Pena Luis Carlos Martins (15 results)

Condition: New.

Encuadernación de tapa blanda. Condition: Aceptable. . (illustrator). Segovia 1961. Imp. H de Carlos Martin. 24x17cm. Pliego literario de estudios segovianos. 16 págs. Contiene: Domingo 22:30 por Ricardo Borregón, Incógnita de amor por N, Sainz y Ruiz de la Peña, Elegía por M. Alvarez Cerón, Nocturno por Luis Larios, Arboles Altos por Luis Larios, Cardo en mi tierra por M. Díez Presa, Mirando al mundo por Felisa Sanz y Retorno al mar por José Maqueda Alcaide.

Encuadernación de tapa blanda. Condition: Aceptable. . (illustrator). Segovia 1958. Imp. H de Carlos Martin. 24x17cm. Pliego literario de estudios segovianos. 16 págs. Contiene: Voz del agua por Julio Sánchez Hernández, Crucifixión y Camino de paz por N. Sanz y Ruiz de la Peña, Otoño y el Tren por Francisco Javier Rodriguez Baixeras, Sólo y Adieu l'éte por Luis Sáez, Por los caminos por Mariano Simancas, El angel de las muchachas sin novio por Juan J. Cuadros, Poemillas camineros por Juana Marín, Nana de la Virgen María por Manuel Ostos Gabella, Canción del sueño por Rafael Palma y Al llegar la primavera por Asterio Niño.

Softcover. Condition: Good with no dust jacket. Book is in the Portuguese language. Sound binding. Passages underlined with marginal notes on a few pages. Wraps have light shelf wear. ; Critique of the work of Brazilian playwright Luís Carlos Martins Pena (1815-1848). 8.25" tall; 95 pages.

Condition: New. O SEGREDO DO GRÃO VASCO Pedro Martins DE COIMBRA A VISEU, O 515 DE DANTE A DESCODIFICAÇÃO DOS MISTÉRIOS E SÍMBOLOS LEGADOS PELO MAIOR PINTOR QUINHENTISTA PORTUGUÊS porque o ver muito ensina, lembrava Francisco de Holanda no século XVI Lição depois colhida por Almada Negreiros, que sublinhava a diferença entreolhar e ver- olhar, todos olhamos, distraidamente, mas ver realmente visto é coisa de poucos E Álvaro Ribeiro foi mais além, no seu prefácio de Os Painéis do Museu das Janelas Verdes, de José Luís Conceição Silva- A obra de arte não é só para ver- é também para ler Agora Pedro Martins viu as obras de Grão Vasco e nelas leu o seu segredo ? fez uma laboriosa decifração de obras próprias de um tempo em que diversas linguagens, a escrita no papel impresso (como Menina e Moça) mas também a inscrita nas pedras (o Mosteiro dos Jerónimos) ou a traçada nas uas pela arte dos que sabiam, como Grão Vasco, eram concebidas para mostrar escondendo, ocultando O tempo do pensamento rigorosamente vigiado Seguindo os caminhos abertos por António Telmo na História Secreta de Portugal e por Lima de Freitas em 515 ? O Lugar do Espelho e nos estudos sobre Almada, numa linhagem nobre e contra a corrente (a que desconsidera sistematicamente a pintura portuguesa antiga), Pedro Martins parte de uma intuição de Pascoaes e revela-nos um Grão Vasco enquanto Fiel-do-Amor e guardião da secular persistência de um ideal templário, joaquimita, franciscano e gibelino, sinal difuso, mas seguro, da existência de um projecto espiritual emanado da Igreja de João, a milícia templária da Ordem de Cristo- o Império do Espírito Santo Este é um livro para ser lido com o olhar do coração António Carlos Carvalho in Prefácio Pedro Martins nasceu em Lisboa em 22 de Janeiro de 1971, dia de São Vicente Jurista e advogado, licenciou-se em 1993, pela Faculdade de Direito de Lisboa Pós-graduou-se em Sociologia do Sagrado e do Pensamento