Product Type
Condition
Binding
Collectible Attributes
Free Shipping
Seller Location
Seller Rating
Published by Princeton University Press, 1992
ISBN 10: 0691000395ISBN 13: 9780691000398
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.3.
More buying choices from other sellers on AbeBooks
New offers from US$ 43.02
Used offers from US$ 11.07
Also find Softcover First Edition
Published by Princeton University Press, 1992
ISBN 10: 0691032130ISBN 13: 9780691032139
Seller: Books From California, Simi Valley, CA, U.S.A.
Book
hardcover. Condition: Good. Minor shelf/reading wear. Pages/boards clean.
More buying choices from other sellers on AbeBooks
Used offers from US$ 8.22
Published by Los Angeles County Museum; Princeton University Press, Los Angeles and Princeton, 1992
ISBN 10: 0875871666ISBN 13: 9780875871660
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Book First Edition
Paperback. Condition: Very Good. 1st. 334 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition organized by the Los Angeles County Museum of Art, and held October 18, 1992 to January 3, 1993 and other museums through December 1993. Firm binding, clean text. Foreedge and endpapers lightly soiled. Another copy available. OVERSIZE! No priority/international, except by special arrangement. "In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of 'outsiders'--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of twentieth-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ram!rez, P. M. Wentworth, Adolf Wlfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition, Maurice Tuchman and Carol S. Eliel, and by other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and our notions of creativity. In addition to the curators, the contributors include Russell Bowman, Roger Cardinal, Barbara Freeman, Sander L. Gilman, Mark Gisbourne, Reinhold Heller, John M. MacGregor, Donald Preziosi, Allen Weiss, Jonathan Williams, and Sarah Wilson." - Publisher. CONTENTS: Eyes outside and eyes inside, by Jonathan Wiliams; Moral influences and expressive intent: a model of the relationship between insider and outsider, by Carol S. Eliel; Biographies of outsider artists, by Barbara Freeman; Expressionism's ancients, by Reinhold Heller; Surrealism and the paradigm of the creative subject, by Roger Cardinal; From the asylum to the museum: marginal art in Paris and New York, 1938-68, by Sarah Wilson; Looking to the outside: art in Chicago, 1945-75, by Russell Bowman; Playing tennis with the king: visionary art in central Europe in the 1960s, by Mark Gisbourne; Contemporary artists and outsider art, by Carol S. Eliel and Barbara Freeman; Constructing creativity and madness: Freud and the shaping of the psychopathology of art, by Sander L. Gilman; I see a world within the world: I dream but am awake, by John M. MacGregor; Nostalgia for the absolute: obsession and art brut, by Allen S. Weiss; Art history, museology, and the staging of modernity, by Donald Preziosi. Size: 4to.
More buying choices from other sellers on AbeBooks
New offers from US$ 111.17
Used offers from US$ 14.50
Also find Softcover First Edition
Published by Princeton University Press, 1992
ISBN 10: 0875871658ISBN 13: 9780875871653
Seller: Bank of Books, Ventura, CA, U.S.A.
Book
Library Binding. Condition: Good. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed!.
More buying choices from other sellers on AbeBooks
Used offers from US$ 16.47
Also find Hardcover Softcover First Edition Signed
Published by Princeton University Press, 1992
ISBN 10: 0691000395ISBN 13: 9780691000398
Book First Edition
Paperback. Condition: Very Good. First Edition. Clean and tight with minor shelf wear. Previous owner's name on FFEP. Text and images unmarked.
Published by Los Angeles County Museum of Art, Los Angeles, 1993
Seller: David Gaines, Eureka, CA, U.S.A.
Book
Soft cover. Condition: Near Fine. 3rd Edition. Wraps (PB) in near fine condition with price sticker bottom back, right corner of cover. . This is a catalogue of an exhibition produced by the Los Angeles County Museum of Art. It brings to light the considerable influence that outsider art has had on the development of twentieth century art. Tracing this phenomenon of influence through five successive generations of modern artists, Parallel Visions connects the bold, elemental expressions of some of the artistic luminaries of the twentieth century with the work of their lesser known but likewise estimable, counterparts. This volume features brief poignant biographies of the thirty four outsider artists whose work is contained in the exhibition. 334 pages with index. As this book is both over sized and heavy there will be an extra postage charge for priority or for shipping outside of the country.
