Product Type
Condition
Binding
Collectible Attributes
Free Shipping
Seller Location
Seller Rating
Published by CreateSpace Independent Publishing Platform, 2012
ISBN 10: 1481222813ISBN 13: 9781481222815
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: As New. Unread book in perfect condition.
More buying choices from other sellers on AbeBooks
New offers from US$ 21.35
Used offers from US$ 16.55
Also find Softcover
Published by CreateSpace Independent Publishing Platform, 2012
ISBN 10: 1481002856ISBN 13: 9781481002851
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
More buying choices from other sellers on AbeBooks
New offers from US$ 18.00
Publication Date: 1992
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. Dated in the top right hand corner and in the lower margin. Unsigned and dated. On wove. Size: Medium (15-30cm) Framed: No Style: Realism.
Published by Contemporary
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. With studies on both sides of the page. Unsigned. On wove. Size: Large (30-60cm) Framed: No Style: Realism.
Published by Amsterdam University Press, 2006
ISBN 10: 9053568379ISBN 13: 9789053568378
Seller: Books Unplugged, Amherst, NY, U.S.A.
Book
Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
More buying choices from other sellers on AbeBooks
New offers from US$ 44.81
Used offers from US$ 39.08
Also find Softcover
Published by The Hyperion Press / No Date Perhaps 1960s, Pages are Aged, Yet Clean, 1960
Seller: GREAT PACIFIC BOOKS, Ventura, CA, U.S.A.
Dust Jacket Condition: No Dust Jacket. Fully Illustrated (illustrator). Previous Owner Name. Hardback : hard cover edition in good to better condition, a typical used book with slight wear to edges and spine. Overall good / nice copy of this scarce title. Excellent reading on the subject. A good book to enjoy and keep on hand for yourself, or would make a GREAT GIFT for the fan / reader in your life. Reading is one of the great pleasures in life. Please send us a note if you have any questions. Thank you. Book.
Seller: Bits of Our Past Ltd, Poynton, United Kingdom
Photograph
No binding. Vintage Anonymous Amateur Photo. *** Date : ca 1890 *** Location/Lieu : Africa *** Photographer/Credit : ANONYMOUS *** Categories : Africa (Other) - Risque *** Citrate print, good condition, light creases and stains. *** Size in inches/Taille en pouces (1 inch=2,5 cm) : about 3.32x4.44 on 3.80x5.00 mount (Card) - Size in centimeters/Taille en centimetres : about 8.30x11.10 on 9.50x12.50 mount (Card).
Published by CreateSpace Independent Publishing Platform, 2012
ISBN 10: 1481139118ISBN 13: 9781481139113
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Paperback. Condition: Brand New. 154 pages. 9.00x6.00x0.37 inches. This item is printed on demand.
Published by c.1970s, 1970
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. A set of nine pen and ink drawings with ink wash by the artist Peter Collins ARCA, depicting studies of female figures. Smallest image measures 23.8 x 19 cm; Largest measures 33.3 x 25.5 cm. Unsigned. On wove. Size: Large (30-60cm) Framed: No Style: Realism.
Published by Luxor Press Ltd, 1969
ISBN 10: 0284795127ISBN 13: 9780284795120
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
Book
Hardcover. Condition: VERY GOOD. 1969-08-01. Luxor Press Ltd. Hardcover. VERY GOOD Gilt titles, brown boards.