Religioso, pela Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa Vive há muito em Sesimbra Aqui ou em Estremoz, conviveu uma década bem contada com António Telmo, de cuja amizade colheu largos benefícios No último lustro, vem desenvolvendo uma hermenêutica do pensamento paraclético na cultura portuguesa, que percorre a poesia (O Anjo e a Sombra- Teixeira de Pascoaes e a Filosofia Portuguesa, Pena Perfeita, 2007), a história e a filosofia (O Céu e o Quadrante- desocultação de Álvaro Ribeiro, Serra d?Ossa, 2008), e agora a pintura, mediante a decifração esotérica das obras-primas do Grão Vasco, numa demanda que culmina em Viseu, o lugar da visão Colaborador regular dos Cadernos de Filosofia Extravagante e da Nova Águia, é membro da Direcção do MIL - Movimento Internacional Lusófono e encontra-se envolvido na Nova Águia concretização do Círculo António Telmo *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condition: Marked. Sotheby's - New York, Sale title - Latin American Art, Sale date - 26th & 27th May 2004, No. of lots - 189, No. of pages - 252, Illustrated in colour, INDEX Acosta Leon, Angel Alfonzo, Carlos Alpuy, Julio Arden Quin, Carrmelo Atl, Dr fGerardo Murilloj J Fabelo, Roberto Martinez Fernandez, Agustin Fischer, Paul Fonseca, Gonzalo Bedia, Jose Bejarano, Agustln Bermudez, Cundo Botello, Angel Boterq, Fernando Bravo, ClaupKo Cabrera, Miguel Carnero, Jose Manuel Castaneda, Felipe Castro Pacheco, Fernando Cavalcanti, Emiliano Cartas, Benjamin Climent, Elena Coronel, Pedro Costa, Olga Covarrubias, Miguel Cruz-Diez, Carlos Cuevas, Jose Luis Deira, Ernesto Downey, Juan Galan, Julio Gandia, Vicente Gartner de la Pena, Jose Gattorno, Antonio Gerchman, Rubens Gerzso, Gunther Guayasamin, Oswaldo Galvan, Jesus Guerrero Gurvich, Jose Hernandez, Desiderio Hernandez, Sergio Horacio Iturria, Ignacio Jimenez, Patricio Kcho Kuitca, Guillermo Lam, Wifredo La Rosa, Martin Larraz, Julio Lazo, Augustin Llona, Ramiro Lohr, August Marin, Javier Matta F * Matto, Francisco Merida, Carlos Methfessel, Adolfo Morales, Armando Morales, Rodolfo Muniz, Vik A Munoz-Vera, Guillermo Nunez del Prado, Marina Ohlsen, Theodor Pailos, Manuel Palacios, Alirio Penalba, Alicia Salas, Rafael Sanchez, Tomas Senise, Daniel Siqueiros, David Soares, Valeska Soto, Jesus Rafael de Syszlo, Fernando Tacla, Jorge Tamayo, Rufino Toledo, Francisco Torres, Augusto Torres-Garcla, Joaquin Urruchi, Juan Varo, Remedios Von Artens, Peter Ramos Martinez, Alfredo Ramos, Domingo E Rendon, Manuel Reveron, Armando Rivera, Diego Roche-Rabell, Arnaldo Rodriguez, Mariano Rodriguez, Victor Romero, Betsabee Zalce, Alfredo Zarraga, Angel Zesatti, Luis Armando Zuniga, Francisco Weight: 1136g We use registered airmail for all parcels which are sent out from our depot in India. Parcels usually take 1 - 2 weeks to arrive at your selected destination. All parcels are shipped within 1 working day of payment being received.