Stems by Friedlander Lee (27 results)

Hardcover. Condition: Very Good. No Jacket. Green cloth boards are a little worn/dirty.

96 S. Leinen. Gr. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig Sprache: eng.

Leineneinband mit montierter s/w Fotoabbildung auf dem Einband. 92 nn Seiten mit 65 ganzseitigen s/w Fotoabbildungen. Format 26 x 31,2 cm. Tadelloser Zustand. Hervorragende Fotoaufnahmen von Pflanzenstielen von Lee Friedlander. Textbeitrag des Fotografen in englischer Sprache.

Hardcover. Condition: As New. First Edition. Very Fine in pastel lime green cloth, stamped in black and silver with photographic pastedown inset on front cover, without jacket as issued. 65pp. Black and white photographic reproductions printed on rectos only, with an introductory statement by Friedlander. Q04903.

Hardcover. Condition: New. 1st Edition. First edition, first and only printing. Hardcover. Bright lime-green fine linen cloth, with tritone plate tipped in front cover and title stamped in black and silver on front cover and spine, no dust jacket as issued. Photographs and introduction by Lee Friedlander. Edited by Lori Waxman. Designed by Katy Homans. 92 pp., with 65 tritone plates, beautifully printed with a special drytrap process by Meridian Printing, Rhode Island from separations made by Thomas Palmer. 12-1/4 x 10-3/8 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap. From the publisher: "In 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life--a dramatic shift for a man who has spent his life photographing on the street, in the woods, on the road, at parties, anywhere but sitting down. He tried a variety of subjects with a few good results, but nothing stood out until he began to look at the fresh flowers that his wife Maria placed around their home in cut-glass vases. But never mind the flowers. True to Friedlander's style, he very quickly found himself most interested in the stems. During the months of February, May, June and December of 1994, he focused his lens on wild arrays of stems and the optical splendor produced by light refracting through the glass vases that contained them. In 1998, Friedlander had both of his knees surgically replaced. Three months of recovery time passed during which he took no pictures, the only gap in almost 50 years of working. The next year, successfully rehabilitated and walking without pain, Friedlander decided to re-apply himself to the stems and finish them off as a subject. Published in a lush, oversize volume, printed with a special drytrap process, Stems is the result of this unusual saga in the photographer's career. Lee Friedlander and his camera have now returned to the street.".

Condition: Wie neu. Steidl, Göttingen. 2004. First edition, first printing. New, mint, unread; originally shrink-wrapped in publisher`s plastic foil. Clothbound hardcover with a tipped-in photograph without jacket (as issued). 253 x 304 mm. 96 pages. 65 Triton-Fotos. With an introduction by Lee FriedlanderIn 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life a dramatic shift for a man who has spent his life photographing on the street, in the woods, on the road, at parties, anywhere but sitting down. He tried a variety of subjects with a few good results, but nothing stood out until he began to look at the fresh flowers that his wife Maria placed around their home in cut-glass vases. But never mind the flowers. True to Friedlander s style, he very quickly found himself most interested in the stems. During the months of February, May, June and December of 1994, he focused his lens on wild arrays of stems and the optical splendor produced by light refracting through the glass vases that contained them. In 1998, Friedlander had both of his knees surgically replaced. Three months of recovery time passed during which he took no pictures, the only gap in almost 50 years of working. The next year, successfully rehabilitated and walking without pain, Friedlander decided to re-apply himself to the stems and finish them off as a subject. Published in a lush, oversize volume, printed with a special drytrap process, Stems is the result of this unusual saga in the photographer s career. Lee Friedlander and his camera have now returned to the street. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State.***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in Plastikfolie des Verlages. Leinen ohne Schutzumschlag (nur so erschienen). 253 x 304 cm. 96 Seiten. 65 Triton Photos. Text: englisch. Lee Friedlander (Jahrgang 1934), der Chronist des American Way Of Life" konzentriert sich in diesem Band auf die Arbeiten von Frederick Law Olmsted (1822-1903). Als Landschaftsarchitekt war Olmsted u.a. verantwortlich für die Gestaltung des Niagara Reservats und des Washington Parks. Seine bekannteste Arbeit bleibt aber der Central Park in New York. Dieser Band versammelt 89 Triton-Aufnahmen, die in öffentlichen Parks und privaten Anwesen entstanden sind. Sprache: Englisch Gewicht in Gramm: 1600.

