Published by University Art Museum, Santa Barbara, Santa Barbara, CA, 1988
ISBN 10: 0942006151 ISBN 13: 9780942006155
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. ***FALL CLEARANCE SALE*** 68 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held March 4 to April 17, 1988, University Art Museum, Santa Barbara; June 9 to July 31, 1988, Archer M. Huntington Art Gallery, University of Texas, Austin; January 31 to March 12, 1989, Cleveland Museum of Art. Firm binding, clean text. Previous owner's ink stamp/title page, otherwise unmarked. Another copy available. Size: 4to.
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Published by University Art Museum, Santa Barbara, Santa Barbara, CA, 1985
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. ***FALL CLEARANCE SALE*** 1 volume (unpaged), colour illustrations; 16 cm. Exhibition held March 27 to April 28, 1985. Near fine. Tight, clean copy. Age toning. Size: 16mo.
Published by University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA, 1983
ISBN 10: 0942006038 ISBN 13: 9780942006032
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 87 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held 2 March to 17 April 1983 at University Art Museum, Santa Barbara; 26 June to 7 August 1983 at Oklahoma Art Center, Oklahoma City; 21 August to 9 October 1983 at Elvehjem Museum of Art, University of Wisconsin, Madison; 5 November to 18 December 1983 at Colorado Spring Fine Arts Center, Colorado Springs. Firm binding, clean text. Previous owner's ink stamp/flyleaf, otherwise unmarked. Light shelfwear to wraps, age toning. Another copy available. Size: 4to.
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Published by University Art Museum, University of California Santa Barbara; University of Was, Santa Barbara, CA, 1984
ISBN 10: 0942006070 ISBN 13: 9780942006070
Seller: The Second Reader Bookshop, Buffalo, NY, U.S.A.
First Edition
Paperback. Condition: Very Good. First Edition; First Printing. First Edition, First Printing (No additional printings stated). Staplebound in illustrated wraps. Very Good with moderate wear to covers and no marks to text. Music; 4to 11" - 13" tall; 87 pages.
Published by Art, Design & Architecture Museum, University of California Santa Barbara, Santa Barbara, CA, 2018
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 1 volume, colour illustrations; 21 cm. Exhibition held at the Art, Design & Architecture Museum, University of California Santa Barbara, January 12 to April 29, 2018. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 8vo.
Published by University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA, 1981
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 219 pages, illustrations (some colour); 26 cm. Exhibition held at the National Gallery of Art, Washington, D.C., October 18, 1981 to January. 3, 1982; University Art Museum, University of California, Santa Barbara: February 17 to March 28, 1982; Toledo Museum of Art, April 24 to June 13, 1982. Firm binding, clean inside copy. Light edgewear to wraps. Age toning. Another copy available. OVERSIZE! No priority/air, except by special arrangement. Size: 4to.
Published by Santa Barbara Museum of Art; Distributed in association with University of Washington Press, Santa Barbara, CA, 1988
ISBN 10: 0899510728 ISBN 13: 9780899510729
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 88 pages, illustrations (some colour); 23 x 28 cm. Edition of 3000 copies. Exhibition held June 25 to August 14, 1988. Firm binding, clean inside copy. Corner crease/back cover & last couple of leaves. Another copy available. Depression-era Regionalism in California. Size: Oblong.
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Published by University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Berkeley, CA, 1981
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 111 pages, illustrations; 26 cm. Exhibition organized by the University Art Museum, Berkeley. Firm binding, clean inside copy. Age toning. Size: 4to. Collectible.
Published by University of California Press, published in association with the Santa Barbara Museum of Art, Berkeley, CA, 2002
ISBN 10: 0520233484 ISBN 13: 9780520233485
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 285 pages, illustrations; 26 cm. Firm binding, clean inside copy. "When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with 'more stars than there are in heaven,' she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars. Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today. Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period. / Robert Dance is a private art dealer in New York, specializing in Old Master paintings and drawings. Bruce Robertson is Professor of the History of Art and Architecture at the University of California, Santa Barbara, and most recently the principal author of Twentieth-Century American Art: The Ebsworth Collection (2000)." - Publisher. Glamour photography. Size: 4to. Collectible.