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Source: Wikipedia. Pages: 83. Chapters: Luis Alberto Suárez, Sebastián Abreu, Álvaro Recoba, José Andrade, Mariano Pernía, Diego Lugano, Sebastián Eguren, Marcelo Gallardo, Miguel Ángel Brindisi, Luis Cubilla, Carlos Alberto Juárez, Nicolás Lodeiro, Milton Núñez, Héctor Castro, Gustavo Munúa, Fernando Muslera, Richard Morales, Anderson Silva de França, Jorge Andrés Martínez, Vladas Douksas, Darío Pereyra, Enrique Fernández Viola, Jorge Dely Valdés, Álvaro Fernández, Héctor Scarone, José Nasazzi, Edu Marangon, Diego Arismendi, Luis Artime, José Zalazar, Alain N'Kong, Mario Regueiro, Julio Dely Valdés, Rinaldo Martino, Diego Alonso, José Sanfilippo, Héctor Rial, Sergio Daniel Martínez, William Martínez, Pierre Webó, Rogelio Domínguez, Claudio Milar, Walter García, Rubén Sosa, Diego Godín, Tabaré Viudez, Claudio Dadómo, Pedro Cea, Lorenzo Fernández, Atilio García, Federico Domínguez, Daniel Fonseca, Andrés Scotti, Alejandro Lembo, Rubén da Silva, José Santamaría, Mathías Cardaccio, Martín Ligüera, Fabián O'Neill, Ángel Morales, Vicente Sánchez, Alejandro Cichero, Pedro Petrone, Carim Adippe, Jorge Brítez, Julio Morales, Sebastián Viera, Mauricio Victorino, Marcelo Saralegui, Juan Ramón Carrasco, Jorge Alberto da Costa Silva, Marcelo Sosa, Sebastián Vázquez, Rodolfo Rodríguez, Samuel Caballero, Martín Lasarte, Gonzalo Castro Irizábal, Diego Cháves, Gianni Guigou, Milan Borjan, Jorge Daniel Cardaccio, Antonio Alzamendi, Osvaldo Canobbio, Horacio Peralta, Juan Martín Parodi, Víctor Espárrago, Ángel Romano, Raúl Cardozo, Gabriel Álvez, Nicolás Bertolo, Domingos da Guia, Óscar Aguirregaray, Julio Pablo Rodríguez, Derlis Florentín, Hugo Guerra, Andrés Mazali, Schubert Gambetta, Óscar Javier Morales, Carlos Aguilera, Luis Alberto Monzón, William Ferreira, Alberto Suppici, Ronaldo Conceição, Limberg Gutiérrez, Gustavo Varela, Santiago Ostolaza, José Luis Garcés, Manga, Leo Percovich, Saul Martínez, Álvaro Gutiérrez, Benoît Angbwa, Juan González, Agustín Viana, Mario-Ernesto Rodríguez, Hugo de León, Marco Vanzini, Carlos Nicola, Pablo Álvarez Menéndez, Walter Guglielmone, Leo Carle, Leonel Rocco, Atilio Ancheta, Diego Perrone, Carlos Adrián Valdez, Rodrigo Lemos, Héctor Rodríguez Peña, Juan Pablo Pereyra, Nelson Abeijón, Alexander Medina, Michele Andreolo, Bruno Fornaroli, José Ignacio Pallas, Alfredo Foglino, Venancio Ramos, Juan Ángel Albín, William Castro, Diego Scotti, Bruno Coutinho Martins, Deivis Barone, Wilmar Cabrera, Nicolás Vigneri, Alain Junior Ollé Ollé, Martín del Campo, Pablo Forlán, Flavio Barros, Javier Delgado, Javier Zeoli, Abdón Porte, Bibiano Zapirain, Guillermo Sanguinetti, Carlos Soca, Daniel Felipe Revelez, Santos Urdinarán, Jorge Seré, Walter Gómez, Pablo Correa, Jorge Delgado, Sebastián Coates, Juan Carlos Masnik, Álvaro Rafael González, Maximiliano Faotto, Claudio Arbiza, Waldemar Victorino, Federico Bergara, Santiago García, Bani Lozano, Óscar Torlacoff, César Pellegrín, Ildo Maneiro, Adrián Romero, Washington Calcaterra, Richard Pellejero, Pablo Alejandro Izaguirre, Matías Rodríguez, Alfonso Domínguez, Marcelo Tejera, Marcelo Broli, Omar Pérez, Kendall Watson, Marcelo Guerrero, Ramón Hicks, Marcelo Goux, Abdoul Njankou, Jorge Bava, Jorge Marcelo Rodríguez, Damián Rodríguez, Cono Aguiar, Sebastián Balsas, Horacio Erpen, Ruben Pereira, Carlos Miloc, Alejandro Curbelo, Juan Ramón Curbelo, William Gutiérrez, Adalto Batista da Silva, Pedro Pedrucci, Alejandro Grandi, José Pintos Saldanha, Martín Rodríguez, Sebastián Morquio, 84 pp. Englisch.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. 02. Laá em PsicologíaáVocacional /em haárecibidoáunágranáimpulsoáenáEspañaáenálos últimos tiempos.áEstoáes debidoáenágranámedidaáa que la em opcionalidad /em áy la em optatividad /em ápropias deálaáE.S.O.áyálaádiversidadáde em CiclosáFormativos /em áyá em. LIBRO.

