Published by Published for the Yale University Art Gallery by Yale University Press, 1972
ISBN 10: 0300015666 ISBN 13: 9780300015669
Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Published by National Gallery of Art / Yale University Press, 1997
ISBN 10: 0300071663 ISBN 13: 9780300071665
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Yale University Press / National Gallery of Art., New Haven, 1992
ISBN 10: 0300051492 ISBN 13: 9780300051490
Seller: Muddy Turtle Books, Fernandina Beach, FL, U.S.A.
First Edition
First Edition. Light crease to spine, otherwise a newr fine copy -- overallclean, bright and structurally sound. We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.
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Published by National Gallery of Art Washington,/ Yale University Press, January 1991, 1991
ISBN 10: 0300052170 ISBN 13: 9780300052176
Seller: R Bookmark, Youngtown, AZ, U.S.A.
Trade Paperback. Condition: Used - Good. Crease on cover near spine.
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Published by National Gallery of Art; Yale University Press, New Haven, CT, 1985
ISBN 10: 0300035047 ISBN 13: 9780300035049
Seller: Ray Dertz, Naperville, IL, U.S.A.
Soft cover. Condition: Very Good. No Jacket. 10"x11"; 680 pages; Catalog of the Exhibition at the National Gallery of Art, Washington from November 3, 1985 ? April 13, 1986The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. Due to the weight of this book, it may require extra postage. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Contains the following essays: "Introduction" by J. Carter Brown; "Temples of the Arts" by Gervase Jackson-Stops; "The Power House" by Mark Girouard; "Portraiture and the Country House" by Oliver Miller; "The Englishman in Italy" by Brinsley Ford; "The British As Collectors" by Francis Haskell; "The Backward Look" by John Cornforth; "The Last Hundred Years" by Marcus Binney and Gervase Jackson-Stops.
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Published by Yale University Art Gallery and Press, 2016
ISBN 10: 0300214391 ISBN 13: 9780300214390
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 196 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.
Published by National Gallery of Art / Yale University Press, Washington D. C., 1995
Seller: Charles Lewis Best Booksellers, San Diego, CA, U.S.A.
First Edition
Paperbound. First Impression. Demy folio, [27.75cm/11inches], paperbound with pictorial covers, pp. 420, indexed. Fully illustrated with colour and b-w halftone plates, &tc. Please feel free to inquire as to particulars and/or additional photographs. . Apropos of the exhibition, The Washington Post noted: "As a curator, Dr. Cikovksy was credited with greatly expanding public interest in American art. He was responsible for many celebrated exhibitions at the National Gallery, including shows devoted to Chase, Inness, James McNeill Whistler, Thomas Eakins and photographer Ansel Adams. One of his most memorable exhibitions, curated with Franklin Kelly, was the 1995 retrospective showcasing a wide range of paintings, watercolors and drawings by Homer, a somewhat reclusive New England artist who lived from 1836 to 1910. On "CBS Sunday Morning," Dr. Cikovsky pronounced Homer "surely the greatest American artist of the 19th century." It took more than five years to plan the Homer exhibition. Dr. Cikovsky and Kelly negotiated with other museums and with private owners around the world to obtain loans of Homer's art. They considered more than 1,000 works before choosing the 245 that went on view. "We traveled intensely for two years," Dr. Cikovsky told the New York Times. "Then we took a break to see what we had. Then we traveled again." The curators also prepared a lavishly illustrated 420-page catalogue, which Washington Post art critic Paul Richard wrote was "certain to become a standard text on Homer's life and pictures." Demy folio, [30cm/12inches], paperbound with pictorial covers, pp. . Fully illustrated with . Please feel free to inquire as to particulars and/or additional photographs. .
Published by National Gallery of Art & Yale University Press, Washington D. C. & New Haven, 1985
Seller: Charles Lewis Best Booksellers, San Diego, CA, U.S.A.
First Edition
Paperbound. First Edition. JumboDemy folio, [20.15cm/11.25inches], paperbound with pictorial covers, pp. 680, indexed. Fully illustrated with colour plates. Please feel free to inquire as to particulars and/or additional photographs. . The NG's blurb notes: "The English country house was the background for political life, agriculture, sport, social interactions, and, above all, for collecting. The peace at home that Britain has enjoyed for the majority of the past 500 years and the rule of primogeniture has meant the survival of family art collections to a degree unequaled anywhere else in Europe. In many ways the country houses of Britain can be seen as some of the oldest and longest-running museums in the world. The works included come directly from country houses; only in a very few rare cases were objects included which were intimately connected with a house but were no longer there. The resulting assembly shows in a broadly chronological way how these private collections were formed and demonstrates the country house's role as a vessel of civilization". In exceptionally good condition.
