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Published by E. G. Graves Pub. Co.; distributed by Crowell, New York, 1972
ISBN 10: 069016100XISBN 13: 9780690161007
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. First. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Graves Pub Co, NY, 1910
Seller: Pepper's Old Books, Hanson, KY, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Hard Cover. Good/No Jacket.
Published by The Universal Photo Art Co., C.H. Graves, Publisher, Philadelphia, 1904
Seller: Barry Cassidy Rare Books, Sacramento, CA, U.S.A.
Book
No Binding. Condition: Collectible-Very Good. 3 1/4 x 7 inches. Shows abundant and ornate display of buildings made from corn ears.
Published by Earl G. Graves Publishing Co, New York, 1972
ISBN 10: 069016100XISBN 13: 9780690161007
Book First Edition
Hardcover. xi, 132p., first printing, dj. Foreword by baseball hall-of-famer Jackie Robinson. African American economist.
Published by The Universal Photo Art Co: C.H. Graves, publisher, Philadelphia, Naperville, Ill., 1902
Seller: John K King Used & Rare Books, Detroit, MI, U.S.A.
Oblong 3.25 x 7, light gray curved mount. Shows portraits of the three presidents hanging on a wall surrounded by flowers. C(arlton) H. Graves became a contender in the stereoview market with the publication of more than 10,000 different views in the 1890s but by 1910 the company was sold to the largest producer of views, Keystone.
Published by Graves Pub Co, 2003
ISBN 10: 0970832133ISBN 13: 9780970832139
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Graves Publishing Co., 1973
ISBN 10: 0970832125ISBN 13: 9780970832122
Seller: mediaRus, Montgomery, TX, U.S.A.
Book
Soft cover. Condition: New.
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Also find Softcover
Condition: Very Good. Very Good condition. Good dust jacket. (african american businesspeople, minority business enterprises, united states ) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Published by Earl G. Graves Publishing Company, Inc., New York, 1995
Seller: Frank J. Raucci, Bookseller, Wallingford, CT, U.S.A.
Book
Cloth Hardcover. Condition: Fine. "Celebrating 25 Years of Black Enterprise and Black Business Achievement." A FINE, like-new book in near fine publisher's original-issue slipcase. Book features two cover stories: 'Moment of Truth for the Class of '70' and 'The Rise Of the Black Professional Class' and 12 other articles among which are: ''Changing the Face Of the Magazine Industry,' 'Meeting the Challenge of Corporate Leadership,' 'How to Raise a Successful Child,' 'The Future of Black-Owned Family Business,' 'Up for Grabs: The Black Vote,' 'Must Black Firms Stay in Black Hands?,' 'The Quest For Financial Security'. PROFUSELY ILLUSTRATED in full color photography. 220 pages. LBCMB4.
Published by Graves Publishing Company, 1976
ISBN 10: 0970832117ISBN 13: 9780970832115
Seller: mediaRus, Montgomery, TX, U.S.A.
Book
Soft cover. Condition: New.
Published by Graves, Locke & Co., Publishers, Boston, 1879
Seller: Sandra L. Hoekstra Bookseller, Thomaston, ME, U.S.A.
Wraps. Condition: Very good. [TRAVEL] [SOUVENIR] [EPHEMERA]. Boston Stereotype Foundry, No. 10 Spring Lane, printers. Cover title: Old Orchard Maine Map: Plan of Ferry Beach Park, Cottage Lots, Ferry Beach, Saco, Maine, 2 pp Fold-out illustrated bird's-eye-view map with vignettes: Balloon View of Old Orchard, Me., along with On the Beach at Low Tide, and 11 vignettes of guest houses and one of the Rustic Observatory at Ferry Beach Park. 12mo; 48pp; 2 staple binding; pale green stiff wrapper printed with two vignettes of homesteads and title; 4 wood-cuts of guest houses; age-toning of paper; fold-out map has 2 small tears through the neat line with loss, and one short separation at fold intersections; very good minus. The preface starts with the statement, â When an individual becomes distinguished, there is a demand for his biography; and when a locality springs into notoriety, there is a demand for its history.' A promotional pamphlet for a popular 19th-century vacation area on the coast of Maine. Included are wood-cuts of the Falmouth Hotel, Biddeford House, Saco House all in Maine, and the Tremont House, Boston.