Condition: ottimo stato. 67 b/n. Lingua: cartonato con immagine applicata.

Goettingen. Steidl. 2004. Folio. 96 Seiten / pages + 65 Triton Photos Originaleinband. Original cloth.Without dust jacket as issued. Leineneinband mit montierter s/w Fotoabbildung auf dem Einband. 92 nn Seiten mit 65 ganzseitigen s/w Fotoabbildungen. Format 26 x 31,2 cm. Tadelloser Zustand.- Hervorragende Fotoaufnahmen von Pflanzenstielen von Lee Friedlander. Textbeitrag des Fotografen in englischer Sprache. Noch folienverschweißt. Still sealed. Sprache: Englisch. *** Bitte kontaktieren Sie mich immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact me always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

hardcover. Condition: fine. First. Numerous black & white plates. Slim 4to, lime green cloth, photograph inlaid on front cover. (New York): D.A.P., (2003). First Edition. Signed by the artist on the half-title.

Condition: Wie neu. Steidl, Göttingen. 2004. First edition, first printing. Signed by Lee Friedlander in red pen on litle page! New, mint, unread; only opened once for signature. Clothbound hardcover with a tipped-in photograph without jacket (as issued). 253 x 304 mm. 96 pages. 65 Triton-Fotos. With an introduction by Lee Friedlander. Text in english. Perfect condition! Signed by the artist! Collector`s copy! In 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life a dramatic shift for a man who has spent his life photographing on the street, in the woods, on the road, at parties, anywhere but sitting down. He tried a variety of subjects with a few good results, but nothing stood out until he began to look at the fresh flowers that his wife Maria placed around their home in cut-glass vases. But never mind the flowers. True to Friedlander s style, he very quickly found himself most interested in the stems. During the months of February, May, June and December of 1994, he focused his lens on wild arrays of stems and the optical splendor produced by light refracting through the glass vases that contained them. In 1998, Friedlander had both of his knees surgically replaced. Three months of recovery time passed during which he took no pictures, the only gap in almost 50 years of working. The next year, successfully rehabilitated and walking without pain, Friedlander decided to re-apply himself to the stems and finish them off as a subject. Published in a lush, oversize volume, printed with a special drytrap process, Stems is the result of this unusual saga in the photographer s career. Lee Friedlander and his camera have now returned to the street. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State. Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199).***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Signiert von Lee Friedlander! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur des Künstlers. Leinen ohne Schutzumschlag (nur so erschienen). 253 x 304 cm. 96 Seiten. 65 Triton Photos. Text: englisch. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Lee Friedlander (Jahrgang 1934), der Chronist des American Way Of Life" konzentriert sich in diesem Band auf die Arbeiten von Frederick Law Olmsted (1822-1903). Als Landschaftsarchitekt war Olmsted u.a. verantwortlich für die Gestaltung des Niagara Reservats und des Washington Parks. Seine bekannteste Arbeit bleibt aber der Central Park in New York. Dieser Band versammelt 89 Triton-Aufnahmen, die in öffentlichen Parks und privaten Anwesen entstanden sind. Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199). Sprache: Englisch Gewicht in Gramm: 1600.

Hardcover. Condition: Fine. First edition. Large quarto. Cloth with applied photographic illustration. Fine, issued without dust jacket. Inscribed by the photographer to his close friend, the artist R.B. Kitaj: "For Ron from his pal Lee with love. Aug. 2003." A significant association between two American artists. Friedlander published a volume devoted exclusively to portraits of Kitaj: *Kitaj* (San Francisco: Fraenkel Gallery 2002).