Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by London, Mayhew (o.Pl.Nr.) [ca. 1825]., 1825
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
3 gest. S. Etwas wasserrandig. Erstausgabe dieser Bearbeitung.
Published by Firenze, G.G. Guidi (Pl.Nr. 1103) (1847)., 1847
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition Signed
6 gest. S. Ränder leicht bestaubt. Geringe Gebrauchsspuren. Erstausgabe. - Titelblatt mit eigenh. Widmung vom Komponisten.
Published by London, Preston (o.Pl.Nr.) [ca. 1810]., 1810
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
9 gest. S. Sehr gutes Exemplar. RISM EE 812 (weist 6 Ex. nach). - Erstausgabe. - Mit hübscher Titelgestaltung.
Published by Doblinger, Wien ? München, 1997
Seller: Musikantiquariat Dr. Bernhard A. Kohl GmbH, Stuttgart, Germany
Association Member: BOEV
Sheet Music First Edition
Quart, 27, (1) Seiten,(= Diletto Musicale, DM 1196) 1997, Original-Karton. , 2 Faks.(VNr. D. 17986), 100 Gramm. - Erstausgabe. - Mit ausführlichem Vorwort (dt./engl.). - Druckfrisch.
Published by Lorenzi / Canti, Firenze / Milano, 1838
First Edition
Brossura. Condition: discrete. Prima edizione. Prima edizione. Cm.35x25. Pg.20 di musica incisa. L'ultima composizione del giovane musicista, dedicata al Canto XXXIII dell'"Inferno". 100 gr.
Published by Paris, Sieber père (Pl.Nr. 1862) [ca. 1812]., 1812
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
9 gest. S. Mit Verlegersignatur und altem hs. Besitzvermerk in Tinte auf dem Titelblatt. Seiten etwas stockfleckig. Nautsch, S. 211. - Titelauflage der Erstausgabe Sieber von ca. 1800.
Published by Mainz, Schott (Pl.Nr. 13378.6) [um 1858]., 1858
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
7 gest. S. Händlerstempel, etwas knickig. Searle 158. - Erstausgabe. - Mit farbig illustriertem Titelblatt.
Published by Berlin, Schlesinger (Pl.Nr. 1271) [ca. 1824]., 1824
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
17 gest. S. Etwas stockfleckig. Jähns-Nr. 142. - Erstausgabe des vollständigen Klavierauszugs (vgl. Jähns, S. 164). - Die Komposition einer Oper Ines de Castro ist erst für das Jahr 1835 (Persiani) belegt (vgl. Loewenberg); lt. Jähns hat sich Weber mit einer Oper diesen Namens nie beschäftigt. Die Textgrundlage seiner Komposition ist wahrscheinlich der dritte Gesang der Lusiaden von Luis de Camoes.
Published by London, Boosey (o.Pl.Nr.) [1824]., 1824
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
31, 7, 6 gest. S. Cellostimme ergänzt durch eine andere Ausgabe (vermutlich bei Peters ca. 1825? erschienen). Rücken verstärkt, gelegentlich leicht stockfleckig. Englische Erstausgabe.
Published by Lipsia, E. A. Probst (PN 24a-24Mm) [1823]., 1823
Seller: Musik-Antiquariat Heiner Rekeszus, Wiesbaden, WI, Germany
Sheet Music First Edition
Qu.-fol. S. 1 - 113, 1 Bl., S. 114 - 213. Hldr. d. Zt. (berieben; Kanten und oberes Kapital bestoßen). * Nicht bei Köchel. RISM M 4521. Nur 2 Ex. bei KVK. - Gestochene Erstausgabe dieses vierhändigen Klavierauszugs ohne Text. - Der Mainzer Musiker Carl Zulehner (1770-1841) fertigte nicht nur an die 100 Klavierauszüge und Bearbeitungen an, die den enormen Bedarf der Liebhabermusiker bedienten, sondern war auch als Komponist und Verleger mit dem zeitgenössischen Musikleben auf vielfältige Weise verflochten. - Nur stellenweise gering gering stockfleckig.
Published by Milano, Ricordi (Pl.Nr. 1501/02, 731, 1504-06, 742, 1508/09, 742, 1510) [ca. 1820-1822]., 1822
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
qu-fol. 75 gest. S. In zwei Lagen zerteilt, mit zwei Randausbesserungen. Etwas stock- und fingerfleckig. Erstausgabe. - Aus ursprünglich in Einzelausgaben erschienenen Einzelnummern zusammengestellter Klavierauszug.
