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Rumsey, Adeline

Published by Simon & Schuster

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Item Description: Simon & Schuster. Hardcover. Book Condition: Good. B001J8FUX4 1944 Simon and Schuster hardcover; gold letters on light blue cover; no dustjacket; name written inside front; no other writing or tears. Bookseller Inventory # SKU1113116

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John J. Fux

Published by W. W. Norton & Company (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: W. W. Norton & Company, 1965. Paperback. Book Condition: Good. From the collection of composer and music scholar Douglas Leedy with his name inside front cover and marginalia. Cover has wear to edges. Still nice. Bookseller Inventory # mon0000111667

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Johann Joseph Fux

Published by WW Norton Co, United States (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: WW Norton Co, United States, 1965. Paperback. Book Condition: New. Rev ed.. 195 x 127 mm. Language: English Brand New Book. The most celebrated book on counterpoint is Fux s great theoretical work ?Gradus ad Parnassum.? Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, Perhaps the craft of composition would really have fallen into decline if Fux s ?Gradus? had not set up a standard. Originally written in Latin, ?Steps to Parnassus? was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux s teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library. Bookseller Inventory # AAS9780393002775

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Johann Joseph Fux

Published by WW Norton Co, United States (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: WW Norton Co, United States, 1965. Paperback. Book Condition: New. Rev ed.. 195 x 127 mm. Language: English Brand New Book. The most celebrated book on counterpoint is Fux s great theoretical work ?Gradus ad Parnassum.? Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, Perhaps the craft of composition would really have fallen into decline if Fux s ?Gradus? had not set up a standard. Originally written in Latin, ?Steps to Parnassus? was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux s teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library. Bookseller Inventory # AAS9780393002775

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FUX,JOHANN J.

Published by WW Norton Publishers

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: WW Norton Publishers. Book Condition: New. Brand New. Bookseller Inventory # 0393002772

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Fux, John J./ Mann, Alfred (EDT)

Published by W W Norton and Co Inc (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: W W Norton and Co Inc, 1965. PAP. Book Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # KB-9780393002775

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Fux, Peter:

Published by Hameln : Niemeyer, o.J.

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Item Description: Hameln : Niemeyer, o.J. 240 S. 8°. OLwd mit SU Zustand: sehr gut. Bookseller Inventory # 3490

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Item Description: Mchn Franke, o. J. 4 S. m. Foto-Abb., 4° Der Versand erfolgt sowohl innerhalb Deutschlands als auch ins Ausland mit der Deutschen Post und der DHL (Pakete) Sprache: Deutsch Gewicht in Gramm: 100 (Mittelknick, Leichte Gebrauchsspuren, ordentliches Exemplar). Bookseller Inventory # 15547

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Alfred Mann

Published by Dover Publications Inc., United States (1987)

ISBN 10: 0486254399 ISBN 13: 9780486254395

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Item Description: Dover Publications Inc., United States, 1987. Paperback. Book Condition: New. New edition. 216 x 137 mm. Language: English Brand New Book. Classic study comprises two parts. The first is a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (c. 1350) to the present. Part Two explores in depth four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, F. W. Marpurg (1753-54), Fundamental and Practical Essay on Fugal Counterpoint, Padre Martini (1775), A Manual of the Fundamental Principles of Composition, J. A. Albrechtsberger (1790). Translations of texts, introductions and critical commentary, and many musical examples. Index. Bibliography. Bookseller Inventory # AAS9780486254395

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Fux, J. J.

Published by Celle: Moeck Verlag 1960. (1960)

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Item Description: Celle: Moeck Verlag 1960., 1960. Bücher. 4°. Broschur. Edition Moeck Nr. 1050. Bookseller Inventory # 10034

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Published by Franke o.J. (1960er), München (1960)

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Item Description: Franke o.J. (1960er), München, 1960. Softcover. deGewicht: 20g. R: F.-J. Spieker, D: H. Fux, Ch. Cachin, B. Herzsprung u.a., Heft in gutem Zustand, 4 S. Bookseller Inventory # 675

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Alfred Mann

Published by Dover Publications Inc., United States (1987)

ISBN 10: 0486254399 ISBN 13: 9780486254395

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Item Description: Dover Publications Inc., United States, 1987. Paperback. Book Condition: New. New edition. 216 x 137 mm. Language: English Brand New Book. Classic study comprises two parts. The first is a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (c. 1350) to the present. Part Two explores in depth four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, F. W. Marpurg (1753-54), Fundamental and Practical Essay on Fugal Counterpoint, Padre Martini (1775), A Manual of the Fundamental Principles of Composition, J. A. Albrechtsberger (1790). Translations of texts, introductions and critical commentary, and many musical examples. Index. Bibliography. Bookseller Inventory # AAS9780486254395

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Fux, J.J.