Published by National Gallery of Art; Yale University Press, Washington D.C. and New Haven, CT, 1986
ISBN 10: 0300039972 ISBN 13: 9780300039979
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Good. ***FALL CLEARANCE SALE*** 259 pages, illustrations (some colour); 30 cm. Exhibition held at the National Gallery of Art, Washington, March 2 to May 11, 1986; Amon Carter Museum, Fort Worth, June 6 to July 27, 1986; Yale University Art Gallery, New Haven, September 11 to November 2, 1986. Good+. Firm binding, clean inside copy. Front free endpaper (blank) removed. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. Size: 4to.
Published by Yale University Art Gallery/Yale University Press, New Haven, CT, 1998
Seller: Frank J. Raucci, Bookseller, Wallingford, CT, U.S.A.
First Edition
Soft Wraps Paperback. Condition: USED_NEARFINE. First Edition. Minor rubbing (commonly visible on black-colored covers), elsewise a bright, clean, tight copy sans other flaws. PROLIFICALLY ILLUSTRATED in black-and-white photography and full-color photographic reproduction of artworks, all with accompanying descriptive captions. 62 pages. GD4.
Published by Yale University Art Gallery, Yale University Press, New Haven, CT, 2003
ISBN 10: 0300101821 ISBN 13: 9780300101829
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Oblong hardcover. Published in conjunction with a traveling exhibition. Introduction by Marvin Bell. Afterwords by Richard Benson and Jock Reynolds. A collection of black and white images by Lyons. A very near fine copy in a very near fine dust jacket.
Published by Buffalo: Albright Knox Art Gallery and Yale University Press, 2001
ISBN 10: 0914782991 ISBN 13: 9780914782995
Seller: ANARTIST, New York, NY, U.S.A.
Condition: UNSPECIFIED. Softcover, 278 pages; as new condition, no internal marks, clean and crisp. Priority and foreign shipping may be extra.
Published by Art Gallery of Ontario and Yale University Press, 1996
ISBN 10: 1895235413 ISBN 13: 9781895235418
Seller: ANARTIST, New York, NY, U.S.A.
Condition: UNSPECIFIED. Softcover, 236 pages; very good condition; except pages a bit wavy along top and bottom edge; no internal marks. Foreign shipping may be extra.
Published by Published for the Yale University Art Gallery by Yale University Press, 1972
ISBN 10: 0300015623 ISBN 13: 9780300015621
Seller: Best and Fastest Books, Wantage, NJ, U.S.A.
Condition: Good. Good hardcover copy with jacket, solid binding, mild to moderate reading/age wear, jacket has some mild edge wear, may have ex owner inscription and/or some light markings. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.
Published by National Gallery of Art; Royal Cabinet of Paintings Mauritshuis; Yale University Press, Washington D.C., The Hague, and New Haven, CT, 1995
ISBN 10: 0894682199 ISBN 13: 9780894682193
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Very Good. 229 pages, illustrations (some colour); 32 cm. Exhibition held at the National Gallery of Art, Washington, 12 November 1995 to 11 February 1996; Royal Cabinet of Paintings Mauritshuis, the Hague, 1 March to 2 June 1996. Firm binding, gently creased spine. Clean inside copy. Another copy available. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Vermeer of Delft : his life and his artistry, by Arthur K. Wheelock, Jr.; Vermeer's modern themes and their tradition, by Albert Blankert; "Un celebre Peijntre nomme Verme[e]r", by Ben Broos; Vermeer in perspective, by J rgen Wadum. Size: Folio. .
Published by Yale University Press / The National Gallery of Art, New Haven And London, 1986
ISBN 10: 0300042078 ISBN 13: 9780300042078
Seller: G.M. Isaac Books, Winston-Salem, NC, U.S.A.
Soft cover. Condition: Very Good. (Wrappers have edge-wear; Text is clean, neat and tight). Book.
