & cover This exhibition compares and contrasts the work and theories of these two leading British photographers of the late 19th century. The essays are: pictorial beauties, natural truths, photographic practices: powers of sight, Robinson, Emerson & the polemics of pictorial photography; parallel universes.