Published by Scranton, Pennsylvania, U.S.A.: W W Norton & Co Inc (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: Scranton, Pennsylvania, U.S.A.: W W Norton & Co Inc, 1965. Soft cover. Book Condition: Very Good. trade paperback in very good+ condition. Bookseller Inventory # 89134

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Mann, Alfred

Published by Dover Publications (1987)

ISBN 10: 0486254399 ISBN 13: 9780486254395

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Item Description: Dover Publications, 1987. Book Condition: Used. This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples. Bookseller Inventory # ABE_book_usedgood_0486254399

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Alfred Mann

Published by Dover Publications

ISBN 10: 0486254399 ISBN 13: 9780486254395

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Item Description: Dover Publications. Paperback. Book Condition: New. Paperback. 339 pages. Dimensions: 8.5in. x 5.4in. x 0.7in.Classic study comprises two parts. The first is a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (c. 1350) to the present. Part Two explores in depth four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, F. W. Marpurg (175354), Fundamental and Practical Essay on Fugal Counterpoint, Padre Martini (1775), A Manual of the Fundamental Principles of Composition, J. A. Albrechtsberger (1790). Translations of texts, introductions and critical commentary, and many musical examples. Index. Bibliography. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN, Momence,IL, Commerce,GA. Paperback. Bookseller Inventory # 9780486254395

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Ebenezer Prout

Published by Forgotten Books, United States (2015)

ISBN 10: 1331898145 ISBN 13: 9781331898146

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Item Description: Forgotten Books, United States, 2015. Paperback. Book Condition: New. 229 x 152 mm. Language: English Brand New Book ***** Print on Demand *****. Excerpt from Fugue There is probably no branch of musical composition in which theory is more widely, one might almost say hopelessly, at variance with practice than in that which forms the subject of the present volume. In Harmony, we are frequently meeting with cases in which the rules of the old text-books need much modification; but with regard to Fugue there are few indeed of the old precepts which are not continually, not to say systematically violated by the greatest masters. The reason for this is no doubt that the standard authorities on the subject, Fux and Marpurg, treated it from the point of view of the seventeenth century, and that most of their successors, such as Cherubini and Albrechtsberger (to name two of the most illustrious), have in the main adopted their rules, taking little or no account of the reformation, amounting almost to a reconstruction, of the fugue at the hands of J.S. Bach. Somewhat more liberality of tone will be found in the treatises of Andre, Richter, and Lobe; but not one of these, excepting Lobe, has taken Bach s work as the starting point for his investigations. Lobe, on the other hand, is too revolutionary; he even abolishes the names subject and answer, using instead the terms first imitation, second imitation, c. When we find a distinguished theorist like Andre saying that Bach is not a good model because he allows himself too many exceptions, and are informed that one of the principal German teachers of counterpoint is in the habit of telling his pupils that there is not a single correctly written fugue among Bach s Forty-Eight, surely it is high time that an earnest protest were entered against a system of teaching which places in a kind of Index Expurgatorius the works of the greatest fugue writer that the world has ever seen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. Bookseller Inventory # AAV9781331898146

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Fux, John J./ Mann, Alfred (EDT)

Published by W. W. Norton & Co. 1965-04-01 (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: W. W. Norton & Co. 1965-04-01, 1965. Book Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Bookseller Inventory # NU-BNT-00525592

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Ebenezer Prout

Published by Fb C Ltd (2015)

