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Published by New Press 8/1/2006, 2006
ISBN 10: 1595580743ISBN 13: 9781595580740
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Book
Paperback or Softback. Condition: New. Other People's Children: Cultural Conflict in the Classroom 0.65. Book.
Published by New Press 8/1/2006, 2006
ISBN 10: 1595580638ISBN 13: 9781595580634
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Book
Paperback or Softback. Condition: New. Other People's Money: The Corporate Mugging of America 0.93. Book.
Published by New York University Press 8/1/2006, 2006
ISBN 10: 0814727530ISBN 13: 9780814727539
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Book
Paperback or Softback. Condition: New. Deeper Shades of Purple: Womanism in Religion and Society 1.04. Book.
Published by New York University Press 8/1/2006, 2006
ISBN 10: 0814767206ISBN 13: 9780814767207
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Book
Paperback or Softback. Condition: New. The Many Colors of Crime: Inequalities of Race, Ethnicity, and Crime in America 1.3. Book.
Published by Berlin / New York :Sternberg Press, 2006, 1. Aufl., 255 pages, m. Abb. / illustr., 21,3 x 13,8 cm, Broschur-Tb. / Softcover. (9781933128191), 2006
ISBN 10: 1933128194ISBN 13: 9781933128191
Seller: BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Germany
Book First Edition
Broschur-Tb. / Softcover. 1. Aufl. »In The Poem About Love You Don`t Write The Word Love« takes the distinction that French critic Serge Daney made between the `image` and the `visual` as a starting point for a selection of artworks, films, and discussions. Daney`s distinction refers to an `image` that can critically challenge and destabilize predominant models of information, resisting the `purely technical,` that which is nothing other than the verification that something functions. Through various strategies of dislocation or slippage contemporary artists and filmmakers stage unsettling tensions that challenge visual conventions in an increasingly mediated culture. The aim of this book is to provide a theoretical and critical framework for examining how contemporary art and cinema can still hold out against an experience of vision and of the `visual.` Contributions range from philosophers and theorists such as Ernesto Laclau and Thomas Keenan, to art historians such as George Baker and Jonathan Crary, and to artists and filmmakers including François Bucher, Gareth James, John Menick, Mai-Thu Perret, and Keith Sanborn. - / This book was co-produced by Artists Space, New York, and accompanied the same-titled exhibition (November 16 - December 22, 2006) (Sehr gut erhalten - NEU / new - in very good condition) Sprache: Englisch Gewicht in Gramm: 750.
Published by New York: Sternberg Press, 2006, 1st ed., 128 pages, 23,5 x 17,8 cm, ill. OPappband. / Hardcover. (9781933128061), 2006
ISBN 10: 1933128062ISBN 13: 9781933128061
Seller: BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Germany
Book First Edition
ill. OPappband. / Hardcover. 1st ed. edited by: April Lamm, Caroline Schneider. - / Preface by Rem Koolhaas, afterword by Daniel Birnbaum, title by Douglas Gordon, with a Gerhard Richter-Cover. - `If art takes place in a contemporary art museum (where we expect it), what does it mean? Art should not be about filling spaces, but about necessities and urgencies.` Such are the prin ciples conveyed by the visionary Hans Ulrich Obrist, seeking out ways to reinvent and invent museums of the 21st century . - / Text: ENGLISH (Sehr gut erhalten - neuwertig, vermutlich ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 900.