Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Rob Stolk, Amsterdam, 1991, 1991
Seller: Antiquariaat Hortus Conclusus, Den Haag, Netherlands
Originele kartonnen band, touwgebonden. Met ingelegde boekenlegger met uitnodiging voor de opening. 12 pp. Please see description or ask for photos.
Published by Amsterdam: Rob Stolk, 1983., 1983
Seller: Inno Dubelaar Books, Toronto, ON, Canada
Book First Edition
Soft cover. Condition: Fine. 1st Edition. First printing (stated). 144 pp., many photos, 8vo, softcover. A detailed listing of bootleg concert tapes. Fine copy with slightest wear to tips. No owner's name, no serious flaws. Rare book.
Published by Rob Stolk, Amsterdam, 1980
ISBN 10: 9070255014ISBN 13: 9789070255015
Seller: FESTINA LENTE italiAntiquariaat, Lucca, Italy
Book First Edition
Cahier/geniet. Condition: Net exemplaar. 1e druk. Illustraties: Peike Vastbinder. Zetwerk: Chang Chi Lan-Ying. Uitgave en druk: Rob Stolk (1946-2001). Eerste drukwerk sinds de explosie op 15 juni 1980 in de het pand Quellijnstraat 64, waarbij de drukkerij van Stolk zwaar beschadigd raakte. (16) pag. Size: 21cmx13cm.
Published by Rob Stolk BV, AMSTERDAM, 1987
Seller: Biblioteca di Babele, Tarquinia, VT, Italy
Condition: DISCRETO USATO. TEDESCO Copertina leggermente stanca agli angoli, brunito il dorso probabilmente per l'esposizione al sole. Pagine salde alla cerniera, con ampio margine, su carta patinata, lievemente bruniti i tagli, che presentano leggera fioritura. Presenti illustrazioni nel testo sia a colori che in bianco e nero con didascalia. Numero pagine 32.
Published by Rob Stolk, Amsterdam, 1981
ISBN 10: 9070306034ISBN 13: 9789070306038
Seller: Tombland Bookshop, Norwich, NFLK, United Kingdom
Book
Soft Cover. Condition: Good. sqr 8vo. 143 pp. with 45 rpm record and sheet music in pocket at rear, forward by EM Beckman, intro Gerrit Borges, translsted Holmes, Nijmeijer, Hermans and Vincent. a small faint splac=sh mark on foredge, otherwise very good in original card covers, french flaps, some light browning and minor markings, good plus. Size: 8vo - over 7¾" - 9¾" tall.
Published by Rob Stolk, Amsterdam, 1965
Seller: The land of Nod - art & books, Oostende, Belgium
First Edition
Stapled. Condition: Good. First Edition. Text: Dutch. 36 p.; b/w ills.; 10,5 x 30 cm; 50 g. " The Provo Group : In a series of actions and public interventions in Amsterdam and other Dutch cities between 1965 and 1967, the anarchist counterculture movement Provo unleashed multiple attacks on the social structures of the state, mixing absurd humour and cynicism with an attempt to awaken a critical spirit in citizens and bring about social change. In spite of its brief existence, the conceptual activism and political projects carried out by Provo a phenomenon that was part artistic movement and part political party managed to capture the spirit of a whole generation in the Netherlands, and coincided with the early days of the hippy movement. Provo was one of the movement s most representative and significant publications. A total of fifteen issues were published monthly at first, and then at more irregular intervals , as well as a special Provo gazette, with the last issue published in April 1967. Given that official printers considered these publications too subversive to print, the members of the collective also had to undertake the printing of the magazine themselves. Provo was almost always printed in black and white, except for some covers and a few issues, which were printed in two colours. Issues 1 to 6 are printed on a cyclostyle, and from issue 7 onwards the group used offset printing. Aesthetic matters took a back seat, even though the group consciously tried to move away from the advertising aesthetic that had become widespread since the fifties. The uniformity and consistency of Provo s style actually stems from the technical and financial restrictions that conditioned its production processes: the prime objective was to obtain as many copies as possible and achieve maximum distribution at minimum cost; this determined the format and its formal characteristics. Provo shared two important graphic elements with the group s other publications. Firstly, the apple, or gnot, symbol designed in 1962 as a psycogeographic representation of the city of Amsterdam, which became the movement s unofficial logo and frequently appeared on the pages of the magazine and other publications produced by the groups, and also in urban graffiti. And secondly, the image of the lattice of a brick wall, a recurring motif that was a nod to the group s attitude that considered walls and by extension, the city itself as a blank canvas on which to express new ideas. " (MACBA) - Shelfwear, one paragraph marked with cross in red ballpen inkt. Edition: 2.300. Collector's item.