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Published by Nazraeli Pr, 1995
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: medimops, Berlin, Germany
Book
Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922418ISBN 13: 9783923922413
Seller: Book Deals, Tucson, AZ, U.S.A.
Book
Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922418ISBN 13: 9783923922413
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Nazraeli Pr, 1996
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: Visible Voice Books, Cleveland, OH, U.S.A.
Book
Hardcover. Condition: Very Good. Nazraeli Pr February 1996 Binding: Hardcover INCLUDES DJ.
Published by Munich. Nazraeli Press. 1995., 1995
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: Antiquariat & Verlag Jenior, Kassel, HE, Germany
Book
365 S. Hardcover mit Schutzumschlag. Gr. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Kanten minimal fleckig. Sonst sehr gut erhalten. Sprache: eng.
Published by Nazraeli Press, Munich, 1995
Seller: Bauer Rare Books, San Diego, CA, U.S.A.
First Edition
First edition. 4to. 365 pp. Illustrations. Cloth in unclipped dustwrapper, very good copy. (92812). Edited by Ulrich Pohlmann. Text in German & English.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922418ISBN 13: 9783923922413
Seller: Books of the Smoky Mountains, Del Rio, TN, U.S.A.
Book
Condition: very good. Gently used book with ongoing seller support until you're fully satisfied with your purchase.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: AwardWinningBooks, Spring Branch, TX, U.S.A.
Book
Hardcover. Condition: Fair. Dust Jacket Condition: Fair. Withdrawn library with usual marks.
Published by Nazraeli Pr, 1996
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: CWM Rare Books, LLC, Rochester, NY, U.S.A.
Book First Edition
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Free 1-3 Day USPS Priority Mail in USA48. Book Condition: As New Dust Jacket Condition: As New, in plastic cover. From Wikipedia: Career Frank Eugene: Adam and Eve, taken 1898, published in Camera Work no. 30, 1910 After graduating from the Bavarian Academy of Fine Arts, he started a career as a theatrical portraitist, drawing portraits of actors and actresses. He continued his interest in photography, although little is known of his teachers or influences. He returned to the United States, and in 1899, he exhibited photographs at the Camera Club of New York under name Frank Eugene. The critic Sadakichi Hartmann wrote a review of the show, saying "It is the first time that a truly artistic temperament, a painter of generally recognized accomplishments and ability asserts itself in American photography."[2] A year later he was elected to The Linked Ring, and fourteen of his prints were shown that year in a major London exhibition. Already at this stage in his career he had developed a highly distinctive style that was influenced by his training as a painter. He assertively manipulated his negatives with both scratches and brush strokes, creating prints that had the appearance of a blend between painting and photography. When his prints were shown at the Camera Club in New York, one reviewer commented that his work was "unphotographic photography."[3] In the summer of 1900, an entire issue of Camera Notes was devoted to his art, an honor accorded only a few other photographers. In early 1901, he traveled to Egypt. He returned a few months later and met with photographer F. Holland Day in Narragansett, R.I., during the summer. In late 1902, Eugene becomes a Founder of the Photo-Secession and a member of its governing Council. In 1904, a gravure of his was published in Camera Work, No. 5 (January). Move to Germany In 1906, Eugene moved permanently to Germany. He was recognized there both as a painter and a photographer, but initially he worked primarily with prominent painters such as Fritz von Uhde, Hendrik Heyligers, Willi Geiger, and Franz Roh. He photographed many of these and other artists at the same time. He also designed tapestries that he used as backgrounds in his photographs.[4] A year later he became a lecturer on pictorial photography at the "Lehr- und Versuchsanstalt für Photographie ( Teaching and Research Institute for Photography ), a Bavarian State Government Subsidised Educational Institution. At this point, photography rather than painting became his primary interest. He experimented with the new color process of Autochromes, and three of his color prints are exhibited at Alfred Stieglitz's Photo-Secession Galleries in New York. In 1909, two more of his gravures were published in Camera Work, No. 25 (January). In 1910, twenty-seven of his photographs were exhibited at a major exhibition in Buffalo, New York. The catalog for this show described Eugene as the first photographer to make successful platinum prints on Japan tissue. Ten more of his gravures published in Camera Work, No.30 (April), and fourteen additional images appear in No.31 (July). More than any other photographer of the early 20th century, Eugene was recognized as the master of the manipulated image. Photographic historian Weston Naef described his style this way: The very boldness with which Eugene manipulated the negative by scratching and painting forced even those with strong sympathy for the purist line of thinking like White, Day and Stieglitz to admire Eugene's particular touch.[he] created a new syntax for the photographic vocabularity, for no one before him had hand-worked negatives with such painterly intentions and a skill unsurpassed by his successors.[4] In 1913, he was appointed Royal Professor of Pictorial Photography by the Royal Academy of the Graphic Arts of Leipzig. This professorship, created especially for Eugene, is the first chair for pictorial photography anywhere in the world.
Published by Munich: Nazraeli Press., 1996
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 4to. 363 pp. Near Fine. Hard Covers. Dust Jacket Very Good+. In protective wraps. Pages fine. Color and B&W plates throughout. The German-American photographer Frank Eugene (1865-1936) is regarded internationally as one of the most innovative art photographers of the period prior to the first World War. He studied painting under Wilhelm von Diez at the Munich Academy of Art and was then active as a portrait painter of famous actors and musicians. He first came to the attention of a wider public as a photographer in 1899 on the occasion of a solo exhibition in the New York Camera Club. As a founder-member of the Photo-Secession, his works were included in almost all the important exhibitions in North America and Europe organized by that association. His method of manipulating his negatives by etching and drawing on them attracted particular attention and gained him the name of a painter-photographer. Frank Eugene was also successful in importing his unusual pictorial technique to his students at the School of Photography in Munich and the Academy of Graphic Arts and Book Design in Leipzig, where he taught portrait and art photography. ISBN 10: 3923922337 ISBN 13: 9783923922338.
Published by Nazraeli, Munich, 1995
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Book
hardcover. Condition: near fine. Dust Jacket Condition: very good(+). More than 300 photographs. 365pp., 4to, grey boards, d.w. Munich: Nazreli Press, (1995). A Near fine copy in a very good (+) dust wrapper. Text in both English and German.
Published by Nazraeli Press, 1995
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: ANARTIST, New York, NY, U.S.A.
Book
Hardcover with dustjacket; 366 pages; in English and German; very good condition except moderate rubbing wear to dj and small tear to dj at bottom edge of rear cover; pages slightly wavy at center; no internal marks. Foreign shipping may be extra for this book.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922418ISBN 13: 9783923922413
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Book
Paperback. Condition: new. New. Fast Shipping and good customer service.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922418ISBN 13: 9783923922413
Seller: Wizard Books, Long Beach, CA, U.S.A.
Book
Paperback. Condition: new. New.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922418ISBN 13: 9783923922413
Seller: Grumpys Fine Books, Tijeras, NM, U.S.A.
Book
Paperback. Condition: new. Prompt service guaranteed.
Published by Nazraeli Pr, 1995
ISBN 10: 3923922418ISBN 13: 9783923922413
Seller: GoldBooks, Denver, CO, U.S.A.
Book
Paperback. Condition: new. New Copy. Customer Service Guaranteed.
Published by Nazraeli Pr, 1996
ISBN 10: 3923922337ISBN 13: 9783923922338
Seller: dsmbooks, Liverpool, United Kingdom
Book
Hardcover. Condition: Good. Good. book.