Published by I. Mason, J. Lawson, George Emery & Co., Chappell, Robert Cocks & Co., E. Ransford, D'Almaine & Co., Stannard & Dixon, W. Strange, J. lawson, Preston., London, 1852
Seller: Bluebird Books, Brecon, POWYS, United Kingdom
Sheet Music First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 22 pieces of sheet music bound in one volume. 1. The Bonnie Dundee Quadrille par Charle D'Albert. 2. The Royal Nautical Quadrilles As Danced At The Nobilities Balls Composed & Dedicated to the Officers of the Royal Navy by T. W. Lloyd. Published by I. Mason. 3. Weippert's Quadrilles, Selected from Bellini's Celebrated Opera Norma Performed at Almacks and the Nobilities Balls, Arranged for the Piano Forte by G. Weippert. Published by J. Lawson. 4. The Original Bobbing Around Quadrille, dedicated most respectfully to W. S. Woodin. Published by George Emery & Co. 5. Little Bo-Peep, Quadrille On Nursery Rhymes by Charles D'Albert. Published by Chappell. 6. Weippert's Quadrilles, Selected from Auber's Admired Opera Masaniello Performed at Almacks and Nobilities Balls by G. Weippert. Published by J. Lawson. 7. The Postman's Knock Quadrille's Introducing the Melody of the New and Favourite Song The Postman's Knock. Composed by Stephen Glover. Published by Robert Cocks & Co. 8. The Admired Set of Quadrilles, Selected from the Celebrated Opera of Zampa, as Performed at Almacks and the Nobilities Balls. Arranged by J. Pierotti. Published by J. Lawson. 9. Jullien's Cuckoo Quadrille, on Airs from Shakspere's Plays, Composed & Arranged by Jullien. Published by E. Ransford. 10. Rimbault's Opera Music Books, For the Piano Forte, Without Voices. No. 45 Il Trovatore, Composed by Verdi. Published by D'Almaine & Co. 11. The Gazelle Polka, by N. E. L. 12. The Cambrian Polka. Composed & Dedicated To The Ladies of Glamorgan by Elizabeth Lucas. Published by Robert Cocks & Co. 13. Topsy's Song. Written and composed by Charles Jefferys and Stephen Glover. Published by Stannard & Dixon in 1852. 14. Overture to Auber's Favorite Opera The Crown Diamonds. Published by W. Strange. 15. Twelve Operatic Melodies (Selected from the best operas) arranged for young performers by J. J. Haite. 16. Quadrille on Airs From "Masaniello" Lemoine and La Caterina Cellarius Valse. 17. Quadrille from Meyerbeer's New Grand opera_"Le Prophete"; arranged by Strauss. 18. Pop Goes The Weasel; La Tempete; and Le Grand Pere. Three fashionable dances_as performed at the Court balls. 19. British Navy Quadrilles. Published by W. Strange. 20. From Greenland's Icy Mountains, A Celebrated Sacred Song, Written by Bishop Heber. Published by J. Lawson. 21. The Neopolitan, Swiss, Vienna and Queen of Russia Waltzes arranged for the Piano forte. Published by Wm. Dale. 22. Gildon's Celebrated March for the Piano Forte or Harp. Printed & sold by Preston. Hardcover. Marbled paper boards with leather spine. Size: 36 x 26 cms. Date: The music, but for one piece (1852), is undated; but I presume it is generally from this period. Of those that I find for sale or in archives The Postman's Knock is dated1855 and Bonnie Dundee 1856. The imagery however, and quality of the paper of others, gives me the impression that they are older. Condition: Very Good. The boards are quite worn. The top of the spine to a length of 5 cms is missing and this weakens the binding such that both boards are weak and one is only attached by a historic repair to the endpaper. The contents hold together well however. The pages have browned and foxed with some transference of the darker image from one page to another.They are occasionally damage to some degree, with small tears at the edges, bits of loss, historic repairs (see photograph), and one long tear that cuts horizontally across the page; but nothing is lost of importance. The back board is loose. Please ask if you are considering purchase and I will send more photographs.
Published by Hamburg, Günther & Böhme (VN) [ca. 1795]., 1795
Seller: Musikantiquariat Bernd Katzbichler, Unterwössen, D, Germany
First Edition
qu-fol. 129 gest. S. Zeitgen Einband berieben und bestoßen. Titelblatt und erste beiden Blätter mit Papierausbesserung, erste Seiten mit Fingersatzeintragungen in Blei. RISM MM 5111 (vermerkt nur verschiedene Ausgaben des vorliegenden Drucks, verzeichnet aber nicht die Abweichungen); Haberkamp, S. 379: Der Klavierauszug bei Breitkopf [erschienen Ostern 1795] gilt bisher immer als Erstausgabe. Das dürfte wohl auch zutreffen, obwohl die Ausgabe von August Eberhard Müller bei Günther & Böhme in Hamburg ebenfalls für Ostern 1795 angekündigt wurde, ist sie als erschienen dann aber erst am 20.5.1795 angezeigt - somit der zweite Klavierauszug der Oper. - Zeitgen. Einband berieben und bestoßen. Titelblatt und die ersten beiden Blätter mit Papierausbesserung, erste Seiten mit Fingersatzeintragungen in Blei.
Published by presso N. Simrock [N 91], Bonna e Colonia [Bonn, Köln], 1802
Sheet Music First Edition
Text in Italian and German. Text in Italian and German. In contemporary half leather. Panels covered with green paste paper. Paper title vignettes on front panel and spine, lettered in ink. 208, (2) p. [with reoccurring page numbers: p. 38 [1]-2 (verso blank), 63 A-D.]. First fortepiano arrangement for Così fan tutte, by Christian Gottlob Neefe. First fortepiano transcription, and the second for keyboards, for Mozart's opera, Così fan tutte, which was premiered in 1790 in Vienna. Arranged by Christian Gottlob Neefe (1748-1798), the German composer and conductor, who was the principal piano teacher of Ludwig van Beethoven. The present issue was published in 1802 or a little later, with the cast list on p. [209], which was on the first page in earlier issues. Neefe's transcription for fortepiano was only preceded by Siegfried Schmiedt's harpsichord arrangement published by Breitkopf in 1794. RISM M 4696 . Humble library mark and illegible ownership inscription on title. Cover bumped at corners. Spine slightly rubbed. Sporadic foxing and occasional light stains here and there. Overall in fine condition. In contemporary half leather. Panels covered with green paste paper. Paper title vignettes on front panel and spine, lettered in ink.