Published by Self published., 1950
Seller: Roe and Moore, London, United Kingdom
Art / Print / Poster
No Binding. Condition: Very Good. Gerald Ososki (illustrator). Study of a seated female nude drawn in red pastel with grey wash on thick paper. Atelier Stamp on verso. Sheet a little dusty otherwise in good condition.Size 370 x 245mm (14.5 x 9.5 inches) Not mouted/ matted. Gerald Judah Ososki British 1903-1981 Gerald Ososki, landscape portrait and decorative painter. He was born in London of Russian Jewish parentage and studied at the St. Martins School of Art from 1917-1922, and then at the Royal College of Art from 1922-1926, on the recommendation of his tutor Professor William Rothenstein. During in the 1930 s he worked for Roffe Ltd. which specialized in cinemas and theatre interior decoration. In the World War II he worked as a camouflage artist, after which he turned his firms attention at the restoration and conservation of historic buildings. St. James Palace, Clarence House and Buckingham Palace were among commissions. He had a one-man show at Claridge Gallery in 1930 and at the Mall Galleries in 1973. Ben Uri Art Gallery had a retrospective in 1987. He exhibited regularly at the Royal Society of British Artist; was part of the Tate Gallery s Seventeen Collectors Exhibition ; exhibited at the Leicester Gallery, The Mall galleries, New English Art Club, Goupil Gallery ,Redfern Gallery and exhibited widely in the USA, Canada and Australia. He was awarded the De Laszlo medal by the Royal Society of British Artists in 1972. During his lifetime the works ranged from watercolour studies in the grand tradition of the old masters, to bold compositions of a textural quality.
Published by 20th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. This delicate study depicts a figure in two different poses. Using sanguine chalk, the soft lines create an elegant and gentle effect. Unsigned. Well presented on a card mount. On wove. Size: Medium (15-30cm) Framed: Yes Style: Realism.
Published by Self published.
Seller: Roe and Moore, London, United Kingdom
Art / Print / Poster First Edition
No Binding. Condition: Very Good. Gerald Ososki (illustrator). 1st Edition. Gerald Ososki study of female nude drawn in black ink, black pastel and grey wash. In good condition. Studio stamp on reverse. Image size 300 x 230mm (12 x 10 inches) Not mounted/ matted. Gerald Judah Ososki British 1903-1981 Gerald Ososki, landscape portrait and decorative painter. He was born in London of Russian Jewish parentage and studied at the St. Martins School of Art from 1917-1922, and then at the Royal College of Art from 1922-1926, on the recommendation of his tutor Professor William Rothenstein. During in the 1930 s he worked for Roffe Ltd. which specialized in cinemas and theatre interior decoration. In the World War II he worked as a camouflage artist, after which he turned his firms attention at the restoration and conservation of historic buildings. St. James Palace, Clarence House and Buckingham Palace were among commissions. He had a one-man show at Claridge Gallery in 1930 and at the Mall Galleries in 1973. Ben Uri Art Gallery had a retrospective in 1987. He exhibited regularly at the Royal Society of British Artist; was part of the Tate Gallery s Seventeen Collectors Exhibition ; exhibited at the Leicester Gallery, The Mall galleries, New English Art Club, Goupil Gallery ,Redfern Gallery and exhibited widely in the USA, Canada and Australia. He was awarded the De Laszlo medal by the Royal Society of British Artists in 1972. During his lifetime the works ranged from watercolour studies in the grand tradition of the old masters, to bold compositions of a textural quality.
Published by Twin Palms Publishers, 2005
Seller: Mrs Middleton's Shop and the Rabbit Hole, Freshwater, United Kingdom
Book First Edition
Hardcover. Condition: Near Fine. 2005. Twin Palms Publishers. First Edition, no jacket. Near Fine Condition book. No inscriptions.
Seller: Antiquariat Steffen Völkel GmbH, Seubersdorf, Germany
Art / Print / Poster
Bildmaße: ca. 20,5 x 31,5 cm. Bleistift-Zeichnung auf Papier. Vorzeichnung für das Gemälde "Paphos". -- gut erhalten || Pencil drawing on paper. Preliminary drawing for the painting "Paphos". -- in very good condition || || Jean-Paul Milliet was born on March 6, 1844 in Le Mans (Pays de la Loire). He was a French historical and decorative painter, archaeologist and writer. After the coup d'état of 1851, he went into exile in Geneva with his father Félix. There he was a student of Jean-Léonard Lugardon. In 1863 Milliet returned to France. In Paris he worked for Charles Gleyre, among others. In the years 1866-69 and 1872-79 he made several study trips to Italy. Milliet decorated the ceiling in the large foyer of the Grand Théâtre in Geneva. He also created numerous decorative paintings in French official buildings such as in Paris, Reims and Rouen. Milliet died on January 8, 1918 in Paris. Sprache: Französisch Gewicht in Gramm: 10.