Published by University Art Museum, University of California, Santa Barbara; University of Washington Press, Santa Barbara, CA, and Seattle, WA, 1996
ISBN 10: 0942006259 ISBN 13: 9780942006254
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 39 pages, illustrations (some colour); 22 cm. Catalogue of an exhibition at the University Art Museum, University of California, Santa Barbara, in 1995. Firm binding, clean inside copy. Size: 8vo. Collectible.
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Published by University Art Museum, University of California Santa Barbara; University of Washington Press, Santa Barbara, CA, 1982
ISBN 10: 094200602X ISBN 13: 9780942006025
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fair. 1st. 114 pages, illustrations; 26 cm. Edition of 600 copies. An exhibition organized for the University Art Museum, University of California, Santa Barbara, 3 November through 12 December 1982. Withdrawn from library collection, with usual markings. Spine chipped at the crown. No writing in text. Size: Oblong.
Published by Santa Barbara Museum of Art in cooperation with University of New Mexico Press, Santa Barbara, CA, and Albuquerque, NM, 1992
ISBN 10: 0826314090 ISBN 13: 9780826314093
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 149 pages, illustrations (some colour), colour maps; 28 cm. Firm binding, clean inside copy. CONTENTS: Introduction, by Jacinto Quirarte; Map: Viceroyalties of Peru and Terra Firma; Mestizaje, by Gabrielle G. Palmer; Color illustrations: South America; Map: Viceroyalty of New Spain; New Spain, by Donna Pierce; Color illustrations: New Spain. Size: 4to.
Published by Santa Barbara Museum of Art; Yale University Press, Santa Barbara, CA, and New Haven, CT, 2013
ISBN 10: 0300199449 ISBN 13: 9780300199444
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. 1st. Pictorial boards, 165 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. A fine copy. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "This groundbreaking publication centers on a previously unknown variation of Eugene Delacroix's (1798-1863) dramatic masterpiece The Last Words of the Emperor Marcus Aurelius, published here for the first time. This book offers a compelling reassessment of the relationship of the artist, widely consider a primary exemplar of Romanticism, to Neoclassical themes, as demonstrated by his life-long fascination with the death of Marcus Aurelius. Through this investigation, the authors reinterpret Delacroix's lineage to such fellow artists as Jean-Auguste Dominique Ingres (1780-1867) and Jacques-Louis David (1748-1825). Playing on the various interpretations of the word 'finish,' the book also offers a fascinating account of Delacroix's famously troubled collaboration with his studio assistants, his conflicted feelings about pedagogy, and his preoccupation with the fate of civilizations." - Publisher. Size: 4to. Collectible.
Published by (Santa Barbara, CA: University Art Museum, 1982). 1982)., 1982
Seller: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, U.S.A.
Condition: Very good. - Square octavo, printed rust brown wraps. There is an ink notation on the front wrap. 56 & [1] pp. B&W illustrations. Very good. Among the artists included in this exhibition are Jon Borofsky, Neil Jenney, Dona Nelson, David Salle and Don Suggs.Scarce.
Published by University Art Museum, University of California Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA and Seattle, WA, 1996
ISBN 10: 0942006291 ISBN 13: 9780942006292
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 111 pages, colour illustrations; 31 cm. Catalogue of exhibition held at UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, Calif., January 30 to March 10,1996 and the University Art Museum, University of California, Santa Barbara, March 16 to April 21, 1996. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. CONTENTS: Foreword, by Marla C. Berns; Acknowledgments, by Elizabeth A. Brown; Lari Pittman Drawings, by Elizabeth A. Brown; Catalogue of the Exhibition, by Elizabeth A. Brown; Wall-Eyed Ghosts, by Laurence A. Rickels; Lari Pittman: Biography & Bibliography, by Melinda R. McCurdy. Size: 4to. Collectible.
