ormond yard press (3 results)

Hardcover. Condition: Fine. First Edition. Hardback. Illustrated Covers In Illustrated Slip-Case. Elephant Folio size. pp 96. 24 inches high x 18 inches wide (60x45cm) Number 290 of %00 signed on the title page by Eric Meola. Bruce Springsteen photography book with photographs by Eric Meola - the inaugural publication from Ormond Yard Press. Ormond Yard state:"Eric MeolaÕs work needs little introduction to any student of popular music. He created one of the most recognisable images in rock ÔnÕ roll: the 1975 photograph of Bruce Springsteen and Clarence Clemons that appeared on the cover of Born To Run. We hosted the worldÕs first gallery exhibition of EricÕs Bruce Springsteen photographs in 2006, and we are hugely proud that he has agreed to be the subject of our first title. Born To Run Revisited is a book on a spectacular scale: a hardcover volume housed in its own printed slipcase and measuring 24 inches high x 18 inches wide (60x45cm) when closed, 24 x 36 inches (60 x 90cm) when open, with 96 pages of photographs, and an introductory essay by Eric Meola. Fine in fine slip-case.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Limited Edition. From limitation of 500 copies, though this copy is unnumbered and unsigned. Elephant folio, measures 24" x 18". Hard bound in slipcase. [This item is large and heavy, please contact seller for overseas shipping quote.].

Hardcover. Condition: Fine. First Edition. Hardback. Illustrated Covers In Illustrated Slip-Case. Elephant folio 24 inches high x 18 inches wide (60x45cm) when closed. When the book is open, a double page spread measures 24 inches high by 36 inches wide (60cm x 90cm). Number 7 of 600 signed on verso of title page by the photographer Peter Webb. Sticky Fingers: The Lost Session includes approximately 100 photographs over its 96 pages, and contains Peter WebbÕs entire surviving archive from this key 1971 session Ð with the majority of photographs previously unpublished. Ormond Yard state: "This book defies the normal Ôcoffee tableÕ convention. Much larger than a traditional coffee table volume, it is slim and elegant at the same time. Sticky Fingers: The Lost Session is housed in a beautiful custom slipcase which reproduces the front and back book cover art. All our publications seek to redefine the book as more than just a book Ð and as a piece of art in its own right. With this in mind, the cover of the book and slipcase have been deliberately left free of text so that nothing detracts from the power of the images. Why is this book important? Because something revelatory happens when a photograph is presented in a very large format like this. Hidden details come to light, and the power and impact of the image are magnified exponentially. Unless you go to a gallery and see a large format print on the wall, you canÕt experience this. Imagine an entire art gallery exhibition that you get to take home and keep forever etc.," Fine in fine slip-case/.