Trier Eduard Helmut Lederer (10 results)

Hardcover. Illustrated by Lederer, Helmut (photos) (illustrator). Brief description of Marini's sculpture and sketches, 150 bw and 2 full color photographs. The usual library markings: tape marks on endpages, pocket at rear. DJ now in mylar sleeve.; Ex Library; 10 x 12 " Very Good in Very Good+ dust jacket.

Boards. Condition: Very Good. Dust Jacket Condition: Good. Lederer, Helmut (illustrator). 1st Edition. 1st Edition, Hardcover with Dust Jacket. 4to, unpaginated. The book is in very good condtion with slight shelf wear/bumping to edges. The Dust Jacket is in good condition with slight tearing ( 2 cm) to spine/covers. The interior is clean and tight. The spine is white with black text. Size: 4to. Hardcover.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Marino Marini, Helmut Lederer (illustrator). Lavishly illustrated with photographs by Lederer. Essay by Trier has been translated from the German. Glossy dust jacket is price-clipped; has crease with closed tear on front edge, and a smaller 1/2" closed tear at top back edge near spine. Tears have been secured on the reverse with removable clear tape. Book itself is in great condition, appears unread. 145 pages, 9 3/4" x 12" A heavy book, will need extra postage for international.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Lederer, Helmut (illustrator). 1st U. S. Edition / 1st Printing. First U. S. Edition / First Printing. Very good in good dust jacket. Jacket : slight wear at top & bottom of spine & corners, 1 inch tear on top right of rear panel, small rubbed spot on top left of rear panel. 25 x 30cm. hard cover. 145pp. #955. Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First American Edition. Hardcover in dust jacket. First printing of first American edition (1961) . Book and unclipped dust jacket are in fine, As New, gift-giving condition, crisp and clean, with tight binding and sharp corners. Small chip at tip of rear jacket corner and short closed tear at spine. Full-page plates throughout. 4to. 146 pp. Including index. In protective Mylar. Heavy--will require additional postage if shipped outside the U. S.

Decorative Cloth. Condition: VG+. Dust Jacket Condition: NVG. Helmut Lederer (illustrator). First Edition. Book has minor wear. Dj creases and edgewear. Book.

Hard Cover. Condition: Very Good+ binding. Dust Jacket Condition: Very Good+ dust jacket. Ein Bildband Von Helmut Lederer (illustrator). Scarce. No pencil or ink markings in text. Black and white cloth binding. Small closed tear at top of dustjacket spine. DJ protected with Mylar Cover. Very Good+ binding / Very Good+ dust jacket.

Marini, Marino (illustrator). (Marini, Marino). MARINO MARINI by Helmut Lederer and Eduard Trier. Preager, NY, 1961. 4to., cloth, DJ, 146pp., illustrated in color and b/w. Fine in Fine DJ.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Limited Edition. Limited edition hard cover, no jacket, in very good condition. This copy is numbered thirty five of forty copies containing a signed lithograph by Marino Marini. Light shelf and handling wear, including minor wear to board edges, and notable tanning to pageblock, leading into page edges. Within, pages are well bound, and content clear. CN. Used.

Hardcover. Condition: g. Limited First American edition. 1/60. Large quarto. XXIII, [1], 146pp. Original photo-illustrated dust-jacket over illustrated black cloth, with white lettering on spine. Original lithograph frontispiece by Marino Marini, signed by him in pencil on lower left margin. Eduard Trier, one of the foremost international experts on the art of sculpture, traces the evolution on the work of Marino Marini (1901-1980) from some sketches done in the early 1930s to his most mature statues and demonstrates his essential unity of style and purpose. The unity and the immense power of Marini's sculpture is clearly shown in Helmut Lederer's magnificent photographs which represent all the most important aspects of Marini's work and constitutes the core of this extremely valuable study. Translated from the German by Michael Bullock. Includes list of illustrations, biographical outline and selected bibliography. One of 60 copies with an original signed lithograph, of which this is No. 40. Dust-jacket with tiny chipping at head of spine and lower front corner. Price clipped on front flap. Two tiny dents on lower margin of binding. Minor age toning to outer edges of interior pages. Dust jacket in overall good, binding in good+, interior in good+ to very good, original lithograph and plates in very good condition. * Marino Marini (1901-1980) was one of the most celebrated Italian sculptors of the 20th century. He attended the Accademia di Belle Arti in Florence in 1917. Although he never abandoned painting, Marini devoted himself primarily to sculpture from about 1922. From this time his work was influenced by Etruscan art and the sculpture of Arturo Martini. Marini succeeded Martini as professor at the Scuola d'Arte di Villa Reale in Monza, near Milan, in 1929, a position he retained until 1940. During this period, Marini traveled frequently to Paris, where he associated with Massimo Campigli, Giorgio de Chirico, Alberto Magnelli, and Filippo Tibertelli de Pisis. In 1936 he moved to Tenero-Locarno, in Ticino Canton, Switzerland; during the following few years the artist often visited Zürich and Basel, where he became a friend of Alberto Giacometti, Germaine Richier, and Fritz Wotruba. In 1936, he received the Prize of the Quadriennale of Rome. In 1938, he married Mercedes Pedrazzini. He accepted a professorship in sculpture at the Accademia di Belle Arti di Brera, Milan, in 1940. In 1943, he went into exile in Switzerland, exhibiting in Basel, Bern, and Zurich. In 1946, the artist settled permanently in Milan.