Published by Los Angeles County Museum of Art
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Condition: Used - Very Good. 1892. Los Angeles Country Museum of Art. 1992 edition. Hardcover. Quarto. 335 pp. Corners and ends of spine gently bumped. Soiling to top edge of text block. Rubbing to boards. Interior clean and binding tight.
Published by Los Angeles County Museum of Art, 1992
Seller: Black Dog Books, Emerson, NJ, U.S.A.
First Edition
Hardcover. Condition: Near Fine. 1st Edition. A lovely hard cover copy, small bump, as issued, without dust jacket. Book.
Published by Los Angeles County Museum of Art & Princeton University, Princeton, NJ, USA,, 1993
Seller: lamdha books, Wentworth Falls, NSW, Australia
Quarto; paperback, with decorated gatefold wrappers; 334pp., with colour and monochrome illustrations. Very good to near fine. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. This is a catalogue of an exhibition produced by the Los Angeles County Museum of Art. It brings to light the considerable influence that outsider art has had on the development of twentieth century art. Tracing this phenomenon of influence through five successive generations of modern artists, Parallel Visions connects the bold, elemental expressions of some of the artistic luminaries of the twentieth century with the work of their lesser known but likewise estimable, counterparts. This volume features brief poignant biographies of the thirty four outsider artists whose work is contained in the exhibition.
Published by Museo Nacional Centro de Arte Reina Sofía Madrid 1992, 1992
Seller: Dedalus-Libros, Madrid, MAD, Spain
334 p 30 cm Encuadernación editorial en rústica. Estado de conservación: Muy bien.
Published by Princeton, NJ : Princeton Univ Press [ua],, 1992
Seller: Antiquariat Hartmut R. Schreyer, Augsburg, Germany
334 S. : zahlr. Illustr. ; 31 cm. Orig.-Kart. Mit deutschspr. Textbegleitheft zur Ausstellung vom 4. Juli bis 29. August 1993, Kunsthalle Basel. 47 S. - (gut erhalten).
Published by Los Angeles County Museum Of Art,, Los Angeles,, 1992
ISBN 10: 0875871658ISBN 13: 9780875871653
Book First Edition Signed
Hardback. Condition: Very Good. First Edition. Hardback. 4to. pp 334. Original publisher's illustrated laminated boards. Issued without dust jacket. Copiously illustrated in colour and black and white throughout. The artwork reproduced in this volume, originally part of an exhibition at the Los Angeles County Museum of Art, explores the 20th-century phenomenon of "outsider" art - works of art created by self-taught individuals, sometimes emotionally disturbed, who are isolated from mainstream culture. Signed presentation from the editor, Maurice Tuchman on the title page, " For lovely Carde and Dynamite Sam, with many thanks for an unforgettable evening, yours, Maurice - London 11 Feb. '93." ISBN: 0875871658 Slight rubbing, otherwise near fine. Signedes.
Published by Princeton / Los Angeles, LA County Museum of Art / Princeton University Press, 1992
Seller: antiquariat peter petrej - Bibliopolium AG, Zürich, ZH, Switzerland
4°, 334 S., zahlr. meist farb. Abb.; 47 S., Kart., Einband min. gebrauchsspurig. EA. Mit dem deutschsprachigen Begleitheft. Erschienen zur Ausstellung Los Angeles, Madrid, Basel und Tokio. - «In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of "outsiders"--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of twentieth-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ram!rez, P. M. Wentworth, Adolf Wölfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition, Maurice Tuchman and Carol S. Eliel, and by other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and our notions of creativity. In addition to the curators, the contributors include Russell Bowman, Roger Cardinal, Barbara Freeman, Sander L. Gilman, Mark Gisbourne, Reinhold Heller, John M. MacGregor, Donald Preziosi, Allen Weiss, Jonathan Williams, and Sarah Wilson.» 2200 gr. Schlagworte: Kunst - 20 Jht., Kunst - Ausstellungen, Sammlungen.