frommann holzboog verlag e k dez 2017 (6 results)

Buch. Condition: Neu. Neuware -In 1805, Destutt de Tracy's 'Logic' was published as volume three of his 'Eléments d'idéologie'. The fundamental difference between this volume and the first volume was the detailed discussion on the history of logical ideas. He was scathingly critical of those precursors who in his opinion were the most significant - Aristoteles, Bacon, the »men of Port-Royal«, Descartes, Locke, Hobbes, Condillac and Buffier - from the perspective of his sensualistic-naturalistic ideology, and above all of Aristotelian syllogistic and the German tradition of apriorism. Previously logic had been misunderstood as »the art of reasonable thinking«. He believed it should become the »first science« and should consist solely of the analysis of the development and deduction of our ideas. It is only in this way that logic can guarantee the recognition of the characteristics of truth and certainty as well as of the causes of uncertainty and error. On the whole, this logic, which is at the same time an autobiographical account of the path to ideology, is a plea against skepticism. 386 pp. Deutsch.

Buch. Condition: Neu. Neuware -In 1805, Destutt de Tracy's 'Logic' was published as volume three of his 'Eléments d'idéologie'. The fundamental difference between this volume and the first volume was the detailed discussion on the history of logical ideas. He was scathingly critical of those precursors who in his opinion were the most significant - Aristoteles, Bacon, the »men of Port-Royal«, Descartes, Locke, Hobbes, Condillac and Buffier - from the perspective of his sensualistic-naturalistic ideology, and above all of Aristotelian syllogistic and the German tradition of apriorism. Previously logic had been misunderstood as »the art of reasonable thinking«. He believed it should become the »first science« and should consist solely of the analysis of the development and deduction of our ideas. It is only in this way that logic can guarantee the recognition of the characteristics of truth and certainty as well as of the causes of uncertainty and error. On the whole, this logic, which is at the same time an autobiographical account of the path to ideology, is a plea against skepticism. 386 pp. Deutsch.

Buch. Condition: Neu. Neuware - In 1805, Destutt de Tracy's 'Logic' was published as volume three of his 'Eléments d'idéologie'. The fundamental difference between this volume and the first volume was the detailed discussion on the history of logical ideas. He was scathingly critical of those precursors who in his opinion were the most significant - Aristoteles, Bacon, the »men of Port-Royal«, Descartes, Locke, Hobbes, Condillac and Buffier - from the perspective of his sensualistic-naturalistic ideology, and above all of Aristotelian syllogistic and the German tradition of apriorism. Previously logic had been misunderstood as »the art of reasonable thinking«. He believed it should become the »first science« and should consist solely of the analysis of the development and deduction of our ideas. It is only in this way that logic can guarantee the recognition of the characteristics of truth and certainty as well as of the causes of uncertainty and error. On the whole, this logic, which is at the same time an autobiographical account of the path to ideology, is a plea against skepticism.

Buch. Condition: Neu. Neuware -Robert Fludd's (1574-1637) 'Utriusque Cosmi Historia' is a key work of mystical »Naturphilosophie« in the early modern era. It is an encyclopedia of all those theories excluded from the scientific canon due to their alleged superstition and irrationality. Fludd - medical scientist, astrologist, Kabbalist, mathematician and »Naturphilosoph« - develops a cosmology that depicts the influence of the stars on world events, as well as illustrating and describing in detail all the man-made arts and technologies during this period, which are explained in analogy with their celestial archetypes. - The many illustrations make this book the most beautiful encyclopedia of the early modern era.Band 1: De metaphysico macrocosmi et creaturarum illius ortu. Physicomacrocosmi in generatione et corruptione progressu. Oppenheim 1617.This volume presents the history of creation and illustrates it with pictures, beginning with the creation of heaven and earth, followed by the emergence of plants, animals and, finally, man.Band 2,1-2: De physico macrocosmi et creaturarum illius ortu. De naturae simia seu technica macrocosmi historia. Oppenheim 1618This volume contains an extensive and visual depiction of the human arts, covering mathematics, music, optics, painting, military technology, the study of automata, meteorology and astrology.Band 3: De supernaturali praeternaturali et contranaturali microcosmi historia. Oppenheim 1619. De technica microcosmi historia. [Oppenheim 1620]The third volume introduces Fludd's metaphysics and physics. His metaphysics is an outline of a speculative arithmetic based on Nicholas of Cusa's ideas; his physics illustrates in words and pictures the relation of microcosm and macrocosm and can thus be regarded as an overall view of Renaissance medicine and anthropology.Band 4: De praeternaturali utriusque mundi historia. Frankfurt 1621. Anatomiae Amphitheatrum. Frankfurt 1623In the fourth volume, Fludd presents the Kabbalistic and Pythagorean basics of his encyclopedic theory. This work is the first major overall depiction of the Christian Kabbalah in the early modern period. 2196 pp. Latein, Deutsch.

