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Published by Duke University Press Books (edition Black Line on Bottom Fore-edge), 2002
ISBN 10: 0822328399ISBN 13: 9780822328391
Seller: BooksRun, Philadelphia, PA, U.S.A.
Book
Paperback. Condition: Fair. Black Line on Bottom Fore-edge. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Published by Fore Edge Press, 2008
ISBN 10: 0974225428ISBN 13: 9780974225425
Book Signed
Trade Paperback. Condition: Good. No Stock Photos! We photograph every item. edge wear, cover crease, some slight soiling to covers. Signed by the author on the half-title. Previous owner's inscription on half-title. Signed.
Published by Fore Edge Books/University Press of New England, Lebanon, NH, 2017
ISBN 10: 1611686563ISBN 13: 9781611686562
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Book Signed
Hardcover. Octavo; pp 255; VG/VG; gray/black pictorial spine with white text; dust jacket shows minor chips to corners; exterior clean; cloth clean; mildly bumped corners; strong boards; text block has light smudge to exterior fore edge; some ink marginalia and underlining inside; illustrated; inscribed by author. 1332384. FP New Rockville Stock.
Published by Cambridge University Press, Cambridge, UK, 1982.First Edition.Or black cloth in jacket. Slight edgew ear and toning to jacket. Prev owners gift inscription to front free end paper, few small toned spots on fore-edge., 1982
Seller: Page After Page, Box Hill, VIC, Australia
h/c + d/j, 8vo. viii, 194pp, index, bibliography, appendices, diagrams. Has a ledge stamp of Monash Uni on each ledge, otherwise quite good. Detailed and critical account of the development and application of structural theory (including statistics and elasticity) in applied mathematics and engineering. Particular emphasis is given to bridges including suspension bridges.
Published by 8vo, 205 X 130mm, 27 leaves (folded at the fore-edges, printed on one side only), (Sylvia & Robert Gutchen) Biscuit City Press, Rhode Island, 1979., 1979
Seller: Collinge & Clark, London, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Handset in Spectrum, with title-page calligraphy by Alexander Nesbitt. Number 59 of 62 copies printed in black on Rives Heavy Buff paper. Bound in green cloth boards stamped in gold on the spine. Veronese Green Fabriano Roma endpapers. Acetate dust-jacket. A fine copy. The text and plates taken from Theatrum botanicum: The theatre of plants or An universall and complete herball, 1640.
Published by Oblong folio, 18 double leaves, folded at the fore-edge, 260 X 355mm., Printed at the Whittington Press, for The Acorn Press, London, 1985., 1985
Seller: Collinge & Clark, London, United Kingdom
First Edition
Hardcover. Condition: Fine. 1st Edition. Handset in 24pt Bell. One of 60 numbered copies printed in black on China White paper (17 linocuts by Hellmuth Weissenborn in purple, green, Whittington red or dark blue). 16 of the linocuts are hand-coloured by Sylvia Stokeld. Bound Japanese-style, laced with grey cord, in scarlet paper covered boards, red endpapers and matching slipcase, title label printed in red on the front. A fine copy. The majority of the linocuts are of London scenes. They are accompanied by an anthology of fifteen short extracts from nineteenth and twentieth century poets and novelists, a nursery rhyme, a haiku and an anonymous contribution.
Published by Landscape 4to, 12 pages (12 pairs of leaves joined at the fore-edges), Gogmagog Press, London, 1987., 1987
Seller: Collinge & Clark, London, United Kingdom
Book First Edition Signed
Soft cover. Condition: Fine. 1st Edition. Typewritten titling. One of 10 signed and numbered copies printed in black on Japanese handmade paper. Ochre endpapers ruled in black. This copy lacking the binding of blue, green and white paper boards, but otherwise fine. A series of big collages on Japanese paper, with such punning titles as 'Hole-Hogs', 'Fish-Figment', 'Sweetness & Flight'. Accepting the excellence and validity of results from the photocopier, each print is signed and titled, and numbered as an original in the edition of ten. The delicate title-page was composed from lace. Signed by Author(s).
Published by 8vo, 29 double leaves folded at the fore-edges, 185 X 165mm, The Whittington Press, Manor Farm, Andoversford, 1986., 1986
Seller: Collinge & Clark, London, United Kingdom
Book First Edition Signed
Hardcover. Condition: Fine. 1st Edition. 26 wood-engravings and a line-block reproduction of title lettering by Barbara Crow. Set in 18-point Caslon and printed in black (title and engravings) and red (text) on Zerkall Ingress & mould-made papers. Number xiv of xxxv (335) copies hand-coloured by Sylvia Stokeld, bound in silk, signed by the artist upon the colophon and with a separate set of proofs on Hosho paper signed by the artist in a pocket at the rear. Bound Japanese-style with orange Indian silk boards laced at the spine. Printed label inset on upper cover. Fine in slipcase. Prospectus loosely inserted. The first book of wood-engravings by Barbara Crow. The engravings each show a figure twisting itself around or through a letter of the alphabet. Each is accompanied by a single word or phrase on the verso opposite. The single sheet of engravings on Hosho paper was printed in an edition of fifty copies, the balance of which was issued as posters. Signed by Illustrator(s).
Published by Narrow 4to, 28cm, 68 leaves (joined at the fore-edges), Gogmagog Private Press, Dartmouth Park Road, London, 1980., 1980
Seller: Collinge & Clark, London, United Kingdom
Book First Edition Signed
Hardcover. Condition: Fine. 1st Edition. Text set in Rockwell; display in Extended Egyptian wood letter, French Antique, Bodoni Ultra Bold Italic and Figaro, with a linocut of the author's signature; captions in Gill Sans. One of just 35 copies printed in black (the title-page in black and red; the press-marks in brown; the prints in many colours) on Japanese Hosho and Kuso-shi papers. Natural silk boards with designs printed in brown on the front. Cloth label on the spine. Reddish-brown endpapers. Slipcase covered in paste-patterned paper. A fine copy. 'This brilliant performance has the appearance of a retrospective exhibition of work across half a century, showing every technique of colour-printing which we have come to know in his work; but these are, as the sub-title explains, '50 Original Colourprints', and the Introduction mentions they 'were all conceived, made and printed within the course of one year's extensive work'. Morris Cox follows his custom of giviving titles to each print, perhaps from whatever a chance result suggested to him, continuing thus the notion of blind drawings or reticulation of a cracked plate. In his Introduction we have the longest most revealing of all his explanations as to method and discovery, a brief artistic memoir.' (Chambers 33). Signed by Illustrator(s).
Published by Published at the Vine Press, Hemingford Grey, 1960, limited edition of 100 copies. Quarter leather binding with marbled boards. Five raised bands to spine, gilt lettering to spine. Top edge and fore edge gilt. 12ins x 7.75ins, illustrated endpapers, [vi], 114pp, limitation page. Four full page colour illustrations by Reg Boulton. Printed by Peter Foster and John Peters. This copy no 78. Leather to edge of spine rubbed and worn. G+ nr VG., 1960
Hardcover. Condition: Very Good. Published at the Vine Press, Hemingford Grey, 1960, limited edition of 100 copies. Quarter leather binding with marbled boards. Five raised bands to spine, gilt lettering to spine. Top edge and fore edge gilt. 12ins x 7.75ins, illustrated endpapers, [vi], 114pp, limitation page. Four full page colour illustrations by Reg Boulton. Printed by Peter Foster and John Peters. This copy no 78. Leather to edge of spine rubbed and worn. G+ nr VG.