Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press CUP, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press 2020-06, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge: Cambridge University Press,, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: David Strauss, FOLKINGHAM, Lincolnshire, United Kingdom
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number, 111] Contents: Introduction: the nineteenth-century debate over human automatisms -- Part I. Automata-phobia. J.S. Mill: genius-automaton; Automatic aesthetics and the shame of tourism -- Part II. Technologies of the automatic: process and movement. Photography's automatisms; Automatic writing and physiologies of creativity; The automata ballets. 225 x 150 mm. x, 260 mm. [ISBN: 978-1108428552] Hardbound. A very good bright copy free from ownership inscriptions in like dustwrapper.
Published by Cambridge, Cambridge, 2016
Seller: Feline Books, Bradford, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. This volume is part of Cambridge's Studies in 19th Century Literature and Culture. The authors focuses on British and European culture, 1870-1911 and sees human creativity as an expression of a neurological system rather than an autonomous mind. Professor Austin (English, Oklahoma State U), examines ballet, photography, literature and other writing to make her point. 260 pages. Just four B&W illus; notes, bibliog, index. A lovely copy - no wear to hard casing, text pristine. Not exlib.
Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by Cambridge University Press Jun 2020, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Published by CAMBRIDGE, 2020
ISBN 10: 1108450407 ISBN 13: 9781108450409
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Linda M. Austin explores the ways in which scientific questions about the relation between human beings and automata, raised by the new psychology of the late nineteenth century, forced the re-examination of creativity in literature, photography, ballet, .
Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, Cambridge, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: Grand Eagle Retail, Wilmington, DE, U.S.A.
Hardcover. Condition: new. Hardcover. The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?' Linda M. Austin explores the ways in which scientific questions about the relation between human beings and automata, raised by the 'new psychology' of the late nineteenth century, forced the re-examination of creativity in literature, photography, ballet, and high-level mental activities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Shows how the scientific question, 'Are we automata?', was addressed in late nineteenth-century literature and the arts.
Published by Cambridge Univ Pr, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 260 pages. 9.00x6.00x0.75 inches. In Stock.
Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: GreatBookPricesUK, Castle Donington, DERBY, United Kingdom
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: Biblios, Frankfurt am main, HESSE, Germany
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
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Published by Cambridge University Press, Cambridge, 2018
ISBN 10: 110842855X ISBN 13: 9781108428552
Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. The late nineteenth century saw a re-examination of artistic creativity in response to questions surrounding the relation between human beings and automata. These questions arose from findings in the 'new psychology', physiological research that diminished the primacy of mind and viewed human action as neurological and systemic. Concentrating on British and continental culture from 1870 to 1911, this unique study explores ways in which the idea of automatism helped shape ballet, art photography, literature, and professional writing. Drawing on documents including novels and travel essays, Linda M. Austin finds a link between efforts to establish standards of artistic practice and challenges to the idea of human exceptionalism. Austin presents each artistic discipline as an example of the same process: creation that should be intended, but involving actions that evade mental control. This study considers how late nineteenth-century literature and arts tackled the scientific question, 'Are we automata?' Linda M. Austin explores the ways in which scientific questions about the relation between human beings and automata, raised by the 'new psychology' of the late nineteenth century, forced the re-examination of creativity in literature, photography, ballet, and high-level mental activities. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.