Published by Twin Palms Publishers, Santa Fe, NM, 2005
ISBN 10: 1931885397ISBN 13: 9781931885393
Seller: Bungalow Books, ABAA, Pueblo, CO, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition; First Printing. A bump to the bottom corners, with creasing to the dust jacket flaps. Black cloth with matching endpapers in a pictorial dust jacket. Black and white photos. ; [143] pages.
Published by Luxor Press Ltd, 1969
Seller: World of Rare Books, Goring-by-Sea, SXW, United Kingdom
Condition: Good. 1969. No Edition Remarks. Unpaginated. Pictorial dust jacket over brown cloth with gilt lettering. Black and white and colour photographic plates. Subtle tanning to otherwise clear pages and plates. More prominent to text block edges. Binding remains firm. Book is slightly bowed and forward leaning with very subtle tanning and scuffing overall. Spine has light tanning with soft crushing to ends. Lettering remains bright and clear. Unclipped dust jacket with minor rubbing, chipping and tearing to edges. Some minor tanning, creasing and scuffing overall.
Published by Twin Palms Pub, 2005
ISBN 10: 1931885397ISBN 13: 9781931885393
Seller: Save With Sam, North Miami, FL, U.S.A.
Book
Hardcover. Condition: New. Brand New!.
More buying choices from other sellers on AbeBooks
New offers from US$ 82.23
Used offers from US$ 73.00
Also find Hardcover First Edition Signed
Publication Date: 1998
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. A striking contemporary nude study in watercolour and graphite. The artist has signed and dated to the lower edge. On Bristol paper. Size: Large (30-60cm) Framed: No Style: Naive.
Published by Twin Palms Publishers, 2005
ISBN 10: 1931885443ISBN 13: 9781931885447
Seller: Edward Ripp: Bookseller, Albuquerque, NM, U.S.A.
Book
Condition: New in Shrink-Wrap. SHRINK-WRAPPED. Folio, 192 pp, new in black cloth in pictorial dust jacket. Sumptuously illustrated with 84 full-page duotone photographic plates. Beautifully printed study of the female nude by one of the masters.
More buying choices from other sellers on AbeBooks
Used offers from US$ 95.75
Publication Date: 1982
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. Peter Collins ARCA - Signed and Framed Original 1982 Pastel. Presented in a card mount and metallic frame. Signed and dated. On wove. In fine condition.Peter Collins A.R.C.A (1923-2001) Provenance: The Late Peter & Georgette Collins Collection - 'The Contents of Stanley Studios, Chelsea' Peter Collins was born in 1923 and his first job was in the commercial studio of an advertising agency, during which time he attended art school in the evening. His career was interrupted by World War II and in 1943, he entered the army, serving in the Royal Artillery where he was attached to the Education Corps teaching Painting and Drawing and also holding an appointment as part-time teacher at St. Martinâ s School of Art. After the war, Peter won a scholarship to the Royal College of Art 1947-1950. He went on to work as a commercial artist, producing iconic travel posters for British Railways and British European Airways. He also worked as a designer for ICI and Shell, and held the position of Art Director at Odhams Press. In the 1960â s Peter and his wife Georgette converted a group of buildings in Balcombe, Sussex which became â Balcombe Galleriesâ . In 1975 they acquired Stanley Studios in Chelsea, which was scheduled for demolishment and redevelopment. Purpose built artist studios were converted into single residence and over the next two decades they filled the spaces with paintings, antiques, curios and sculpture. Stanley Studios boasted a considerable cultural pedigree, having been a work space for artists such as Jack Smith, Rodrigo Moynihan and Elizabeth Frink. The collection harks back to a golden age when Georgette and Peter Collins were immersed in Chelseaâ s Bohemian art scene. Size: Large (30-60cm) Framed: Yes Style: Expressionism.