Published by National Gallery of Art and Yale University Press, 1985
Seller: Dearly Departed Books, Alliance, OH, U.S.A.
Soft cover. Condition: Very Good. Stated second printing with revisions. 10" x 10 3/4", 680 page trade paperback bound in pictorial wrappers. Very Good condition. Small bump at the front wrapper's lower right corner. Rubs to the corners and spine tips. Some rubs along the spine edges. Mild soiling to the edges of the lower page block. Faint crease along the spine. Shipping weight is eight pounds. Additional shipping rates will apply.
Published by Dia Art Foundation; National Gallery of Art; in association with Yale University Press, New York, 2005
ISBN 10: 0944521770 ISBN 13: 9780944521779
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Very Good. 222 pages, illustrations (some colour); 21 cm. Dia Center for the Arts, New York (Series); no. 3. Near fine. Tight, clean copy. Small remainder mark (ink dot)/tail edge. CONTENTS: "Leonardo da Vinci, Marcel Duchamp, and Joseph Beuys," by Pamela Kort; "Robert Irwin and the Condition of Twilight," by Jonathan Crary; "Andy Warhol: Shadows," exhibition text by Lynne Cooke to preface Victor I. Stoichita; "Beyond the Peter Pan Complex: Warhol's Shadows," by Victor I. Stoichita; "Douglas Gordon's 'Left is Right and Right is Wrong and Left is Wrong and Right is Right,'" by Elaine Showalter; Stan Douglas's "Win, Place, or Show," by B r nice Reynaud; "The Case of Thomas Sch tte," by Boris Groys; "Rodney Graham's Black Box Treatment," by Jan Tumlir; "Myth of the West," by Peter Wollen. Size: 8vo.
Published by National Gallery of Art; Yale University Press, Washington D.C. and New Haven, CT, 1986
ISBN 10: 0894680870 ISBN 13: 9780894680878
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Good. 259 pages, illustrations (some colour); 29 cm. Exhibition hled at the National Gallery of Art, Washington, March 2 to May 11, 1986; Amon Carter Museum, Fort Worth, June 6 to July 27, 1986; Yale University Art Gallery, New Haven, September 11 to November 2, 1986. Firm binding, gently creased spine. Clean inside copy. Age toning. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. CONTENTS: Early Years; First Watercolors 1875-1877; Houghton Farm 1878; Gloucester 1880; London to Cullercoats 1881; Cullercoats 1881-1882; Prout's Neck 1883-1884; Bahamas and Cuba 1884-1885; Florida and Prouts Neck 1885-1890; Adirondacks 1889-1900; Quebec 1893-1902; Bahamas 1898-1899; Bermua 1899-1901; Florida 1903-1905; Final Years. Size: 4to.
Published by Addison Gallery of American Art and Yale University Press, 2006
ISBN 10: 030011771X ISBN 13: 9780300117714
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 124 pages; very good condition; except light rubbing to dj; no internal marks. Foreign shipping may be extra.
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Published by Washington, National Gallery of Art and Yale University Press, [, 1996
ISBN 10: 0300069480 ISBN 13: 9780300069488
Seller: Hammer Mountain Book Halls, ABAA, Schenectady, NY, U.S.A.
Hardcover. Very good condition in very good dust jacket. ]. 319p. Illus. Folio.
Published by Washington/New Haven (National Gallery of Art/ Yale University Press), 1986
Seller: Ars Libri, Ltd. (ABAA), Charlestown, MA, U.S.A.
259, (1)pp. 223 illus. (numerous color). Tall 4to. Wraps. Published in conjunction with an exhibition at the National Gallery of Art, Washington, D.C., March-May 1986.