Buch. Condition: Neu. Neuware -Robert Fludd's (1574-1637) 'Utriusque Cosmi Historia' is a key work of mystical »Naturphilosophie« in the early modern era. It is an encyclopedia of all those theories excluded from the scientific canon due to their alleged superstition and irrationality. Fludd - medical scientist, astrologist, Kabbalist, mathematician and »Naturphilosoph« - develops a cosmology that depicts the influence of the stars on world events, as well as illustrating and describing in detail all the man-made arts and technologies during this period, which are explained in analogy with their celestial archetypes. - The many illustrations make this book the most beautiful encyclopedia of the early modern era.Band 1: De metaphysico macrocosmi et creaturarum illius ortu. Physicomacrocosmi in generatione et corruptione progressu. Oppenheim 1617.This volume presents the history of creation and illustrates it with pictures, beginning with the creation of heaven and earth, followed by the emergence of plants, animals and, finally, man.Band 2,1-2: De physico macrocosmi et creaturarum illius ortu. De naturae simia seu technica macrocosmi historia. Oppenheim 1618This volume contains an extensive and visual depiction of the human arts, covering mathematics, music, optics, painting, military technology, the study of automata, meteorology and astrology.Band 3: De supernaturali praeternaturali et contranaturali microcosmi historia. Oppenheim 1619. De technica microcosmi historia. [Oppenheim 1620]The third volume introduces Fludd's metaphysics and physics. His metaphysics is an outline of a speculative arithmetic based on Nicholas of Cusa's ideas; his physics illustrates in words and pictures the relation of microcosm and macrocosm and can thus be regarded as an overall view of Renaissance medicine and anthropology.Band 4: De praeternaturali utriusque mundi historia. Frankfurt 1621. Anatomiae Amphitheatrum. Frankfurt 1623In the fourth volume, Fludd presents the Kabbalistic and Pythagorean basics of his encyclopedic theory. This work is the first major overall depiction of the Christian Kabbalah in the early modern period. 2196 pp. Latein, Deutsch.

Buch. Condition: Neu. Neuware - Robert Fludd's (1574-1637) 'Utriusque Cosmi Historia' is a key work of mystical »Naturphilosophie« in the early modern era. It is an encyclopedia of all those theories excluded from the scientific canon due to their alleged superstition and irrationality. Fludd - medical scientist, astrologist, Kabbalist, mathematician and »Naturphilosoph« - develops a cosmology that depicts the influence of the stars on world events, as well as illustrating and describing in detail all the man-made arts and technologies during this period, which are explained in analogy with their celestial archetypes. - The many illustrations make this book the most beautiful encyclopedia of the early modern era.Band 1: De metaphysico macrocosmi et creaturarum illius ortu. Physicomacrocosmi in generatione et corruptione progressu. Oppenheim 1617.This volume presents the history of creation and illustrates it with pictures, beginning with the creation of heaven and earth, followed by the emergence of plants, animals and, finally, man.Band 2,1-2: De physico macrocosmi et creaturarum illius ortu. De naturae simia seu technica macrocosmi historia. Oppenheim 1618This volume contains an extensive and visual depiction of the human arts, covering mathematics, music, optics, painting, military technology, the study of automata, meteorology and astrology.Band 3: De supernaturali praeternaturali et contranaturali microcosmi historia. Oppenheim 1619. De technica microcosmi historia. [Oppenheim 1620]The third volume introduces Fludd's metaphysics and physics. His metaphysics is an outline of a speculative arithmetic based on Nicholas of Cusa's ideas; his physics illustrates in words and pictures the relation of microcosm and macrocosm and can thus be regarded as an overall view of Renaissance medicine and anthropology.Band 4: De praeternaturali utriusque mundi historia. Frankfurt 1621. Anatomiae Amphitheatrum. Frankfurt 1623In the fourth volume, Fludd presents the Kabbalistic and Pythagorean basics of his encyclopedic theory. This work is the first major overall depiction of the Christian Kabbalah in the early modern period.