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Published by University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA, 2005
ISBN 10: 0942006739 ISBN 13: 9780942006735
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 96 pages, illustrations (chiefly colour); 28 cm. Catalogue of an exhibition held March 30 to May 15, 2005. Near fine. Firm binding, clean inside copy. Glassine flyleaf lightly nicked/top edge. Another copy available. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Director's foreword, by Bonnie G. Kelm; Introduction, by Kurt G. F. Helfrich; Artist's statement, by Isabelle C. Greene; Isabelle Greene and the California Garden, by David C. Streatfield; Lines to paradise, by Hazel White; Place in design: an interview with Isabelle Greene, by Kurt G. F. Helfrich; Ines Roberts: interpreting Isabelle Greene's landscapes, by Karen Sinsheimer; Ines Roberts looks at five Isabelle Greene gardens. Size: 4to.
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Published by University Art Museum, University of California; University of Washington Press, Santa Barbara, CA, 1990
ISBN 10: 0942006194 ISBN 13: 9780942006193
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Ring Binding. Condition: Very Good. 1st. 76 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Light shelfwear. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Report on a phenomenon, by Phyllis Plous; Improbable machines, by Nancy Doll; Sounds and spectacles, by Diane Shamash. Size: 4to.
Published by Santa Barbara Museum of Art and Kimbell Art Museum; Yale University Press, Santa Barbara, CA and Fort Worth, TX, 2011
ISBN 10: 030016971X ISBN 13: 9780300169713
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. 1st. Pictorial boards, 135 pages, illustrations (some colour); 29 cm. Published on the occasion of an exhibition held at the Kimbell Art Museum, Fort Worth, Tex., May 29 to August 21, 2011 and the Santa Barbara Museum of Art, Santa Barbara, Calif., September 17, 2011 to January 8, 2012. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Picasso and Braque offers an intimate look at one of the most pivotal exchanges in the history of Western art: the culminating two years (1910-12) of Analytic Cubism. While the Cubist experiment has long been a requisite chapter in the history of modernism, this is the first publication to delve deeply into these two intense years of productivity, revealing the intriguing pictorial game being played out between these two great masters. Essays by prominent curators and historians offer sustained readings of paintings, drawings, and prints in terms of their engagement with issues of genre, format, medium, and artistic process. In addition, the new technology of spectral imaging provides reproductions of astounding color and textural fidelity, making this an essential publication for those seeking to understand better the complexity of Picasso's and Braque's mark-making, which typically evades conventional photography. / Eik Kahng is chief curator and curator of 19th- and Early 20th-Century European Art at the Santa Barbara Museum of Art. Harry Cooper is a curator at the National Gallery of Art, Washington, D.C. Charles Palermo is an art history professor at the College of William and Mary. Christine Poggi is an art history professor at the University of Pennsylvania. Annie Bourneuf is an independent scholar. Claire Barry and Bart Devolder are conservators at the Kimbell Art Museum, Fort Worth." - Publisher. CONTENTS: Introduction: on the problem of explaining Cubism: a few notes, by Eik Kahng; A project for wholeness, by Charles Palermo; Braque's ovals, by Harry Cooper; Picasso, Braque, and the uses of the print, 1910-1912, by Annie Bourneuf; Cubist faktura, by Christine Poggi; Surface and format: observations on the materials, process, and condition of Cubist paintings, 1910-1912, by Claire Barry and Bart J. C. Devolder. Size: 4to. Collectible.
Published by University Art Museum, University of California at Santa Barbara, Santa Barbara, CA, 2000
ISBN 10: 0942006704 ISBN 13: 9780942006704
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition Signed
Paperback. Condition: Very Good. 1st. 96 pages, illustrations (chiefly color), portraits; 24 cm. Edition of 2500 copies. Catalogue of an exhibition held at the University Art Museum, University of California, Santa Barbara, May 2-July 9, 2000; Laguna Art Museum, Laguna Beach, Calif., January 20 to March 24, 2001; and Palm Springs Desert Museum, Palm Springs, Calif., April 11 to June 10, 2001. PRESENTATION COPY. Signed by coauthor Jane Dini, with a personalized inscription. OVERSIZE! No priority/international, except by special arrangement. Santa Barbara artist Fernand Lungren (1857-1932). Size: 8vo. SIGNED. Collectible.