Published by National Gallery of Art; Nelson-Atkins Museum of Art; Yale University Press, Washington D.C., Kansas City, and New Haven,, 1999
ISBN 10: 0894682458 ISBN 13: 9780894682452
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Very Good. 584 pages, illustrations (some colour), colour maps; 32 cm. Exhibition held at the National Gallery of Art, Washington, 19 September 1999 to 2 January 2000; Museum of Fine Arts, Houston, 13 February to 7 May 2000; Asian Art Museum of San Francisco, 17 June to 11 September 2000. Firm binding, gently creased spine. Previous owner's signature/half-title page, otherwise unmarked. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "In the last fifty years, archaeological discoveries have altered traditional beliefs on the formation and development of the civilization of ancient China. This book and the exhibition that it accompanies cover the period from 5000 BCE to the 10th-century C.E. presenting more than 170 masterpieces in jade, stone, ivory bone, pottery, bronze, lacquer, bamboo, gold, and silver. Together these astonishing objects demonstrate that highly advanced artistic cultures originated in and flowered throughout a vast area. Earlier generations of scholars believed that a much smaller area, the Yellow River Valley, was the principal source and locus of Chinese civilization." - Publisher. CONTENTS: Introduction: A History of Modern Chinese Archaeology, by Xiaoneng Yang; Catalogue: The Foundation of Chinese Civilization: Late Prehistoric China c. 5000-2000 B.C.E. The Epic of the Three Dynasties: Bronze Age China c. 2000-771 B.C.E. The Flamboyance of Eastern Zhou: Chu and other Cultures c. 770-221 B.C.E. The Grandeur or Empires: Early Imperial China 221 B.C.E.-924 C.E. Afterword, by Su Bai. New Understandings of Chinese Prehistory, by Zhang Zhongpei. The Bronze Age of China, by Zou Heng. Issues Concerning the Formation, Development, and Demise of Chu Culture, by Yu Weichao. The Han and Tang Dynasties, by Xu Pingfang. Size: Folio.
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Published by National Gallery of Art; Yale University Press, Washington D.C. and New Haven, CT, 1995
ISBN 10: 0894682172 ISBN 13: 9780894682179
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Good. 420 pages, illustrations (some colour); 31 cm. Exhibition held at the National Gallery of Art, Washington, 15 October 1995 to 28 January 1996; Boston Museum of Fine Arts, 21 February to 26 May 1996; Metropolitan Museum of Art, New York, 20 June to 22 September 1996. Good+. Firm binding, creased spine. Clean inside copy. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "The book discusses and reproduces more than two hundred paintings, watercolors, and drawings that span Homer's career, all of which are discussed in entries by Cikovsky and Kelly. It begins with the Civil War paintings that first brought Homer's remarkable artistic mentality to public attention, in which he movingly expressed the profound implications the war held for the nation. Homer's interest in national themes is further explored in his works of the later 1860s and 1870s, which embraced a wide spectrum of American life. His shift toward more idealized and heroic imagery and his withdrawal to a solitary life at Prout's Neck, Maine, in the 1880s are discussed as turning points leading to the great achievements of his last two decades. After considering his beautiful late watercolors of the Tropics and the Adirondacks, and his monumental Prout's Neck seascapes, the book concludes with a reassessment of the tragic, almost visionary paintings of his last years." - Publisher. CONTENTS: The School of war, by Nicolai Cikovsky, Jr.; Modern and national, by Nicolai Cikovsky, Jr.; Reconstruction, by Nicolai Cikovsky, Jr.; A Process of change, by Franklin Kelly; Something more than meets the eye, by Nicolai Cikovsky, Jr.; Innovation in Homer's late watercolors, by Judith Walsh; Time and narrative erased, by Franklin Kelly; Good pictures, by Nicolai Cikovsky, Jr.; Chronology, by Charles Brock; Exhibitions in Homer's lifetime, by Charles Brock. Size: 4to.
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Published by National Gallery of Art; Rijksmuseum; Yale University Press, Washington D.C., Amsterdam, and New Haven, CT, 1996
ISBN 10: 0894682237 ISBN 13: 9780894682230
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Very Good. 272 pages, illustrations (some colour); 26 x 28 cm. Catalogue of an exhibition held at the National Gallery of Art, Washington, April 28 to August 18, 1996 and at the Rijksmuseum, Amsterdam, September 21, 1996 to January 12, 1997. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Jan Steen (1626-1679) is one of the most admired and quintessential seventeenth-century Dutch painters. His repertoire included genre, portraits, refined images of upper-class life, and complex, witty comic narratives. He also painted religious and mythological scenes that vary from quiet and intimate to grand and melodramatic. In his brushwork he displayed an astonishing range, from extremely fine to remarkably loose, even within a single painting." - Publisher. CONTENTS: Jan Steen, Player in His Own Paintings, by H. Perry Chapman; The Artist's Life, by Marten Jan Bok; Jan Steen, So Near and Yet So Far, by Eddy De Jongh; Steen's Comic Fictions, by Mariet Westermann; Steen's Artistic Evolution in the Context of Dutch Painting, by Lyckle De Vries; The Artist's Working Method, by Martin Bijl; Jan Steen, by from Arnold Houbraken's De groote schouburgh (1721), translated by Michael Hoyle; Catalogue, by H. Perry Chapman, Wouter Th. Kloek, Arthur K. Wheelock, Jr. Size: Oblong.
