Published by Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Published by Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: Half Price Books Inc., Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by London: Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: MW Books, New York, NY, U.S.A.
Revised Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 144 pages: ill (some col.), ports (some col.); 31cm. Subjects: Degas, Edgar 1834-1917. Degas, Edgar 1834-1917 Criticism and interpretation. Impressionism (Art) France. 1 Kg.
Published by Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: Worth Press Books, Corsham, WILTS, United Kingdom
Hardcover. Condition: As New. Dust Jacket Condition: Fine. 2nd Edition. Excellent condition. No damage to boards or spine. Pages are complete and unmarked.
Published by London: Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: MW Books Ltd., Galway, Ireland
Revised Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 144 pages: ill (some col.), ports (some col.); 31cm. Subjects: Degas, Edgar 1834-1917. Degas, Edgar 1834-1917 Criticism and interpretation. Impressionism (Art) France. 1 Kg.
Published by Studio Editions, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: Anybook.com, Lincoln, United Kingdom
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9781851708451.
Published by Studio Edns., London, 1992
ISBN 10: 1851708456 ISBN 13: 9781851708451
Seller: Amazing Book Company, Liphook, United Kingdom
First Edition
Hardback. Condition: Mint. Dust Jacket Condition: Mint. Edgar Degas (illustrator). First Edition. This mint unread copy is bound in cloth covered boards with bright gilt titling to the spine, tight, white, bright and square. The unclipped dust wrapper is in mint condition and has been covered in clear, removable, protective film. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs less then postage will be reduced accordingly. Where the book weighs more than 1 Kilo increased charges will be quoted. Always remembered as an Impressionist, Edgar Degas was a member of the seminal group of Paris artists who began to exhibit together in the 1870s. He shared many of their novel techniques, was intrigued by the challenge of capturing effects of light and attracted to scenes of urban leisure. But Degas's academic training, and his own personal predilection toward Realism, set him apart from his peers, and he rejected the label 'Impressionist' preferring to describe himself as an 'Independent.' His inherited wealth gave him the comfort to find his own way, and later it also enabled him to withdraw from the Paris art world and sell pictures at his discretion. He was intrigued by the human figure, and in his many images of women - dancers, singers, and laundresses - he strove to capture the body in unusual positions. While critics of Impressionists focused their attacks on their formal innovations, it was Degas's lower-class subjects that brought him the most disapproval. Ref V V 1.