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Published by Taschen, 1993
Seller: l'Avenir du passé, Saint Medard en Jalles, AQUIT, France
Condition: Très bon état. Ouvrage toilé sous jaquette, largement illustré de photographies . En raison de sa taille, envoi par colis nécessaire. Mode Création Couture Stylisme Issey miyake - largeur/hauteur :23x30,5 cm - poid : 1260 g - nombre de pages : 157 p. - langue : Français Allemand.
Published by Taschen America Llc, 1996
ISBN 10: 3822886734ISBN 13: 9783822886731
Seller: GoldBooks, Denver, CO, U.S.A.
Book
Hardcover. Condition: very good. Very Good Copy. Customer Service Guaranteed.
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23x30,5. Profusamente ilustrado. Tela con sobrecubierta. 160 páginas.
Köln, Taschen, 1995. Texto en inglés, alemán y francés. 30x22 cm. 160 p. Rústica, solapas. Muy buen estado. Primera edición. (Ref. N. 900-F).
Couverture rigide. Condition: Très bon. Dust Jacket Condition: Bon.
Published by Köln, Taschen, 1995., 1995
Seller: Antiquariat CoBrA, Oberrohrbach, Austria
Köln, Taschen, 1995. 4°. 160 (2) Seiten, mit zahlreichen farbigen Abbildungen / with many coloured illustrations. Leinenband mit Umschlag. Hardcover with dustjacket. Text englisch / deutsch / französisch. - Fine copy. Tadellos. Sprache: en, de, fr. *** Bitte kontaktieren Sie mich immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact me always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Published by Taschen (1995)., Köln:, 1995
Seller: Antiquariat Steinwedel, Betzendorf, Germany
fester Einband. 156 (4) Seiten, mit zahlreichen Farbfotos, O.Ln. mit O.SchU., Quart (ober Kante des Vorderdeckels mit einer kl. bestoßenen Stelle / Rückseite des Schutzumschlags etw. fleckig) ISBN 3-8228-8673-4 // siehe Mängel, sonst guter Zustand.
Published by München/Paris/London, Schirmer/Mosel., 1999
ISBN 10: 3888146283ISBN 13: 9783888146282
Seller: Antiquariat Luechinger, St. Gallen, Switzerland
Book
28x33, 157 Seiten, Gewebe, Schutzumschlag, 112 Farbtafeln, 22 Abbildungen. Neuwertig. Sprache: deutsch.
Published by Bulfinch Pr, 1998
ISBN 10: 0821226290ISBN 13: 9780821226292
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Book
Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
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Published by Taschen, 1995
ISBN 10: 3822890863ISBN 13: 9783822890868
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 156 pages.
Published by Bulfinch Press, 1998
ISBN 10: 0821226290ISBN 13: 9780821226292
Seller: Old Editions Book Shop, ABAA, ILAB, North Tonawanda, NY, U.S.A.
Book First Edition
Hardcover. Condition: Very Good-. Dust Jacket Condition: Very Good. First US Edition. Slight bumping to boards. Unclipped DJ protected in mylar, slight bumping and soiling. Solid binding and clean text. Remainder mark and a few scratches to lower page edges, light foxing top edges. No ownership marks, ex-lib marks, stamps or stickers. International addresses will require extra postage due to size. ; 4to 11" - 13" tall; Unpaginated pages.
Published by Taschen Koln 1995, 1995
Seller: Andrew Barnes Books / Military Melbourne, Melbourne, VIC, Australia
First Edition
1st edition hardback with dust jacket As New octavo 158pp., colour & b/w plates, ENGLISH TEXT. First Taschen edition. Scarce.
Published by Jonathan Cape, 1999
Seller: The Groaning Board, Kensington, CA, U.S.A.
Book First Edition
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Very fine first edition hardcover, gray textured boards in a very fine jacket, no wear, not price-clipped. These photographs display the extraordinary collaboration between Irving Penn and the designer Issey Miyake. Miyake's astonishing forms and textures have offered Penn subjects that echo both a primitive tribal beauty and the most futuristic fashion. A beautiful book. Unpaginated. M05692.
Published by Bulfinch / Little, Brown and Company, Boston / New York, 1999
Seller: Compass Rose Books, ABAA-ILAB, Kensington, CA, U.S.A.
