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Published by Granary, The, 2013
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: As New. Used book that is in almost brand-new condition.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Book
Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.75.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Books From California, Simi Valley, CA, U.S.A.
Book
hardcover. Condition: Very Good.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Books From California, Simi Valley, CA, U.S.A.
Book
hardcover. Condition: Good.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: mountain, GEORGETOWN, CO, U.S.A.
Book
Condition: Good. Hardcover book no dust jacket. Light wear to book cover and book edges.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Irish Booksellers, Portland, ME, U.S.A.
Book
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Book First Edition
Hardcover. Condition: Near Fine. No Jacket. 1st Edition.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Moe's Books, Berkeley, CA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. This is a clean copy. There are no markings to the text. There is some very minor shelf and handling wear to the cover.
Published by The Granary, Sharon, CT, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover without dustjacket as issued, 240 pages, very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.
Cloth. Condition: Fine. First edition. Thick clothbound quarto with tipped on image to the front panel. 237 pp. Illustrated in color. A fine copy. Published on the occasion of a 2013 exhibition at The Granary.
Published by The Granary,, Sharon:, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Grendel Books, ABAA/ILAB, Springfield, MA, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Exhibition catalog. With contributions by Ryan Frank, Steven Learner, Joan Simon, Caitlin Smith, and Elisabeth Sussman. Color photographs throughout. First edition (1500 copies). Fine in dark gray cloth with color images mounted on boards. No dust jacket, as issued.
Published by The Granary, Sharon, Connecticut, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Book First Edition
Hardcover. Condition: Fine. First edition. Quarto. 240pp. Gray cloth with illustrated label mounted on front board. Glue seeped through papers on hinges after binding, else a fine copy without dustwrapper as issued. Contributions by Ryan Frank, Steven Learner, Joan Simon, Caitlin Smith, and Elisabeth Sussman. One of 1,500 copies printed in conjunction with the exhibition at The Granary which opened on April 21, 2013.
Published by The Granary, Sharon, 2014
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condition: near fine. Profusely illustrated with color photographs. 237 pages. 4to, gray cloth with inset pictorial label on cover. Sharon: The Granary, (2014). A near fine copy. Composed entirely by women artists from the collections of Melva Bucksbaum and Ray Learsy, the exhibition The Distaff Side at The Granary does much more than bring together a varied group of works by women artists. The exhibition catalyzes thoughts about these innovative and provocative artists as they take their rightful places in the grand narrative of art history.
Published by The Granary, 2014
ISBN 10: 0615905498ISBN 13: 9780615905495
Seller: Michael Patrick McCarty, Bookseller, New Castle, CO, U.S.A.
Book First Edition Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: No Dustjacket as issued. First Edition. A small blemish to illustration on front cover, where a label has been removed; else in Fine condition. This copy signed by Melva Bucksbaum; scarce thus. Melva Jane Bucksbaum (1933 ? 2015) was an American art collector, curator, and patron of the arts. The Distaff Side is a survey of works by women artists from the collection of Melva Bucksbaum and Raymond Learsy. Among the more than 100 artists represented in the exhibition are Marina Abramovi?, Louise Bourgeois, Moyra Davey, Jenny Holzer, Käthe Kollwitz, Barbara Kruger, Mika Rottenberg, Cindy Sherman, Shinque Smith, Mickalene Thomas, and Zanele Muholi. With essays by Ryan Frank, Steven Learner, Joan Simon, and Caitlin Smith and an interview with Melva Bucksbaum by Elisabeth Sussman. Designed by Hans Cogne and printed at Meridian Printing in an edition of 1,500. 240 pages, hardcover, clothbound, color illustrations. Published by The Granary. 10 1/2 x 8 3/8 x 1 1/4 inches. 2 pounds, 14 ounces. The works in the exhibition range in date from 1921 to 2013 and encompass diverse mediums, including painting, sculpture, photography, video, installation, drawing, and printmaking. The artists come from Europe, South America, Africa, Asia, and throughout the United States, and they include established figures of international renown as well as emerging artists and those known locally. Through her curatorial eye and her perceptive and at times provocative installation groupings, Joan Simon writes in her catalogue essay, Melva Bucksbaum critically explores the ongoing conversation between past and present, between artists, between artworks and those who tend them, and between exhibitions and their publics, notably placing the women at the forefront. A bold accomplishment in its own right, The Distaff Side-as well as the collections from which it is drawn-offers an example for galleries and museums to note and perhaps also to follow. Bucksbaum served as the president of the Des Moines Art Center board. In 1996, Bucksbaum and her family endowed the Martin Bucksbaum Professorship in Urban Planning and Design at the Graduate School of Design at Harvard University in memory of her late husband. Additionally, she established the Martin Bucksbaum Distinguished Lecture Series in Des Moines, Iowa at Drake University. Bucksbaum began serving on the Whitney Museum of American Art's board of trustees in 1996 and eventually became its vice chairwoman. In 2000 she and her family inaugurated the Melva Bucksbaum Prize with an award of $100,000 to an individual contemporary artist and an exhibition of the artist's work at the Whitney. Bucksbaum served on additional boards such as the International Council of the Museum of Modern Art in New York, the Woodrow Wilson International Center for Scholars in Washington, the Hirshorn Museum and Sculpture Garden in Washington, D.C., the American Friends of the Israel Museum in Jerusalem, the Aspen Institute, the Drawing Center in New York, the Jewish Museum in New York, and the International Committee of the Tate Gallery in London. Bucksbaum collected over four hundred contemporary, impressionist, modernist and post-impressionist works, including pieces by Vanessa Beecroft, Gregory Crewdson, Nan Goldin, Robert Mapplethorpe, David Salle, Richard Serra, Terry Winters, Henri Matisse, Su-en Wong, and works by Peter Paul Rubens. In 2004?2005 Francesco Clemente painted a portrait of the couple. Signed by Curator.
Published by Sharon: The Granary, 2014
Seller: North Star Rare Books & Manuscripts, Sheffield, MA, U.S.A.
First Edition Signed
Hardcover. Condition: Fine. 1st Edition. Octavo, gray cloth with pictorial inlay lettered in black and orange. First edition. First edition, one of 1500 copies, with numerous illustrations. A presentation copy, inscribed by the exhibition curator Melva Bucksbaum to Pat and Ben Heller, the noted art collector and connoisseur. A pristine copy with a distinguished provenance. Inscribed by Author(s).