Rustica. Condition: Buen Estado. Firma antiguo dueño en anteportada. Manchitas de oxido en cubiertas. Leves manchas en margen superior de ultimas hojas. [Libro en Español / Book in Spanish] Size: 4to.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Juan Carlos ?lvarez, Jos? Antonio Guti?rrez, Jos? Luis Garc?a Benito, Mikel Catalina, I?aki Escubi (photographers) (illustrator). 86 p. Includes: illustrations, index, bibliography. 0.0.

Encuadernación de tapa blanda. Condition: Muy bien. In-4. #1 Nov 1944 - #4 Feb 1945. (Complete set). Wrappers. Collaborators : Ballester Peña, Carlos Astrada, Leopoldo Marechal, Bruno Jacovella, Santiago Montero Díaz, Tomás D. Casares, Arturo Cancela, Lisardo Zía, José María Fernández Unsain, Miguel Angel Guezález, José María Rosa (h.), Leonardo Castellani, Raúl Daniel Padilla, Octavio Nicolás Derisi, Guy Pérez Cisneros, Juan Oscar Ponferrada, Guillermo A. Voss, Saúl Moura Huergo, Jorge Horacio Lavié, Luis María Bello, Pilar de Lusarreta, Juan P. Ramos, Homero Guglielmini, Juan Filloy, Justo P. Sáenz (h.), Ignacio B. Anzoátegui, Alejandro de Isusi, Pedro Catella, Carlos Obligado, Octavio Nicolás Derisi, Emilio Pettoruti. Each delivery presented a sheet with works by Ballester Peña, José Bonomi, Cesáreo Bernaldo de Quirós and Emilio Pettoruti. Anthology, formulated according to a general nationalist theory on which the works signed there are conceived. Carlos Ibarguren opens the number 1 with an examination of the role of the Argentine intellectual in line with his environment. "The Argentine writer," he says, "must perform a double task to boost national culture: express without imitation his literary creation, and also perfect and refine the language that flows from the town." And later: The great work of nationalist literary culture to collect from the popular spring the right and beautiful voice and to purify the language in search of the precise turn, is the one that our writers must make primarily to make a literature of Argentine character and contain the exotic and sweeping wave that in the metropolis and in our populous cities, full of outsiders, struggles to dump its verbal mud . In accordance with the meaning of these considerations, the material offered by Anthology showed a clean Argentine attitude, without this meaning at any time the fall in postures of foreign exaltation. Quite the contrary, an authentic national conscience has singled out the work of its collaborators. Provenzano 214, Washington Pereyra T4,p179. C2.