Published by Santa Barbara Museum of Art in cooperation with University of New Mexico Press, Santa Barbara, CA, and Albuquerque, NM, 1993
ISBN 10: 0826314082 ISBN 13: 9780826314086
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. Cloth, 149 pages, illustrations (some colour, colour maps; 29 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. CONTENTS: Introduction, by Jacinto Quirarte; Map: Viceroyalties of Peru and Terra Firma; Mestizaje, by Gabrielle G. Palmer; colour illustrations: South America; Map: Viceroyalty of New Spain; New Spain, by Donna Pierce; colour illustrations: New Spain. Size: 4to.
Published by University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA, 1981
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 219 pages, illustrations (some colour); 26 cm. Exhibition held at the National Gallery of Art, Washington, D.C., October 18, 1981 to January. 3, 1982; University Art Museum, University of California, Santa Barbara: February 17 to March 28, 1982; Toledo Museum of Art, April 24 to June 13, 1982. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. Size: 4to. Collectible.
Published by University Art Museum, University of California at Santa Barbara, Santa Barbara, CA, 2000
ISBN 10: 0942006704 ISBN 13: 9780942006704
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 96 pages, illustrations (chiefly colour), portraits; 24 cm. Edition of 2500 copies. Catalogue of an exhibition held at the University Art Museum, University of California, Santa Barbara, May 2-July 9, 2000; Laguna Art Museum, Laguna Beach, Calif., January 20 to March 24, 2001; and Palm Springs Desert Museum, Palm Springs, Calif., April 11 to June 10, 2001. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by special arrangement. Santa Barbara artist Fernand Lungren (1857-1932). Size: 8vo. Collectible.
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Published by Berkeley : Santa Barbara, Ca.: University of California Press ; Published in association with the Santa Barbara Museum of Art, 2002, 2002
Seller: Steven Wolfe Books, Newton Centre, MA, U.S.A.
First Edition
large sewn PAPERBACK, very good. LAID IN; full page publisher's announcement. DANCE, ROBERT, 1955- / ROBERTSON, BRUCE, 1955-. Ruth Harriet Louise and Hollywood glamour photography. Berkeley : Santa Barbara, Ca.: University of California Press ; Published in association with the Santa Barbara Museum of Art, 2002, 1st printing number line ending in 1, 285pp., . Louise, Ruth Harriet, 1903-1940 - "When Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise photographed all the stars, contract players, and many of the hopefuls who passed through the studio's gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a traveling retrospective of Louise's work, is the first collection of her remarkable photographs. Containing more than one hundred breathtaking images, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars." - CONTENTS: Ruth Goldstein Becomes Ruth Harriet Louise 61 -- Louise's Studio Practice 75 -- The Portrait Photograph 87 -- The Publicity Department and the Fan 97 -- Selling Fashion and Glamour 107 -- What Is a Star? 121 -- Queens of the Lot: Norma Shearer, Marion Davies, Joan Crawford 137 -- Photographing Garbo 157 -- Looking at Men: Ramon Novarro, John Gilbert, William Haines, Johnny Mack Brown 185 -- Telling Stories: Lillian Gish, Lon Chaney, Buster Keaton, Marie Dressler 205 -- Leaving MGM 217 -- Appendix A. Garbo and Her Photographers, 1925-1929 225 -- Appendix B. MGM Photography Codes, 1924-1940. ISBN 0520233484.
Published by University Art Museum, University of California at Santa Barbara, Santa Barbara, CA, 1995
ISBN 10: 0942006267 ISBN 13: 9780942006261
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 67 pages, illustrations; 28 cm. Edition of 3000 copies. Catalogue of an exhibition at the University Art Museum, University of California, Santa Barbara. Near fine. Firm binding, clean inside copy. Age toning. Predominantly works from the 1930s. Regionalism and Social Realism. Includes works from the Federal Arts Project Graphic Division. Size: 4to. Collectible.
