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Published by Camillos Kouros Gallery, 1984
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Condition: Very Good. 20 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Softcover. BW-photographic softcover with white lettering. 94 pp. Illustrations. Portraits. Catalogue of an exhibition held at the Camillos Kouros Gallery, March 1987. VG- some rubbing/scuffing to covers.
Published by Kouros Gallery, 1983
Seller: Big Reuse, Brooklyn, NY, U.S.A.
Book
Soft cover. Condition: Very Good. Softcover, staple-bound exhibition catalog, work by Michael Lekakis, black-and-white plates. No interior marks, light shelfwear to wraps. Small crease to lower wrap at fore-edge.
Published by Camillos Kouros Gallery, 1984
Seller: Epilonian Books, Manhattan Beach, CA, U.S.A.
Book
Paperback. Condition: Very Good. Camillos Kouros Gallery. Catalog for exhibition held December 1984 as part of the "Contributors to American Culture" series of exhibitions. Paper covers, 20 pp, Contents include introduction by Nicolas A. Capellaris, Biography by Dore Ashton, 12 black and white plates, and list of Selected Exhibitions, included Selected Public Collections. In very good condition with light bumping to edges and corners of covers and Light overall scuffing, aging and soling to covers as well. Binding tight (staple bound). Pages clean and unmarked. NOT Ex-Library. [Excerpt from Bio] Few have rendered in words their responses to the sculpture of Michael Lekakis. In his long, productive and solitary artistic life, he has claimed our attention only by attending exclusively tohis project. Those few who have seen, and replied in written commentaries, have often argued about whether Lekakis, born in 1907, is truly a "modern" or if he is the issue of some older culture, ill-adapted to the modern idiom,But of course, he is modern. His project is among the most serious of all modern projects?to attain, through long, thoughtful and concentrated work, a sense of cosmos. Paul Klee, surely a modern, declared, "Every seed is cosmos," and he always began with the seed. Lekakis knows the seed, the root, the branch, and,like Klee, has followed his bent. His credo, partly expressed in a 1969 statement, must be considered:Creation is not the result of what we want to do. It is the result of the whole cosmic process . if one approaches it right, he can give it form. the only thing that prompts this kind of vision is love . I mean the whole of love, eras and agape, the divine and human reconciled, as the Greeks knew it. this is what I am trying to do, to reconcile man and the cosmos . but I don't have any dispensation for this, I think everyone has it. it is a matter of becoming sensitized, of preparing oneself to let it happen. we must come to the point where we can soar beyond ourselves, to be free of ourselves, where we are no longer the victims of our own stupidity, emotions and prejudices . .
Condition: Very Good. Very Good condition. Published by Kouros Gallery. (Art, Art Exhibition, Art Catalog).
Published by Konros Gallery, 1987
Seller: Cotswold Internet Books, Cheltenham, United Kingdom
Condition: Used - Very Good. VG paperback. 1987 publication to accompany an exhibition; numerous B&W illustrations; spine uncreased; light wear to edges; back panel a little discoloured; gift inscription on first page; owner's sticker on verso of back cover; otherwise, a clean, tidy copy.
Published by Camillos Kouros Gallery, 1987
Seller: Black Dog Books, Emerson, NJ, U.S.A.
First Edition
Soft cover. Condition: Near Fine. 1st Edition. Catalog for an exhibition held at the Camillos Kouros Gallery, March 1987. 95 pages, well illustrated in black & white throughout. Book.
Published by Dayton Art Institute, 1968
Seller: *bibliosophy*, Exeter, United Kingdom
Soft cover. Condition: Very Good. 1968, 7.5 x 9 inches approx, 36 pages stapled booklet, art exhibition catalogue, illus. b&w plates | gently read copy shows some cover wear; contents are clean and bright, free of name, notes etc | carefully packaged and dispatched from UK within two working days.
Published by Solomon R. Guggenheim Museum, 1958
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 28 pages; as new condition; white covers very clean and crisp; no internal marks.
Published by Contact Press, Toronto, 1956
Seller: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
First Edition
Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. The first edition. Original colour-printed stiff card wrappers. Mild toning and handling wear to covers. Otherwise clean, tight and unmarked. Very neat -- a sound and handsome copy. Size: 8vo - over 7¾ - 9¾" tall. Book.
Published by New York: Foundation for Hellenic Culture, 1996
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Fo. [circa 45 pp]. Color plates. Small book in manila folder with printed loose pages. Soft cover. Very Good. Provenance: UC Berkeley Art Professor Peter Selz.
Published by New York: Kouros Gallery, 1984
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. 4to. 20 pp. Very Good. Black and white plates. From the collection of Peter Selz, Art History Professor at UC Berkeley.
Seller: William Matthews/The Haunted Bookshop, Sidney, BC, Canada
First Edition
Toronto: Contact Press, (1956). First edition. Pictorial stiff wrappers, front cover designed in yellow and gray, spine and front cover lettered in black. Frontispiece. Wrappers a little darkened at edges, upper corner slightly bumped, a fresh and clean copy otherwise. There are a couple of small corrections and additions in pen, as sometimes seen in this book; likely, in our opinion, in the hand of the author.
Published by Contact Press, Toronto, 1956
Book
Soft cover. Condition: Good. 8vo. 117pp. + 1pp of Advertisements for Contact Press Publications. Stiff printed wrappers. Spine sunned with small tears at head and tail. From the library of Phyllis Webb, with her name in pencil on the front free endpaper. Good.