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Published by Parkett Verlag, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.
Book
Paperback. Condition: As New. No Jacket. A clean copy in excellent condition, appears unread. Sealed in original wrapping. The binding is tight; the pages are clean and unmarked. Secure packaging for safe delivery. 2.15.
Published by Parkett Verlag, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.15.
Published by PARKETT PUBLISHERS INC, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Book
Oversized Paperback. Condition: Good. Issue includes Robert Frank, Wade Guyton, Christopher Wool.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 2.15.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: Book Deals, Tucson, AZ, U.S.A.
Book
Condition: Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 2.15.
Published by PAarkett, Zurich, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: 246 Books, Seattle, WA, U.S.A.
Book
Paperback. Condition: Very Good. PARKETT 83: Robert Frank, Wade Guyton, Christopher Wool. Texts by Pamela M Lee, Eileen Myles, Tacita Dean, Scott Rothkopf, Suzanne Cotter, Daniel Birnbaum, Fionn Meade, Richard Flodd, Jutta Koether, Liz Kotz and others. Insert: Kerstin Bratsch. 212 pages + ads. Text in English and german. Color and black & white reproductions. very good condition.
Published by Parkett, 2008
Seller: ANARTIST, New York, NY, U.S.A.
Softcover art journal with articles on: Robert Frank, Wade Guyton, Christopher Wool; insert by Kerstin Bratsch; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Book
Paperback. Condition: new. New. Fast Shipping and good customer service.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: Big Bill's Books, Wimberley, TX, U.S.A.
Book
Paperback. Condition: new. Brand New Copy.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: GoldenDragon, Houston, TX, U.S.A.
Book
Paperback. Condition: new. Buy for Great customer experience.
Published by Brand: Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: Front Cover Books, Denver, CO, U.S.A.
Book
Condition: new.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: Wizard Books, Long Beach, CA, U.S.A.
Book
Paperback. Condition: new. New.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: Grumpys Fine Books, Tijeras, NM, U.S.A.
Book
Paperback. Condition: new. Prompt service guaranteed.
Published by Zürich/Frankfurt/Wien Parkett Verlag., 2008
Seller: Antiquariat Luechinger, St. Gallen, Switzerland
Book
21x26, 233 Seiten, Broschur, Neuwertig. Sprache: deutsch / englisch.
Published by Parkett, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: GoldBooks, Denver, CO, U.S.A.
Book
Paperback. Condition: new. New Copy. Customer Service Guaranteed.
Published by Parkett, 2008
Seller: castlebooksbcn, Barcelona, Spain
Magazine / Periodical
Encuadernación de tapa blanda. Condition: Como Nuevo. Dust Jacket Condition: Bien. Black prevails in this issue of Parkett. It is the gloomy, melancholy, existential black of Robert Frank's photographs and films; it is the cool, urbane, subterraneously agitated black of Christopher Wool's paintings; and it is the black of Wade Guyton's inkjet printer that seeks to link new and old. The black-and-white photocopy on the cover, an updated trompe l'oeil created by Guyton and Wool together, ironically plays to an antique gray. The photocopy symbolically underscores reproduction as a self-made product, especially since the key to this kind of reproduction is not industrial multiplication. Instead, the artists presented here investigate different forms of slow, self-reflecting reproduction: mental and manual work that is related to the machine and to recent picture-making tools (cameras, standard stencils, screens, computers, printers). Guyton and Wool, incidentally, both cultivate a distinctive relationship to books and book-making that not only underlies their collaborative project for the cover but also provides the point of departure for Liz Kotz's essay, "The Treachery of Images". The hand and doing things by hand also play a role in the photograph that introduces the pages devoted to Robert Frank. Hands conjure and invoke but they also hold things at bay. The photographer's largeformat pictures reproduced in this issue are film stills. Frank selected them specifically for Parkett and requested that no other works be reproduced alongside the texts. How many people are aware that the first edition of Robert Frank's extraordinarily influential photo essay, The Americans, which is half a century old this year, was not published in United States but in Paris as Les Américains? The climate of the Cold War in those days was not conducive to finding an American publisher. Analyzing Frank's significance today, in the light of the presidential campaign, Pamela M. Lee observes that "the book reads like an allegory of a lost highway, where the road is an endlessly shadowed one and each turn a leap of faith". In Christopher Wool's and Wade Guyton's art, painting has the appearance of being fraught with memory. The way in which Wool handles his work is, on the whole, ambivalent; it is evocative and yet also distanced, artfully plying the byways of authenticity between true and false. But a hint of truth keeps trickling out along the edges and through the cracks engendered by the tools of his art. On the surface of things, Wade Guyton's approach might appear to be more detached since he feeds the images and their supports directly into his Epson printer. The act of observation, the perception of the evolving work, and the potential of its evocative power are revealed with fascinating precision in Scott Rothkopf's study of Guyton's new "monochrome" works. Sculpture also features prominently in Guyton's oeuvre. Mirrors, steel tube chairs, parquet cubes, and U-shaped steel objects reflect space, stretching it and compressing it to extremes, while also directly addressing, if not even attacking viewers with a clearcut YOU. This volume also features an Insert project by Kerstin Brätsch. Is the fact that the collaboration artists in this issue are three male New Yorkers even worth mentioning? Yes, it is, inasmuch as the next issue of Parkett will be devoted to three women. As always, the collaborating artists for the next issue are listed on the inside flap of the back cover Table of Content Trembling Before Time: On the Drawings of Paul Sharits by Paul Chan Robert Frank Fifty Years Down the Road by Pamela M. Lee Reunion by Eileen Myles You Can't go Home by Tacita Dean Wade Guyton The New Black by Scott Rothkopf Double Negative by Suzanne Cotter Pictures Eating Pictures: Notes for Wade Guyton by Daniel Birnbaum Christopher Wool Syntax for Minor Mishaps by Fionn Meade Wool Gathering by Richard Flood Aequacy No! by Jutta Koether The Treachery of Images, Christopher Wool and Wa.
Published by Okt 2008, 2008
ISBN 10: 3907582438ISBN 13: 9783907582435
Seller: AHA-BUCH GmbH, Einbeck, Germany
Book
Condition: Neu. Neuware.