First Edition
Hardcover. Condition: As New. Dust Jacket Condition: As New. First Edition. First Printing. A Very Fine copy in mottled grey canvas cloth, in a Very Fine glossy white frenchfold dustwrapper, not price-clipped. A classic collaboration between a great fashion designer and one of the best fashion photographers ever. Unpaginated. Color photographs against white drop-out backgrounds. Q10505.
Published by TASCHEN,, 1996
ISBN 10: 3822888745ISBN 13: 9783822888742
Seller: Westsider Rare & Used Books Inc., New York, NY, U.S.A.
Book
Softcover. Condition: near fine.
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Published by Bulfinch Press, 1999
Seller: The Cary Collection, Bristol, CT, U.S.A.
Book
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. HOLBORN, Mark [essay by] Bulfinch Press 1999 12.75" x 11" Issey Miyake (22 April 1938- 5 August 2022) was a Japanese fashion designer. He was known for his technology-driven clothing designs, exhibitions and fragrances, such as L'eau d'Issey, which became his most well-known product. He studied graphic design at the Tama Art University in Tokyo, graduating in 1964. He entered designs into fashion competition at the Bunka Fashion College in Tokyo. However, he did not win a competition due to his lack of pattern-making or sewing skills. After graduation, he enrolled in the Chambre syndicale de la couture parisienne school in Paris and was apprenticed to Guy Laroche as assistant designer. He also worked with Hubert de Givenchy, drawing 50 to 100 sketches daily. In 1969, he moved to New York City, where he met artists like Christo and Robert Rauschenberg. He was enrolled in English classes at Columbia University and worked on Seventh Avenue for designer Geoffrey Beene. Returning to Tokyo in 1970, he founded the Miyake Design Studio, a high-end producer of women's fashion. From a young age, Miyake respected artist Isamu Noguchi, whose newness and sense of fun in his designs inspired Miyake. He was also inspired by fashion designer Madeleine Vionnet's use of geometric calculations and "a single piece of beautiful cloth." In Paris, he visited several museums and he mentioned that he was influenced by sculptors such as Constantin Brancusi and Alberto Giacometti. San Francisco Chronicle fashion editor Sylviia Rubin credits Miyake together with Babette Pinsky with "reinventing" the Fortuny pleat in the 1980s. In the late 1980s, he began to experiment with new methods of pleating that would allow both flexibility of movement for the wearer as well as ease of care and production. The garments are cut and sewn first, then sandwiched between layers of paper and fed into a heat press, where they are pleated. The fabric's 'memory' holds the pleats and when the garments are liberated from their paper cocoon, they are ready-to wear. He did the costume for Ballett Frankfurt with an ultra feather-polyester jersey permanently pleated in a piece named "the Loss of Small Detail" William Forsythe and also work on ballet "Garden in the setting". Miyake realized that the new method of making clothes fit well in dancers. After studying how dancers move, he sent 200 to 300 garments for dancers to wear a different one in each performance of The Last Detail. This led to the development of the Pleats, Please range and inspired him to use dancers to display his work. He had a long friendship with Austrian-born pottery artist Dame Lucie Rie. She presented him with her archival ceramic buttons, which he integrated into his designs. He also developed a friendship with Apple's Steve Jobs and produced the black turtlenecks which would become a part of Jobs' signature attire. Jobs said, "So I asked Issey to make me some of his black turtlenecks that I liked, and he made me like a hundred of them." Legendary designer Geoffrey Beene stated that he admired Issey Miyake for Miyake's technique, this in an interview with poet/artist Steven Vita in Veery journal, 1991. In March 1992 he was quoted in the International Herald Tribune as saying "Design is not for philosophy it's for life." Between 1996 and 1999 Miyake collaborated with artists for his Guest Artist series. The first collaboration was with the photographer and collage maker Yasumasa Morimura; the other artists were Nobuyoshi Araki, Tim Hawkinson, and Cai Guo-Qiang. Miyake stated that his intention was not to answer the question "Is fashion art?" but instead to create an "interactive relationship" between the art and the people who admired it. By wearing the artworks upon their bodies, the wearers interacted with fashion and art simultaneously.