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Published by Cambridge University Press, New York, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Book
Hardcover. Gray cloth boards with black spine lettering; color illustrated dj with mylar cover; xviii, 294 pp; bw and color illustrations. "In this study, Lauren Hackworth Petersen critically investigates the problematic notion of "freedman art" in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius's Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions usually ascribed to freedmen spoke to a much more complex reality than that presented in literature."--Jacket. Contents: Introduction : the Roman freedman, "freedman art," and Trimalchio --; pt. I.; Public life and assimilation --; 1.; Rebuilding Pompeii : the Popidius family and the temple of Isis --; 2.; The visibility of the Augustales in Pompeii --; 3.; Memory making in the funerary realm : the tomb of the Baker in Rome --; pt. II.; Social integration : Domus and family --; 4.; "Freedman taste" in Domus decoration --; 5.; To claim a Domus : the house of the Caecilii at Pompeii --; 6.; Family and community at the Isola Sacra Necropolis : the tomb of the Varii. VG/VG (ex art library with usual stamps and labels on block, dj spine, title page verso, and inside rear cover. Pages are otherwise very clean and clear. Binding is tight.).
Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Book First Edition
Hardcover. Condition: New. Dust Jacket Condition: New. First Edition. NEW copy, still in publisher's shrinkwrap. Size: 8vo - 8" - 9" Tall.
Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge Univ. Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Fine/Near Fine 1st ed 2006 hardback, unclipped DJ. Light surface wear along jacket edges only, bright and unmarked. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: History; ISBN: 0521858895. ISBN/EAN: 9780521858892. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 091472.
Published by Cambridge University Press 2011-12, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge Univ Pr, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Paperback. Condition: Brand New. reprint edition. 294 pages. 10.00x6.00x0.50 inches. In Stock.
Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers.
Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Published by Cambridge Univ Pr, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
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Paperback. Condition: Brand New. reprint edition. 294 pages. 10.00x6.00x0.50 inches. In Stock.
Published by Cambridge University Press, Cambridge, UK, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Seller: Books for Amnesty, Malvern, Great Malvern, United Kingdom
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Explores the many ways that monuments and artistic commissions usually ascribed to Roman freed slaves "spoke to a much more complex reality than that presented in literature." Richly illustrated in b/w and colour. Grey cloth with black print. Clean and sound throughout with no markings or inscription. Jacket a little ruffled else Fine. 18 x 26cms with 294pp. We regret we are no longer able to ship to Denmark. All profits to Amnesty International.
Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Seller: Brook Bookstore, Milano, MI, Italy
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Published by Cambridge University Press, Cambridge, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Book First Edition
Hardcover. Condition: new. Hardcover. From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Hardback. Condition: New. New copy - Usually dispatched within 4 working days. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship.
Published by Cambridge Univ Pr, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Seller: Revaluation Books, Exeter, United Kingdom
Book
Hardcover. Condition: Brand New. 1st edition. 294 pages. 10.00x7.25x1.00 inches. In Stock.
Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book First Edition
Condition: New. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship. Num Pages: 312 pages, 140 b/w illus. 8 colour illus. BIC Classification: 1QDAR; ACG. Category: (P) Professional & Vocational. Dimension: 253 x 177 x 23. Weight in Grams: 978. . 2006. 1st Edition. hardcover. . . . .
Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Book
Condition: New. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship. Num Pages: 312 pages, 140 b/w illus. 8 colour illus. BIC Classification: 1QDAR; ACG. Category: (P) Professional & Vocational. Dimension: 253 x 177 x 23. Weight in Grams: 978. . 2006. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Published by Cambridge University Press, 2011
ISBN 10: 1107603595ISBN 13: 9781107603592
Seller: moluna, Greven, Germany
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of freedman art in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole a.
Published by Cambridge University Press, Cambridge, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Seller: CitiRetail, Stevenage, United Kingdom
Book First Edition
Hardcover. Condition: new. Hardcover. From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Published by Cambridge University Press, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
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Published by Cambridge University Press, Cambridge, 2006
ISBN 10: 0521858895ISBN 13: 9780521858892
Seller: AussieBookSeller, Truganina, VIC, Australia
Book First Edition
Hardcover. Condition: new. Hardcover. From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature. Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.