Published by London: Published Henry Graves & Co. Limited, 6 Pall Mall, Copyright 1897 U.S.A. British Arts Publishers Union , 1897., 1897
Seller: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Art / Print / Poster Signed
No Binding. Condition: Good. signed by Woodville & Jacquet. signed R.Caton Woodville [18]95 in plate, lower left margin. vignette bust portraits of von Blücher and Wellington lower left, & remarque of imperial eagle lower right. 21 ¼ x 35 ¼ inches (54.5 x 89.8 cm., entire sheet). etching (margins damaged as a result of previous framing no loss). Richard Caton Woodville II was a British artist who specialized in battle scene paintings. This detailed depiction of the Battle of Waterloo, June 18, 1815, shows cavalry and infantry positions, and Napoleon on horseback in the middleground. Napoleon was defeated in the engagement by two of the armies of the Seventh Coalition, commanded by the Duke of Wellington and Field Marshal von Blücher. Napoleon abdicated four days later, and the Napoleonic Wars and the First French Empire came to an end. Signed by Author(s).
Published by Henry Graves & Company, Printsellers and Publishers to Her Majesty The Queen and Their Royal Highness The Prince and Princess of Wales, Pall Mall, London, 1880
Seller: Sigma Books, Sheridan, WY, U.S.A.
Book First Edition
Hardcover. Condition: Fine. No Jacket. 1st Edition. Fine condition. Foxing as usual, and very slight bumping/edge wear. Pencil marking on bottom left of Title Page. Circa 1880. Half morrocco binding with gilt on spine, and front text block. Has marbled pastedown endpaper and free endpaper. Images are vivid and clear. The portraits contained are divided into Royal Portraits, Portraits, and Fancy Subjects. Contains 125 portraits. This book is 20"x14" and weighs approximately 20 pounds. (Additional shipping will be required due to the size and weight of this item). Very scarce. At the time of this presentation for sale, this book can be found in the finest Museums and Colleges/Universities. Those include (at this time) The Getty in Los Angeles, The Frick Collection in New York, Art Gallery of Ontario, The National Gallery of Art in Washington D.C., National Art Library, Victoria and Albert, Harvard University, and Yale Library. "Thomas Gainsborough was born in Sudbury, Suffolk, the youngest of nine children. He took to sketching at an early age, and when he was thirteen prevailed upon his father to send him up to London to become an artist. A pupil of the French illustrator and draftsman Hubert Gravelot, Gainsborough was intimately involved with avant-garde rococo art and design, and seems to have assisted Francis Hayman on his genre paintings for the decoration of Vauxhall Gardens. After a short period on his own in London between about 1744 and 1748, during which he painted small-scale portraits and landscapes in the manner of Jan Wijnants and Jacob van Ruisdael, and married Margaret Burr, Gainsborough returned to his native Suffolk. After a few years in Sudbury he moved, in 1752, to the larger seaport town of Ipswich. There is only one, uncorroborated, reference (to a visit to Flanders in later life) to suggest that he ever traveled abroad, as was customary among his fellow artists. By 1759, still finding it difficult to make ends meet and now with two daughters to support, he realized he had exhausted the possibilities of local patronage and moved to the fashionable spa town of Bath, where he achieved instantaneous success. Set back by a nervous illness in 1763, he later became a founding member of the Royal Academy of Arts, contributing to its first exhibition a scintillating female full-length portrait in the manner of Van Dyck. Unlike many of his contemporaries, Gainsborough customarily painted his portraits entirely with his own hand; his only known assistant was his nephew Gainsborough Dupont, who was apprenticed to him in 1772. In 1774 Gainsborough moved to London, where he settled in a wing of Schomberg House, Pall Mall. In 1777 he received the first of many commissions from the royal family. In 1780 he exhibited a wide range of landscape compositions, and in 1783 made a tour of the Lake District in search of picturesque scenery. An original printmaker, he experimented in these years with soft-ground etching and aquatint; influenced by Philippe-Jacques de Loutherbourg's popular entertainment, the Eidophusikon, he also constructed a peep-show box in which transparencies were seen magnified and lit by candles from behind, producing a dramatic and colorful effect. After quarreling with the Royal Academy about the hanging of his pictures (he rarely participated in Academy affairs), from 1784 onward Gainsborough arranged annual exhibitions in his studio. He was by then comparatively well off. He died of cancer in London on 2 August 1788.".