Published by Weidenfeld & Nicolson, 2006
ISBN 10: 1841881007 ISBN 13: 9781841881003
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Published by Orion Publishing Co, United Kingdom, London, 1999
ISBN 10: 0297842927 ISBN 13: 9780297842927
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. Modern art is a cow cut in half with a chainsaw, floating in a glass tank. It is a house cast in concrete, or the London Underground map with all the station names changed. But what does it all mean? What is "modern art"? Why do we like/hate it? Can anybody do it? Is it always modern? Who started it? This is the story of modern art and our modern attitude to it. It combines hard information on major artists and movements - what really happened - with ordinary reflections. Modern art is intimidating and confusing to many, but Matthew Collins seeks to cut through this barrier by asking all the puzzling questions. He compares Goya to Duchamp and Picasso, Rothko to Yves Klein, and he looks at the role of African tribal art in the rise of modernism and punk rock in the rise of post-modernism. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Paperback. Condition: Very Good.
Published by Seven Dials
Seller: GfB, the Colchester Bookshop, Colchester, United Kingdom
Seven Dials, 2000. Paperback, sq4to, 271pp, illust. Covers a little worn and faded. A fair copy. 1841881007.
Published by Weidenfeld & Nicolson 1999, 1999
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
Super octavo, hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
Published by London; Weidenfeld & Nicolson;, 1999
ISBN 10: 0297842927 ISBN 13: 9780297842927
Seller: timkcbooks (Member of Booksellers Association), Penzance, United Kingdom
Association Member: PBFA
First Edition
First edition, first printing. Fine in near fine dutjacket.
Published by New York: Watson-Guptill., 2000
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. 271 pp. Very Good+. Soft Cover. Illustrated paper wraps with French folds. Color plates throughout.ISBN: 0823053628 9780823053629.Collection from San Francisco Museum of Modern Art.
Published by New York, NY, 2007
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
96 pp.; 33 x 25.4 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July - August 2007 issue of Modern Painters. Edited by Roger Tatley. Contents include: "Editor's Letter," by Roger Tatley; "Provision;" "Hairy Man Attacks Society's Falseness: Memories, dreams, and reflections regarding stuff I did last week," by Matthew Collings; "Truth or Dare: The State of Design: a cautionary tale," by Aric Chen; "Underdogs and Also-Rans: Six blind items from a reliable source," by Domenick Ammirati; "Artifice and Old Lace: The green screen is film's new tabula rasa," by Michael Atkinson; "Introducing: Shannon Ebner," by Dan Torop; "Introducing: Demetrius Oliver," by Nick Stillman; "This is How It Was," texts by Robert Gober and Elisabeth Sussman; "Karen Kilimnik: Vanity Project," by Wayne Koestenbaum; "Sol LeWitt" introduction and interview by Sarah Kent; "David Ohle: 'Stinkers,' a novel excerpt," introduction by Ben Marcus; "Reviews;" "Books;" "Index" and "Working Practice: David Goldblatt," by Jeff Byles. Also includes Richard Prince's review of the exhibition "Fugitive Artist : The Early Work of Richard Prince, 1974 - 77." Prince's review features image of Canadian Artist Richard Prince. Opening sentences of review read "This was a complete show of crap. I had nothing to do with the show and didn't want it to happen because, one, it's bullshit/student work that most artists do when they're starting out, and two, a lot of the work was stolen ." Cover by Robert Gober. Good. 3.4 cm. dog-ear to bottom right corner of recto and bumping of bottom right corner of pages. Rubbing, bumping and handling wear to covers. 3 mm. tear along spine edge wrapping around to recto with additional 3 mm. tear. Contents clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders.
Publication Date: 2000
Seller: DMBeeBookstore, Buenos Aires, BA, Argentina
Tapa Blanda. Condition: Bien. FOTOS: No dude en pedir mas imagenes. Es de segunda mano, como se ve en la foto, puede preguntar mas detalle del ejemplar.