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Published by Yale University Press, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Yale University Press, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by National Gallery London Publicat, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Published by National Gallery London Publications, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: Green Street Books, San Jose, CA, U.S.A.
Book
Condition: New. .
Published by National Gallery Publications, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: Book Dispensary, Concord, ON, Canada
Book
Hardcover. Condition: Good. Dust Jacket Condition: Good. ex-lib w/usual markings, GOOD hardcover in GOOD dust jacket, no marks in text; a very solid copy. Book.
Published by National Gallery London Publications, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Book
Hardcover. Condition: new. New. Fast Shipping and good customer service.
Published by National Gallery London,uk, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: S.Carter, NEWPORT, United Kingdom
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. uk1st.edition.1st.printing.fine hardback in fine dustwrapper.due to weight extra postage for non uk address.
Published by Natl Gallery Pubns Ltd, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: HALCYON BOOKS, LONDON, United Kingdom
Book
hardcover. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Published by National Gallery Publications, London, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover with dustjacket, 168 pages, very good condition, light rubbing to dj; owner s name on first page; no other internal marks. Foreign shipping may be extra.
Published by National Gallery London September 1997, 1997
ISBN 10: 0300073283ISBN 13: 9780300073287
Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Book
Hardcover. Condition: Used - Very Good. When Seurat first exhibited his Bathers at Asnieres in 1884, it perplexed but fascinated the few critics who noticed it. Today the picture is one of the most famous and popular works in the world. Yet the extraordinary appeal of this painting is not easily defined. In several respects it seems to belong to the world of the Impressionists, with its luminous color and lively brushwork evoking the hot, hazy atmosphere of a summer afternoon. By contrast, the gravity of the figures and the ordered serenity of the composition place it within the classical tradition, echoing both the rigor of the Academy and the grandeur of Poussin or Puvis de Chavannes. In Seurat and the Bathers the authors discuss the various choices Seurat made with regard to subject, format, and technique in preparing this monumental painting. They relate Seurat's working methods -- the preparatory oil sketches and drawings -- and the painting's physical nature -- color, brushwork, and surface -- to his academic training, his study of optical theory, the development of his distinctive drawing style, and his early interest in plein-air oil sketching and Impressionism. Stylistically, Seurat responded to the French tradition of monumental figure painting and also to contemporary artists, arriving at a paradoxical but subtle new synthesis. Finally the authors discuss the subject matter of the Bathers in relation to other nineteenth-century representations of middle and working-class life and leisure activities in the Parisian suburbs. This book is the catalogue for an exhibit at the National Gallery, London, from 2 July 1997 to 28 September 1997. Very nice clean, tight copy free of any marks.