ISBN 10: 1331898145 ISBN 13: 9781331898146

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Item Description: Fb C Ltd, 2015. Paperback. Book Condition: New. 229 x 152 mm. Language: English Brand New Book ***** Print on Demand *****.Excerpt from Fugue There is probably no branch of musical composition in which theory is more widely, one might almost say hopelessly, at variance with practice than in that which forms the subject of the present volume. In Harmony, we are frequently meeting with cases in which the rules of the old text-books need much modification; but with regard to Fugue there are few indeed of the old precepts which are not continually, not to say systematically violated by the greatest masters. The reason for this is no doubt that the standard authorities on the subject, Fux and Marpurg, treated it from the point of view of the seventeenth century, and that most of their successors, such as Cherubini and Albrechtsberger (to name two of the most illustrious), have in the main adopted their rules, taking little or no account of the reformation, amounting almost to a reconstruction, of the fugue at the hands of J.S. Bach. Somewhat more liberality of tone will be found in the treatises of Andre, Richter, and Lobe; but not one of these, excepting Lobe, has taken Bach s work as the starting point for his investigations. Lobe, on the other hand, is too revolutionary; he even abolishes the names subject and answer, using instead the terms first imitation, second imitation, c. When we find a distinguished theorist like Andre saying that Bach is not a good model because he allows himself too many exceptions, and are informed that one of the principal German teachers of counterpoint is in the habit of telling his pupils that there is not a single correctly written fugue among Bach s Forty-Eight, surely it is high time that an earnest protest were entered against a system of teaching which places in a kind of Index Expurgatorius the works of the greatest fugue writer that the world has ever seen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. Bookseller Inventory # AAV9781331898146

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Mann, Alfred

Published by Dover Publications (1987)

ISBN 10: 0486254399 ISBN 13: 9780486254395

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Item Description: Dover Publications, 1987. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Features a historical survey of writings on the fugue from the Renaissance to the present as well as four 18th-century studies: works by J. J. Fux, F. W. Marpurg, and more. Includes introductions, commentary, and 255 musical examples. Bookseller Inventory # ABE_book_new_0486254399

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Johann Joseph Fux

Published by W. W. Norton & Company

ISBN 10: 0393002772 ISBN 13: 9780393002775

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Item Description: W. W. Norton & Company. Paperback. Book Condition: New. Paperback. 160 pages. Dimensions: 7.7in. x 5.0in. x 0.5in.The essence of the most celebrated book on counterpoint, Fuxs Gradus ad Parnassum. The most celebrated book on counterpoint is Fuxs great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J. S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, Perhaps the craft of composition would really have fallen into decline if Fuxs Gradus had not set up a standard. Originally written in Latin, Steps to Parnassus was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fuxs teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN, Momence,IL, Commerce,GA. Paperback. Bookseller Inventory # 9780393002775

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Moser, Hans Joachim:

Published by Kassel , Basel : Bärenreiter-Verlag, (1952)