Published by National Gallery of Art; Yale University Press, London, 2009
ISBN 10: 1857094530 ISBN 13: 9781857094534
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 55 pages, illustrations (chiefly colour), portraits; 27 cm. Published on the occasion of the exhibition "Kienholz: The Hoerengracht" held at the National Gallery, London, 18 November 2009 to 21 February 2010. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. "'The Hoerengracht' (1983-88) is an installation artwork by Ed Kienholz (American, 1927-1994) and his wife, Nancy Reddin Kienholz. This tableau - a surprising sight in the National Gallery - is a walk-through evocation of Amsterdam's red-light district, with glowing windows and claustrophobic streets. With its statements on morality, vanitas and composition of secret spaces and receding views, 'The Hoerengracht' resonates powerfully with painting by Dutch masters of the 17th century. The work was the last major piece made by the Kienholzes before Ed died and remains a major reference point for contemporary artists such as Mike Kelley, Paul McCarthy and Damien Hirst. The generously illustrated catalogue positions 'The Hoerengracht' and Kienholz in a new perspective." - Publisher. Size: 4to. Collectible.
Published by National Gallery Publications; Art Institute of Chicago; Distributed by Yale University Press, London, Chicago, and New Haven, CT, 1996
ISBN 10: 1857091299 ISBN 13: 9781857091298
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condition: Very Good. 324 pages, illustrations (some colour); 29 cm. Catalogue accompanying an exhibition at the National Gallery, London, May 22 to August 26, 1996 and at the Art Institute of Chicago, September 28, 1996 to January 5, 1997. Firm binding, clean inside copy. Light shelfwear to wraps. Another copy available. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "The first publication on Degas's mature work . presents a new and definitive view of his last decades . . . drawings, pastels, oil paintings, and sculptures." - Jacket. CONTENTS: 17 Rue Victor Masse: Degas's last decades; Degas and the market-place: the accesibility of the late work; The metaphor of craft: tradition, draughtsmanship, and the transformation of Degas's technique; Colour: the late pastels and oil paintings; An art of renunciation: Degas's changing subject matter; The street of pictures; THE CATALOGUE: The years of transition; Drawing, tracing, and the sequence; Combing the hair; Women bathing; The role of sculpture; The figure and the landscape. Size: 4to.
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Published by National Gallery of Art / Yale University Press, Washington, D.C. & New Haven, CT, 1997
ISBN 10: 0894682687 ISBN 13: 9780894682681
Seller: Jeff Hirsch Books, ABAA, Wadsworth, IL, U.S.A.
First Edition
First edition. Softcover. 374 pages. Exhibition catalog for a show that ran March 30 through July 27, 1997 in Washington, D.C. and then September 10, 1997 through January 4, 1998 in Boston. Features text contributions by Natasha Staller, Robert S. Lubar, Phillip Dennis Cate, Robert J. Bordingham, Jeffrey Weiss, Peter Read, Robert Rosenblum, Margaret Werth, Mark Rosenthal, and Ann Hoenigswald. Includes numerous color and black and white illustrations, a checklist and index. A clean very near fine copy in wrappers.
Published by National Gallery of art/Royal Cabinet of Paintings Mauritshuis/Yale University Press, Washington DC/The Hague/New Haven, 1995
ISBN 10: 0300065582 ISBN 13: 9780300065589
Seller: Kubik Fine Books Ltd., ABAA, Dayton, OH, U.S.A.
Paperback. Condition: Very Good. 229p. An oversize hardcover book bound in rusty-orange cloth. Fine condition, but lacking the dustjacket. Produced in conjunction with an art exhibition. Measures approx. 12.3" x 9.8".
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Published by Published for the Yale University Art Gallery by Yale University Press, 1970
ISBN 10: 0300012918 ISBN 13: 9780300012910
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.35.