Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge: Cambridge University Press,, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: David Strauss, FOLKINGHAM, Lincolnshire, United Kingdom
Hardcover. Condition: USED_NEARFINE. Dust Jacket Condition: Very Good. Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number, 111] Contents: Introduction: the nineteenth-century debate over human automatisms -- Part I. Automata-phobia. J.S. Mill: genius-automaton; Automatic aesthetics and the shame of tourism -- Part II. Technologies of the automatic: process and movement. Photography's automatisms; Automatic writing and physiologies of creativity; The automata ballets. 225 x 150 mm. x, 260 mm. [ISBN: 978-1108428552] Hardbound. A very good bright copy free from ownership inscriptions in like dustwrapper.
Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, Cambridge, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Hardcover. Condition: NEW. Hardcover. The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?' Linda M. Austin explores the ways in which scientific questions about the relation between human beings and automata, raised by the 'new psychology' of the late nineteenth century, forced the re-examination of creativity in literature, photography, ballet, and high-level mental activities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Hardback. Condition: NEW. New copy - Usually dispatched within 4 working days. Shows how the scientific question, 'Are we automata?', was addressed in late nineteenth-century literature and the arts.
Published by Cambridge Univ Pr, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Hardcover. Condition: NEW. 260 pages. 9.00x6.00x0.75 inches. In Stock.
Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, Cambridge, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Hardcover. Condition: NEW. Hardcover. The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?' Linda M. Austin explores the ways in which scientific questions about the relation between human beings and automata, raised by the 'new psychology' of the late nineteenth century, forced the re-examination of creativity in literature, photography, ballet, and high-level mental activities. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Cambridge University Press, Cambridge, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: NEW. Hardcover. The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?' Linda M. Austin explores the ways in which scientific questions about the relation between human beings and automata, raised by the 'new psychology' of the late nineteenth century, forced the re-examination of creativity in literature, photography, ballet, and high-level mental activities. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.