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Item Description: Kassel , Basel : Bärenreiter-Verlag, 1952. Broschiert. Book Condition: Sehr gut. 35 S. Papierbedingt leicht gebräunt. - Die Hauptvoraussetzung für wissenschaftliche Denkmälerausgaben bildet das Zustandekommen eines "historischen Bewußtseins". Der Musik blieb dieses lange fremd, sie lebte durch viele Jahrhunderte fast ausschließlich der jeweils eigenen Gegenwart. Daß sich im 13. Jahrhundert der englische Anonymus IV rückblickend um das Wachsen und Wandeln der Ars aatiqua von Paris kümmerte, war seltene Ausnahme. Die Rückschau des Tinctoris um 1475 reichte knapp bis zu Dufays Anfängen, die des Glarean 1547 bis zu Okeghem, also beidemal etwa ein halbes Jhdt. zurück, und es ist ein Unicum, wenn eine Basler Kotter-Hs. zu dem Liedsatz "Betrübt ist mir mein Herz" als Autorenvermerk echt humanistenhaft setzt: "Nicolaus. musicae jamdudum erigescentis primus ivtstaurator", also wohl N. Kronsdorfer als "der sich erst kürzlich aufrichtenden Tonkunst erster Erneuerer". Nachdem Hermann Finck 1558 durch frühen Unfalltod den Plan, eine Musikgeschichte abzufassen, nicht mehr hatte verwirklichen können, wurde es 1675, bis der Lüneburger in Stettin J. G. Ebeling seine putzig ungeschlachten Ardtaeo-logiae Orphicae schrieb, und ungefähr gleichzeitig verfaßte Pierre Bourdelot seine überraschend weitschauende Histoire de la musique, die erst dreißig Jahre nach seinem 1685 erfolgten Tode erschien. - 1690 setzte Wolfgang Caspar Printz in der "Historischen Beschreibung der edlen Sing- und Klingkunst" im wesentlichen den Katalog einer Musikbibliothek zu Annalen um - immerhin zeigt er schon mehr Blick für das Kunst werden, als 1695 Andreas Bontempi, der in seiner Historia musica nur die zwei Zustände der vollentwickelten musikalischen Antike und des Barock kontrastiert. Zeitloses Überdauern gestand man damals eigentlich nur dem mythisch großen Palestrina zu, dessen Stile antico ebenso dem alten Heinrich Schütz wie lebenslang dem Joh. Jos. Fux als Dauermuster gegolten hat. Sonst aber behielt nur der Lebende recht; starb ein Meister wie Ducis oder Lechner, so mußten sich die Erben beeilen, seinen Notennachlaß an musikfreudige Höfe zu verkaufen, solange er noch für aktuell gelten konnte, oder man bewahrte derlei, wie die Breslauer Stadtbibliothek, bestenfalls "wegen des sonderlichen Fleißes des Heimgegangenen", also als Kuriosität, auf. (aus der Einleitung) Sprache: Deutsch Gewicht in Gramm: 550. Bookseller Inventory # 931204

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Fux, J. J. - Liess, Andreas

Published by Wien : Doblinger, 1948 (1948)

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Item Description: Wien : Doblinger, 1948, 1948. 90 S. 4to. Werkverz. Abb. auf Tafeln. Bookseller Inventory # 10122

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Melchior Franck, Valentin Hausmann, Johann Rosenmuller, Johann Christoph Pez, J. A. Schmikerer, Joh. Kaspar Ferd. Fischer, Johann Pachelbel, Joh. Joseph Fux

Published by Edwin F. Kalmus

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Item Description: Edwin F. Kalmus. Soft Cover. Book Condition: Very Good. Oblong softcover in three parts: the most comprehensive part has three treble lines and one bass clef, the "Sopranblockflote" part has the upper treble line, the "Basso continuo (Violoncello, Viola da gamba, Bassblockflote) part has the bass clef alone. Therefore, the two lower treble lines do not have separate parts, although the lowest treble line is probably for piano, since there are simultaneous notes. 16+4+4 pages. Bookseller Inventory # 47945

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Bach, J. S. - Trummer, Johann; Flotzinger, Rudolf (Hg.)

Published by Kassel, Bärenreiter ( ) (1985)

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Item Description: Kassel, Bärenreiter ( ), 1985. 8° 100 Seiten Ehem. Bibl.-Exemplar (Gebrauchsspuren; einige Seiten lose) OKt. (foliert) Selten. -Beiträge von O. Kolleritsch, A. Mann, K. Marsoner (S. v. Hausegger), H.-J. Schulze, W. Suppan, O. Wessely u. a. Bookseller Inventory # 1929 B

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Mann Alfred

Published by R.S. Means Company

ISBN 10: 0393096750 ISBN 13: 9780393096750

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Item Description: R.S. Means Company. Paperback. Book Condition: New. Paperback. 356 pages. Dimensions: 8.4in. x 5.5in. x 1.0in.Classic study comprises two parts. The first is a comprehensive historical survey of writings on the fugue from the beginning of fugal teaching (c. 1350) to the present. Part Two explores in depth four 18th-century studies which are its classical presentations: Steps to Parnassus, J. J. Fux (1725), A Treatise on Fugue, F. W. Marpurg (175354), Fundamental and Practical Essay on Fugal Counterpoint, Padre Martini (1775), A Manual of the Fundamental Principles of Composition, J. A. Albrechtsberger (1790). Translations of texts, introductions and critical commentary, and many musical examples. Index. Bibliography. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780393096750

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Johann Joseph Fux, Alfred Mann, Alfred Mann,

