Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Goodwill, Brooklyn Park, MN, U.S.A.
Condition: USED_GOOD. Cover/Case has some rubbing and edgewear. Access codes, CDs, slipcovers and other accessories may not be included.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: Fair. Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 3.64.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.64.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Books Unplugged, Amherst, NY, U.S.A.
Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 3.64.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Irish Booksellers, Portland, ME, U.S.A.
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by Rizzoli July 2000, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Magus Books Seattle, Seattle, WA, U.S.A.
Hardcover. Condition: VG. Dust Jacket Condition: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: West Coast Bookseller, Moorpark, CA, U.S.A.
Hardcover. Condition: USED_ASNEW.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Stock & Trade LLC, Portland, OR, U.S.A.
Hardcover. Condition: USED_ASNEW. Dust Jacket Condition: Like New. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
hardcover. Condition: As New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Campbell Bookstore, Austin, TX, U.S.A.
Condition: NEW.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Hardcover. Condition: NEW. New. Fast Shipping and good customer service.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Irish Booksellers, Portland, ME, U.S.A.
Condition: USED_GOOD. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Irish Booksellers, Portland, ME, U.S.A.
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by U.S.A.: Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. Assumed First Edition, no mention of later printing. Near fine book, dent on top edges and 142 and 144 have doubled text and creases. Fine DJ except for light marks on jacket.
Published by Los Angeles County Museum of Art, Los Angeles CA, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: Exquisite Corpse Booksellers, Houston, TX, U.S.A.
Cloth. Condition: USED_FINE. Dust Jacket Condition: Fine Condition. 252 pages with 318 illustrations 259 in color. Foreword by Andrea D. Rich, Director. Published on the occasion of the exhibition from the Los Angeles County Museum of Art, Los Angeles CA June 4-September 17, 2000 and the Kemper Museum of Contemporary Art, Kansas City MO December 15, 2000-March 4, 2001. Selected Bibliography.
Published by Los Angeles County Museum of Art in association with Rizzoli International Publications, Los Angeles and New York, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 251 pages, illustrations (some colour); 27 cm. Catalogue of an exhibition held at the Los Angeles County Museum of Art and three other institutions between June 4, 2000 and October 2, 2001. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. *** "Drawn from the collection of the Los Angeles County Museum of Art, Color & Fire: Defining Moments in Studio Ceramics, 1950-2000 accompanies a major touring exhibition on the history of ceramic art in the second half of the twentieth century. Illustrated with more than 250 color photographs, Color & Fire explores the roles of key artists and the major stylistic movements they developed during the decades of pioneering innovation. Based on the premise that the history of studio ceramics can be regarded as a series of breakthroughs or milestones, Color & Fire highlights the moments when talented artists came together to produce work in clay that challenged traditions and promoted aesthetic freedom. In the early years of the twentieth century, pottery was primarily mass-produced in factories, where specialists in wheel throwing, glazing, and kiln firing worked under a system of divided labor. In the 1930s and 1940s, ceramists such as the renowned team of Gertrud and Otto Natzler began to perform all of these exacting functions-from mixing clay to firing kilns-in their own studios, creating one-of-a-kind pots, breathtaking in design and construction. Since that time, ceramic art has followed a metaphorical journey from the earth to the air, as concerns with utility, materials, and techniques have given way to abstract conceptual considerations. In Los Angeles in the 1950s, Peter Voulkos and his students upset the traditional values of craft pottery and the Bauhaus- inspired "form follows function" doctrine by creating nonfunctional, oversized, off-kilter vessels with cracks and holes, along with massive Abstract Expressionist monuments. In the 1960s in northern California, Robert Arneson and his students shattered taboos against clay as a sculptural medium in the oversized, off-kilter vessels with cracks and holes, along with massive Abstract Expressionist monuments. In the 1960s in northern California, Robert Arneson and his students shattered taboos against clay as a sculptural medium in the hands of potters with their radical, irreverent, and satirical "Funk" pieces. Today, no longer confined to the decorative arts or other craft categories, ceramic artists around the world explore an unlimited range of influences, styles, and ideas, engaging in a graceful and inventive dialogue with centuries of ceramic tradition. A celebration as well as a valuable art-historical survey, Color & Fire: Defining Moments in Studio Ceramics, 1950-2000 showcases the finest works form the unparalleled collection of the Los Angeles County Museum of Art. Accessible to the novice as well as to the enthusiast, the book includes essays by Grechen Adkins, Garth Clark, Jo Lauria, Rebecca Niederlander, Susan Peterson, and Peter Selz. / Jo Lauria is assistant curatior of decorative arts at the Los Angeles County Museum of Art. She holds an M.F.A. from Otis College of Art and Design, an M.A. from Loyola Marymount University and a B.A. from Yale University. / Jo Lauria is assistant curatior of decorative arts at the Los Angeles County Museum of Art. She holds an M.F.A. from Otis College of Art and Design, an M.A. from Loyola Marymount University and a B.A. from Yale University." - Publisher. Size: 4to. Collectible.
Published by Rizzoli, 2000
ISBN 10: 0847822540 ISBN 13: 9780847822546
Seller: The Book Spot, Sioux Falls, SD, U.S.A.
Hardcover.