Encuadernación de tapa dura. Condition: Muy bien. Ballestar Peña, Rodolfo Castagna, A. Bettanin, A. Lisa, Enrique de Larrañaga, Atilio del Soldatto, Pedro Olmos, L. Baldini, Hemilce Saforcada, Cesar Lopez Claro (illustrator). In-8º. #1 Oct 1949 - #12 Dic 1951 (Complete set). Wrappers. With two original illustrations of Atilio L. Termine (Published in #8) and Ballester Peña (front cover in #8). Collaborators : Homero Guglielmini, Juan Zochi, Bruno Jacovella, Alberto Ponce de Leon, Ernesto Segura, Hector Villanueva, Jesus Maira Pereyra, Antonio Cunill Cabanellas, Emilio Estiu, Cesar Rosales, Julio Ellena de la Sota, Nicolas Cocaro, Felix Esteban Cichero, Octavio Nicolas Derisi, Osvaldo Cavallo, Juan Carlos Davalos, Guillermo House, Arturo Horacio Ghida, Osiris U. Chierico, Luis Ortiz Behety, Rodolfo Agoglia, Leopoldo Marecha, Maira de Villarino, Juan A. Garcia Martinez, Marcos Fingerit, Rodolfo Falcione, Elbia Rosbaco, J. Soler Cañas, Reynaldo D Onofrio, Andres Mercado Vera, Soler Daras, Ramon Gomez de la Serna, Delfor Peralta, Luisa Sofovich, Luis Sanchez Trincado, David Martinez, Miguel Angel Escalante, Armando Cascella, Horacio Schiavo, Juan R. Sepich, Miguel Angel Torres Fernandez, Maximo Fresero, Emilio Rubio, Avelino Herrero Mayor, Enrique Puga Sabate, Maria Granata, Alberto Cambas, Julia Prilutzky, Leonardo Castellani, Fermin Chavez, Jorge Perrone, Elena Duncan, Maria Mombru, Esteban Peicovich, Sabino Alfonso-Fueyo, Martin A. Boneo, Alicia Eguren, Ismael Quiles, Lysardo Z. D. Galtier, Gregorio Santos Hernando, Jose Luis Muñoz Azpiri, Alejandro de Isusi, Vintila Horia. Each issue of the Culture magazine closes with a cover that says "Colonel Domingo A. Mercante and Minister of Education, Doctor Julio César Avanza, was published as Governor of the Province." That final note points not only to those responsible for a cultural production of the province of Buenos Aires, it also seems to be a hallmark in relation to other publications arising from the official scope. In an interview, Fermín Chávez expressed it this way: "To explain the importance and value of Culture, we must start from a real historical fact. The group from FORJA that surrounded Merchant was, without a doubt, the most serious nucleus that Peronism had in terms of thought. Men like Julio César Avanza, like López Francés, like Jauretche. Avanza, precisely, was the promoter of the most varied cultural expressions, including the Cultura magazine, in which Marechal, Guglielmini, Derisi, Dávalos, House, Cascella, Sepich, Castellani, Schiavo and many others collaborated. Each issue of the Culture magazine closes with a cover that says "Colonel Domingo A. Mercante and Minister of Education, Doctor Julio César Avanza, was published as Governor of the Province." That final note points not only to those responsible for a cultural production of the province of Buenos Aires, it also seems to be a hallmark in relation to other publications arising from the official scope. In an interview, Fermín Chávez expressed it this way: "To explain the importance and value of Culture, we must start from a real historical fact. The group from FORJA that surrounded Merchant was, without a doubt, the most serious nucleus that Peronism had in terms of thought. Men like Julio César Avanza, like López Francés, like Jauretche. Advances, precisely, was the promoter of the most varied cultural expressions, including the magazine Culture, which collaborated Marechal, Guglielmini, Derisi, Davalos, House, Cascella, Sepich, Castellani, Schiavo and many others. The Culture proposal, published by the Publications Office of the Ministry of Education of the province of Buenos Aires, is not made explicit in editorials, presentations or any type of manifesto. The most forceful definitions appear in the section "Facts of culture" that accounts for different events that took place in the province of Buenos Aires: exhibitions, contests, trips, some conferences, concerts. Culture allows to glimpse - in the small print of the section - some distinguishing marks between the provincial ministry headed by Avanza and the national one in charge of Oscar Ivanissevich. Provenzano 220. Washington Pereyra T4,p290.