Publication Date: 1984
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster Signed
Condition: used. Peter Collins ARCA - Signed and Framed Original 1984 Pastel. Presented in a card mount and metallic frame. Signed and dated. On wove. There is some smudging and discolouration to the page. Marks to mount and scuffing to frame.Peter Collins A.R.C.A (1923-2001) Provenance: The Late Peter & Georgette Collins Collection - 'The Contents of Stanley Studios, Chelsea' Peter Collins was born in 1923 and his first job was in the commercial studio of an advertising agency, during which time he attended art school in the evening. His career was interrupted by World War II and in 1943, he entered the army, serving in the Royal Artillery where he was attached to the Education Corps teaching Painting and Drawing and also holding an appointment as part-time teacher at St. Martinâ s School of Art. After the war, Peter won a scholarship to the Royal College of Art 1947-1950. He went on to work as a commercial artist, producing iconic travel posters for British Railways and British European Airways. He also worked as a designer for ICI and Shell, and held the position of Art Director at Odhams Press. In the 1960â s Peter and his wife Georgette converted a group of buildings in Balcombe, Sussex which became â Balcombe Galleriesâ . In 1975 they acquired Stanley Studios in Chelsea, which was scheduled for demolishment and redevelopment. Purpose built artist studios were converted into single residence and over the next two decades they filled the spaces with paintings, antiques, curios and sculpture. Stanley Studios boasted a considerable cultural pedigree, having been a work space for artists such as Jack Smith, Rodrigo Moynihan and Elizabeth Frink. The collection harks back to a golden age when Georgette and Peter Collins were immersed in Chelseaâ s Bohemian art scene. Size: Large (30-60cm) Framed: Yes Style: Expressionism.
Published by Luxor Press, London, 1969
Seller: Bookcase, Carlisle, United Kingdom
Hard. Condition: Good. Brown boards rubbed and stained in places, corners and spine ends bumped, fep/rep missing, contents clean and tidy. Size: 4to.
Publication Date: 1888
Seller: Antiquariat Steffen Völkel GmbH, Seubersdorf, Germany
Art / Print / Poster Signed
Seltene Bleistift-Zeichnung von Ludwig Berwald (1865-1943) von 1888. -- Blatt-Maße: ca. 42 x 30 cm. -- gut erhalten. -- Ludwig Berwald war ein deutscher Zeichner, Grafiker und Plakatkünstler aus Berlin. || Very rare pencil drawing by Ludwig Berwald (1865-1943) from 1888. -- in very good condition. Sprache: Deutsch Gewicht in Gramm: 15.
Published by Early 20th Century
Seller: Sulis Fine Art, Corsham, United Kingdom
Art / Print / Poster
Condition: used. A fine series of nude studies attributed to Marion Beverley, a teacher at the Royal Drawing School, Chelsea c.1930. Depicting a young female nude in three different poses. Presented in a simple black frame. With handwritten label on the reverse. Unsigned. On wove. Size: Large (30-60cm) Framed: Yes Style: Realism.
Publication Date: 2024
Seller: Second Story Books, ABAA, Rockville, MD, U.S.A.
Art / Print / Poster First Edition
Original graphite sketch on heavyweight acid free drawing paper. In Very Good condition. Unframed 9"x 12" paper. SF consignment. Located at Dupont store. 1376961. Arts & Antiques.
Seller: der buecherjaeger antiquarischer Buchandel & Büchersuchdienst, Neustrelitz, Germany
Book
sehr gut erhalten n Sprache: Deutsch Gewicht in Gramm: 550.
