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Published by Munshiram Manoharlal, 1999
ISBN 10: 812150466XISBN 13: 9788121504669
Seller: Book Dispensary, Concord, ON, Canada
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text, clean exterior. Book.
Published by Munshiram Manoharlal Publishers Pvt Ltd, New Delhi, 2013
ISBN 10: 812150466XISBN 13: 9788121504669
Seller: Books in my Basket, New Delhi, India
Book
Hardcover. Condition: New. 429pp.
Published by Munshiram Manoharlal, 2023
ISBN 10: 8121505089ISBN 13: 9788121505086
Seller: Vedams eBooks (P) Ltd, New Delhi, India
Book
Hardcover. Condition: New. "This monumental treatise from the 13th century sums up and organises what had gone before, and in doing so provides both master plan and basic topics for subsequent musicological work, even to the present day. The combination of Devanagari text (from the Adyar edition) running concurrently with English translation, commentary, and footnotes, makes the work very convenient. Dr. Shringy's English translation and commentary, prepared under the expert supervision of Dr. (Miss) Prem Lata Sharma, is more devoted to a direct explication of Sarngadeva's verses. Its guiding principles (as evidenced in this first volume) are two. First, terms and ideas in the treatise are set in the larger general frame of Indian Sanskritic culture--as for instance a presentation of the Tantric metaphysics behind the doctrine of sound which Sarngadeva took over and elaborated from Matanga's Brhaddesi. Second, complex technical principles are explicated in full--as for instance a demonstration of how to work with the 5040 permutations of kuta-tana "note-series" as Sarngadeva all too briefly set them forth. The work fulfils the urgent need for a standard and authentic work on the theory and practice of ancient Indian music in English. "The translation provides English equivalents for technical terms, makes constant parenthetical reference to Sanskrit originals in transliteration. Contains a detailed word index, with multiple senses distinguished, and a glossary.".
Published by Munshiram Manoharlal, 2023
ISBN 10: 812150466XISBN 13: 9788121504669
Seller: Vedams eBooks (P) Ltd, New Delhi, India
Book
Hardcover. Condition: New. The present volume of the annotated translation of Sangitaratnakara contains the second, third and fourth chapters of the text dealing with raga, miscellaneous topics pertaining to vocal music and prabandha respectively. These chapters deal with topics that are directly related to current practice. The format of the first volume has been followed in this volume has been followed in this volume, except a small deviation in the word-index, where a glossary has not been attempted on account of the special nature of the terms contained in the chapters presented here. The vast expanse of terms which is mostly comprised of nomenclature of raga-s, varieties of melodic rendering, prabandha-s and tala-s prescribed therein has been thoroughly scanned and thus the index is a mirror of the totality of contents. While the first volume was preceded by an earlier attempt at translation, the second volume presents the above-noted three chapters in English for the first time. This long awaited volume will be a welcome addition to the primary source-material for a study of the rich textual tradition of Indian music.
Published by Munshiram Manoharlal, New Delhi, 1999
Seller: The Book Gallery, Jerusalem, Israel
TWO VOLUME SET. 25x17 cm. XLIX+450+XIV+397 pages. Gilt hardcover in dust jacket. Cover slightly chafed. [VOLUME I]: Spine slightly chafed. [BOTH VOLUMES]: Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs. The book is in : English Sanskrit & Pali.
Published by Munshiram Manoharlal, 1991
Seller: Sunny Day Bookstore, SINGAPORE, Singapore
Condition: Fine. Number of books: 2 books.
Published by Munshirm Manoharlal Pub Pvt Ltd, 2007
ISBN 10: 812150466XISBN 13: 9788121504669
Seller: Mispah books, Redhill, SURRE, United Kingdom
Book
Hardcover. Condition: Like New. Like New. book.
Published by Munshiram Manoharlal, 2023
Seller: Vedams eBooks (P) Ltd, New Delhi, India
Book
Hardcover. Condition: New. "This monumental treatise from the 13th century sums up and organises what had gone before, and in doing so provides both master plan and basic topics for subsequent musicological work, even to the present day. The combination of Devanagari text (from the Adyar edition) running concurrently with English translation, commentary, and footnotes, makes the work very convenient. Dr. Shringy's English translation and commentary, prepared under the expert supervision of Dr. (Miss) Prem Lata Sharma, is more devoted to a direct explication of Sarngadeva's verses. Its guiding principles (as evidenced in this first volume) are two. First, terms and ideas in the treatise are set in the larger general frame of Indian Sanskritic culture--as for instance a presentation of the Tantric metaphysics behind the doctrine of sound which Sarngadeva took over and elaborated from Matanga's Brhaddesi. Second, complex technical principles are explicated in full--as for instance a demonstration of how to work with the 5040 permutations of kuta-tana "note-series" as Sarngadeva all too briefly set them forth. The work fulfils the urgent need for a standard and authentic work on the theory and practice of ancient Indian music in English. "The translation provides English equivalents for technical terms, makes constant parenthetical reference to Sanskrit originals in transliteration. Contains a detailed word index, with multiple senses distinguished, and a glossary." The present volume of the annotated translation of Sangitaratnakara contains the second, third and fourth chapters of the text dealing with raga, miscellaneous topics pertaining to vocal music and prabandha respectively. These chapters deal with topics that are directly related to current practice. The format of the first volume has been followed in this volume has been followed in this volume, except a small deviation in the word-index, where a glossary has not been attempted on account of the special nature of the terms contained in the chapters presented here. The vast expanse of terms which is mostly comprised of nomenclature of raga-s, varieties of melodic rendering, prabandha-s and tala-s prescribed therein has been thoroughly scanned and thus the index is a mirror of the totality of contents. While the first volume was preceded by an earlier attempt at translation, the second volume presents the above-noted three chapters in English for the first time. This long awaited volume will be a welcome addition to the primary source-material for a study of the rich textual tradition of Indian music.