Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Cambridge University Press, 2003., 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
8vo, 230pp. A near fine hardback copy still in shrink wrappers.
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: Ergodebooks, Houston, TX, U.S.A.
Hardcover. Condition: Good. Musicians frequently incorporated portions of works by other musicians into their own compositions and performances throughout the twentieth century. This book examines how this practice of "quotation" affected cultural dialogues regarding race, childhood, madness and the mass media. When a musician borrows from a piece, he or she draws upon not only a melody but also the cultural associations of the original piece. By working with and altering a melody, a musician also transforms those associations.
Published by Cambridge University Press, 2008
ISBN 10: 0521036585 ISBN 13: 9780521036580
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Published by Cambridge University Press 2007-05, 2007
ISBN 10: 0521036585 ISBN 13: 9780521036580
Seller: Chiron Media, Wallingford, United Kingdom
PF. Condition: New.
Published by Cambridge University Press, 2008
ISBN 10: 0521036585 ISBN 13: 9780521036580
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Published by Cambridge University Press,, Cambridge,, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
First Edition
Hardback. Condition: Very Good. First Edition. Hardback. Dust Jacket. 8vo. Original publisher's black cloth, lettered silver on spine. ISBN: 0521825091 Pages: 240 Very good indeed in very good indeed dust jacket.
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Published by Cambridge University Press, 2007
ISBN 10: 0521036585 ISBN 13: 9780521036580
Seller: moluna, Greven, Germany
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Throughout the twentieth century, musicians frequently incorporated bits of other works into their own compositions and performances. This book explores the practice, examining how musicians used quotation to participate in the cultural dialogues sustained .
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Condition: New.
Published by Cambridge University Press, 2008
ISBN 10: 0521036585 ISBN 13: 9780521036580
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Throughout the twentieth century, musicians frequently incorporated bits of works by other musicians into their own compositions and performances. When a musician borrows from a piece, he or she draws upon not only a melody but also the cultural associations of the original piece. By working with and altering a melody, a musician also transforms those associations. This book explores that vibrant practice, examining how musicians used quotation to participate in the cultural dialogues sustained around such areas as race, childhood, madness and the mass media. The focus of this study is broad, discussing pieces in a spectrum of musical styles (classical, experimental, jazz, and popular) as well as works in the other arts. Part of the young and quickly growing field of musical borrowing, this book takes an important step in discussing the wider cultural ramifications of quotation.
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: moluna, Greven, Germany
Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Throughout the twentieth century, musicians frequently incorporated bits of other works into their own compositions and performances. This book explores the practice, examining how musicians used quotation to participate in the cultural dialogues sustained .
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Examines the way the use of quotation in music both creates and transforms cultural associations.
Published by Cambridge University Press, 2003
ISBN 10: 0521825091 ISBN 13: 9780521825092
Seller: Mispah books, Redhill, SURRE, United Kingdom
Hardcover. Condition: Like New. Like New. book.