Published by Maine or New York, ca.1940s., 1940
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Pencil drawing. 18 x 12 inches.Provenance: Estate of the artist's nephew , Jason Schoener, who came from a family of distinguished American artists. He was the nephew of sculptor/painter William Zorach and his wife, painter Marguerite Zorach. Beginning in 1939, Schoener spent his summers at the Zorach family farm in Georgetown, Maine, where he studied art with his Uncle William. After service in the Pacific during WWII, Schoener served as an instructor, department chairman, and dean at California College of Arts and Crafts in Oakland, CA. Schoener's other teaching assignments included Mills College in Oakland, California, and the Athens Technological Institute in Greece.
Published by Probably Jaffa/Israel, early(?) 1990ies (Photos) / 1997 (Booklet 'ALLEGORY': 32 p. on glossy paper with 20 - 19 large - colour-photographic plates, black grey-titled softcover)., 1997
Seller: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, Germany
Signed
Sizes (image / photosheet) from 13 x 13 cm / 15 x 15 cm to 21,5 x 22 cm / 30 x 24 cm, often with wide white margin at the bottom (smaller at sides and top). - 20 photos bear the manuscript title by the photographer in English and Hebrew in the bottom margin, 1 carries his name-and-address stamp at front, 3 are signed next to the title, 17 carry his - mostly round - name-and-adress stamp at the back, 2 with stamp 'proof copy', the 'untitled' ones #1, #4, #5 and #6 with shop-sticker at verso of Tal's german Gallery-Agent in London (The Mall Arcade, Camden Passage) around the year 2000; more details below. . . *** [Endgültig ausklingender FRÜHLINGS-VERKAUF / Ultimately fading SPRING-SALE: um über 35% REDUZIERTER PREIS bis Montag 06.05.2024, 24 Uhr (PRICE REDUCTION of over 35% until Monday, May 6th 2024); ursprünglicher Preis / originally EUR 2.650,-] --- INTIMATE AND EXHAUSTIVE COLLECTION FROM HIS LONDON SALES-AGENT AROUND THE LAST TURN-OF-THE-CENTURIES, still complete as received from the agent; but may be sold singlewise or in sections upon request. - THE DETAILS (abbreviations 'sm'=narrow margin, 'mm'=medium margin, 'wm'=wide mainly-bottom margin; 'gl.'=glossy paper, 'm-gl.'=medium glossy paper; 'rps'=round photographer's copyright and address stamp at rear): 1) untitled (13x13/15x15 cm, sm m-gl.) with fragmentary sales-agent's sticker at rear. / 2) 'THE BLESSING' (13x13/17x16 cm, mm m-gl. rps) w. stamp 'proofprint' at rear; slight crease in lower-left margin and top-right corner (margin). / 3) 'MY FIRST WIFE' (11x11/18x13 cm, wm gl.) with Tal's address-stamp at front. / 4) untitled (13x13/20,5x19,5 cm, wm m-gl.). / 5) untitled 13x13/22x18 cm, wm m-gl.). / 6) untitled 13x13/23x18 cm, wm m-gl.). / 7) 'STUDY OF MALE & FEMALE' (up tp #19: 16x16/25x19 cm, wm gl. rps). / 8) 'WHEN DANA PLAYS THE OBOE'. / 9) 'STUDY FOR ALEGORY'[!]. / 10) 'CONDOMINIUM'. / 11) 'AFTER VAN-GOGH'. / 12) 'WITH MY FAMILY, PIÉTA', minimal crease at top-right corner. / 13) 'WITH MY FAMILY, PIÉTA II', minimally bent at top-right corner. / 14) 'FIGURE WITH A NARCISSUS'. / 15) 'COUPLE WITH A VASE', slightly spotty in the wide bottom margin. / 16) 'THREE GRACES'. / 17) 'AFTER THE BATH'. / 18) 'THE DOUBT'. / 19) 'THE SOURCE'(since #7: 16x16/25x19 cm, wm gl. rps). / 20) untitled ['WHEN DANA PLAYS THE OBOE', larger] (21x21/23x23 cm, sm m-gl.). / 21) SEATED MASKED [BLEEDING] WOMAN (16,5x16,5/25x21 cm, wm m-gl.) signed at front, with 'proof print' and address-stamp at verso; top-left and -right and bottom-right with fragments of former-mounting tape, bottom-corners slightly creased. / 22) '8 STUDY OF MALE & FEMALE' (18x18/24x20,5 