Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Published by Taylor and Francis, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Paperback. Condition: Brand New. reprint edition. 213 pages. 8.75x5.75x0.50 inches. In Stock. This item is printed on demand.
Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Published by Taylor and Francis, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Published by Taylor & Francis Ltd, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Condition: New.
Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. reprint edition. 213 pages. 8.75x5.75x0.50 inches. In Stock.
Published by Routledge 2015-07-18, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
Seller: Chiron Media, Wallingford, United Kingdom
Paperback. Condition: New.
Published by Routledge, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Condition: As New. Unread book in perfect condition.
Published by Taylor & Francis, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
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Published by Taylor & Francis Jul 2015, 2015
ISBN 10: 1138936952 ISBN 13: 9781138936959
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the elaboration of the author's arguments about post-independence postcolonial India and Pakistan. Focusing on different genres of Indian popular cinema, such as the 'Social,' 'Mythological,' and 'Historical,' Stadtler examines how Rushdie's writing foregrounds the epic, the mythic, the tragic, and the comic, linking them in a storyline narrated in cinematic parameters. The book shows that Indian popular cinema's syncretism becomes an aesthetic marker in Rushdie's fiction that allows him to elaborate on the multiplicity of Indian identity, both on the subcontinent and abroad, and illustrates how Rushdie uses Indian popular cinema in his narratives to express an aesthetics of hybridity and a particular conceptualization of culture with which 'India' has become identified in a global context. Also highlighted are Rushdie's uses of cinema to inflect his reading of India as a pluralist nation and of the hybrid space occupied by the Indian diaspora across the world. The book connects Rushdie's storylines with modes of cinematic representation to explore questions about the role, place, and space of the individual in relation to a fast-changing social, economic, and political space in India and the wider world.