Published by Gylphi, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Published by Gylphi, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Published by Gylphi, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Gylphi Limited, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 292 pages. 8.43x5.43x1.02 inches. In Stock. This item is printed on demand.
Published by Gylphi Limited, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 292 pages. 8.43x5.43x1.02 inches. In Stock.
Published by Gylphi Limited, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Published by Gylphi, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Condition: New.
Published by Gylphi, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: New. Book is in NEW condition. 0.84.
Published by Gylphi, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
Condition: As New. Unread book in perfect condition.
Published by Leah Jubilee Sep 2018, 2018
ISBN 10: 1780240686 ISBN 13: 9781780240688
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - This book is designed for creative writing practitioners and anyone interested in how literary works come into being. By focusing on the idea of inhabitation, it explores the links between creative and critical practice. It investigates how writers from around the globe forge connections between critical theory and their practice in sharply particular creative contexts. The collection highlights the versatility of creative modes of research; it enables understandings of how we make and remake texts and to what ends; it provides opportunities to survey how creative artists engage with research.