cm, mm m-gl.) holograph ''c BOAZ TAL'' at verso. / 23) untitled (25x25 cm, nm m-gl.), slight crease at lower-half left-, minimal at right corner. / 24) 'STUDY FOR >THE JUDGMENT OF PARIS<' (like #10; 13x13/31x20 cm, w+m m-gl. rps), signed at front; bottom corners slightly creased. / 25) 'STUDY OF MALE AND FEMALE' (like #7; 25x25/30x26 cm, m-gl. rps) signed at front, 'proof print'- and date-stamp '7.08.1990' at verso; top-left slightly frayed on 3-cm, right lower side slightly creased, top-right and bottom left corner as well. / 26) '7 COUPLE WITH A VASE' (21,5x22/30x24 cm, wm m-gl.), top corners minimally creased, bottom corners slightly wavy. - THE FRAGILE BOOKLET 'ALLEGORY' very good; as well as THE 2 IDENTICAL COLOUR SELF-PORTRAITS (postcard-size): Tal standing with crossed arms in front of 2 large photographs of a 'sitting naked woman next to a kitchen stove'. --- A BEAUTIFUL COLLECTION.
Published by [Philadelphia, 1885
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
A remarkable set of four original silver gelatin photographs (9 x 9 cm). Consisting of two studies of a male nude, seated on a chair upon a table, and two studies of a female nude standing on a table. All four with the word "Lemly" in pencil on the rear. Slightly silvered at the edges, else near fine. These nude studies are similar to those made by Thomas Eakins and students in his circle at the Pennsylvania Academy of the Fine Arts (PAFA) and the Art Students' League of Philadelphia in the mid-1880s. They were acquired from an estate in Camden County, New Jersey, which came with a bronze sculpture by Samuel Murray, a close friend and protégé of Eakins, and his assistant at the Art Students' League. The photographer, whether Eakins himself or someone in his circle, cannot be determined with certainty, but the evidence points to Eakins. Gordon Hendricks, who organized the first exhibition of Eakins' photographs at the PAFA in 1969, provides two relevant clues. In the exhibition catalog he writes, ".how do we know the photographs in the exhibition are Eakins'? The answer is to be found in two areas: first, the provenance, and second, the quality and relevance. A number of the photographs were signed by the artist himself [most were not], and the overwhelming majority have come from his immediate family or from two pupils, Samuel Murray or Charles Bregler." These four photographs meet both conditions of quality and relevance, and the Samuel Murray provenance. The studio and identity of the models is also uncertain. They were likely not taken at either the PAFA studios or the Art Students League in Philadelphia. But it is known that Eakins made photographic studies in the studio at his home on Mount Vernon Street, and in a studio at 1330 Chestnut Street, which he shared with Samuel Murray. However, the few published photographs from these two studios do not reveal enough of the interior background to make a positive identification. The female nude could quite possibly be the same person pictured in the exhibition catalog for the great *Thomas Eakins* exhibition organized by the Philadelphia Museum of Art in 2001-02: "Female Nude with a Mask at the PAFA, c.1883" (page 179, plate 134). Seen as Jungian archetypes, both bear an uncanny resemblance to the *Venus of Dolní V?stonice*, and both bear a striking resemblance to the known Eakins model Ms. Weda Cook, who is pictured in a photograph by Eakins from the collection of Gordon Hendricks: "Weda Cook with Academy plaster cast" (figure 40; 164) from the 1969 exhibition catalog. A rare and possibly unique set, revealing a hitherto unknown series of photographic studies from the school of Thomas Eakins.