Published by UCSB Art Museum, University of California, Santa Barbara, Santa Barbara, CA, 1979
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 41 pages, illustrations; 22 cm. Edition of 600 copies. Exhibition held 14 February to March 1979. Firm binding, clean inside copy. Light handling soil/wraps. Age toning. Includes: Joel Shapiro, Judy Pfaff, Don Johnson, Tony Berlant, and Thomas Bang. Size: 8vo. Collectible.
Published by University Art Museum, University of California Santa Barbara; University of Washington Press, Santa Barbara, CA, 1981
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Very Good. 1st. 58 pages, illustrations; 22 cm. Edition of 600 copies. Exhibition held 1 April-3 to May 1981 at the University Art Museum, University of California Santa Barbara. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Another copy available. Include: Nicholas Africano, Pinchas Cohen Gan, Susanne Doremus, Charles Garabedian, Jill Giegerich, Denise Green, Philip Guston, Michael Hurson, Bill Jensen, Michael Kelley, Wonsook Kim, Robert Moskowitz, Judy Pfaff, Geroge Rodart, Susan Rothenbeg, Jenny Snider, Don Suggs, Donald Sultan, Russ Warren, Shane Weare, and Susan Wilmarth. Size: 8vo. Collectible.
Published by University Art Museum Santa Barbara, CA, 1992
ISBN 10: 0942006224 ISBN 13: 9780942006223
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
88 pp.; 29 x 22.5 cm.; glue bound; black-and-white & color; edition size 2250; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held January 8 - February 23, 1992. Traveled to Santa Monica Museum of Art, Santa Monica, CA, April 2 - June 14, 1992 and North Carolina Museum of Art, Raleigh, NC, August 8 - October 25, 1992. Texts by Frances Colpitt and Phyllis Plous. Artists include Art & Language, John Baldessari, Robert Barry, David Bunn, Sarah Charlesworth, Clegg & Guttmann, Douglas Huebler, Mike Kelley, Joseph Kosuth, Louise Lawler, Glenn Ligon, Thomas Locher, Antonella Piemontese, Stephen Prina, Richard Prince, Buzz Spector, Lawrence Weiner, Christopher Williams. Includes checklist of the exhibition, selected chronology of 1964 - 1992, biographies, and bibliographies. Good. "LAWLER" written in black ink on top right corner of recto and 4.3 cm. sticker wraps around from verso, across the spine, to the recto. Light rubbing of cover edges. Light bumping of top right corner of publication. Contents clean and unmarked.Due to large size and weight of this publication additional shipping charges will be required for international orders.
Published by University Art Museum, University of California, Santa Barbara; Distributed by University of Washington Press, Santa Barbara, CA and Seattle, WA, 1989
ISBN 10: 0942006178 ISBN 13: 9780942006179
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 68 pages, illustrations (some colour); 23 x 28 cm. Catalogue of an exhibition held at the University Art Museum, Santa Barbara, January 6 to February 26 1989; the Mary and Leigh Block Art Gallery, Northwestern University, Evanston, April 4 to June 18, 1989; the de Saisset Museum, University of Santa Clara, Santa Clara, July 9 to September 3, 1989. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. CONTENTS: Abstractions at eighty: theory and experience of painting, by Francis Colpitt; The conditioning of our time, by Phyyllis Plous; Color plates; Catalogue of the exhibition. Size: Oblong. Collectible.
Published by University Art Museum, University of California, Santa Barbara, Santa Barbara, CA, 1981
Softcover. Glossy white & illus. wraps. 219 pp. 8 color, 214 bw plates. Issued in conjunction with a series of 1981-1982 exhibitions. Eight essays cover Geroges Brasque & Pablo Picasso; Jacques Villon; Louis Marcoussis; Jean-Emile Laboureur; Cityscape Prints; Still-Life Prints; Prints and Cubist Sculpture; and Diffusion. The exhibition catalogue cites 143 pieces, and it appears as if most if not all are pictured here. One of 2,500 copies. VG, some wear to exterior, sticker on cover, slight fading.
Published by University Art Museum, University of California, Santa Barbara, Santa Barbara, CA, 1993
ISBN 10: 0942006240 ISBN 13: 9780942006247
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 11 pages (some folded), colour illustrations; 26 cm. Edition of 1000 copies. A fine copy. Size: 4to.