ISBN 10: 0393002772 ISBN 13: 9780393002775

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From: Ria Christie Collections (Uxbridge, United Kingdom)

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Item Description: Paperback. Book Condition: New. The most celebrated book on counterpoint is Fux's great theoretical work ?Gradus ad Parnassum.? Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, Perhaps the craft of composition would really have fallen into decline if Fux's ?Gradus? had not set up a standard. Originally written in Latin, ?Steps to Parnassus? was translated into the principal European languages, but the only English version was a free paraphrase published in 1886. The present translation by Alfred Mann is therefore the first faithful rendering in English from the original Latin and presents the essence of Fux's teachings. For its distinction as a classic and its undiminished usefulness for the modern student it is a privilege to offer this fine translation in the Norton Library. book. Bookseller Inventory # ria9780393002775_rkm

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Johann Joseph Fux Alfred Mann

Published by WW Norton & Co (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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From: Blackwell Online (Oxford, OX, United Kingdom)

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Item Description: WW Norton & Co, 1965. paperback. Book Condition: New. *** NEW COPY *** TITLE SHIPPED FROM UK *** Binding paperback The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high. Bookseller Inventory # 0393002772

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John J. Fux

Published by W W Norton & Co Inc (1965)

ISBN 10: 0393002772 ISBN 13: 9780393002775

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From: Revaluation Books (Exeter, United Kingdom)

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Item Description: W W Norton & Co Inc, 1965. Paperback. Book Condition: Brand New. revised ed edition. 156 pages. 8.00x5.00x0.50 inches. In Stock. Bookseller Inventory # z-0393002772

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Fux, J

Published by Messen Von Heinrich Biber (1960)

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From: Anybook Ltd. (Lincolnshire, United Kingdom)

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Item Description: Messen Von Heinrich Biber, 1960. Book Condition: Good. This book has soft covers. Ex-library, With usual stamps and markings, In good all round condition. Bookseller Inventory # 4151814

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Etienne Morin

Published by Rarebooksclub.com, United States (2012)

ISBN 10: 1130274934 ISBN 13: 9781130274936

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From: The Book Depository US (London, United Kingdom)

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Item Description: Rarebooksclub.com, United States, 2012. Paperback. Book Condition: New. 246 x 189 mm. Language: English Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1698 Excerpt: .fuiffe terminant ejus jam definentis, fecunda partis, qu fexta dicla efi, jam proxime incipientes, qua ipfa hora Dominus nosser a Pilato fententiam mortis accepit ac paulo pofl cruci affixus efi c. Sane omnia his fuppofitionibus concern s plana erunt expedita. J. Maldonatus in Matth. 27:45. eamdem fententiam amplectitur atque exornat comparatione petita a more noilro, fingulos enim horarum quadrantes non folemus numerare, fed horis eos tribuimus five antecedant five fequantur; quippe qui poft hora undecimas fignum- oianteprimam pomeridianam auditam dicimus duodecimam horam eiTe; Eadem, inquit, prorfits confite tudine Marcus, dr Joannes loquuti funt i nam quia. Chriflus damnatus crucifixfis fuit temper is fpatio quod efl inter finem hor tenia, quod idem /ex ta initium erat, drjincm fix ta, quod erat initium Ioannes ex fine fpatium illud appelUns vocavit horam fexta, JMareus ex initio vocavit tertiam c. Hugo Grotius in Matth. ingenii vires, eruditionis fux opes ad hanc eandem fententiam ftabiliendam conferi, minimeque mirum efie probat U ad horam tertiam, fextam, nonamve i quaecunque in die gerebantur olim referebantur, quia inter Judaeos erant celebriores, utpote qux folemnibus precibus eflent dicatae, tubx fono feitis maxime diebus folerent fignificari; probe itaque faum ut tertia aut fexta hora dicatur contigifle quidquid inter ftata illa tempora evenerat, ut, haec ejus verba funt, filent qu in medio funt pofitA t nunc ad bum nunc ad il exponi debere perpoftquam, veexquot atque iignificare quod Ifraelitae poilquam lapidibus obruifient Achanem, ilium in cineres redegerunt, poftquam in cinere. Bookseller Inventory # APC9781130274936

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