Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condition: As New. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Bellwetherbooks, McKeesport, PA, U.S.A.
hardcover. Condition: Fair. DAMAGED - Binding is broken and loose.
Published by The MIT Press, Cambridge, MA, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Montana Book Company, Fond du Lac, WI, U.S.A.
Hardcover. Condition: Fine. 544 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. The dust jacket is a clear, see through plastic cover. NOTE: Book still in original publisher shrink wrap.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Murphy-Brookfield Books, Iowa City SE, IA, U.S.A.
Hardcover. Condition: Very Good. clean, unmarked copy.
Published by MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Ergodebooks, Houston, TX, U.S.A.
Hardcover. Condition: Good. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film-which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages-"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Book Deals, Tucson, AZ, U.S.A.
Condition: Fine. Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 2.55.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: booksXpress, Bayonne, NJ, U.S.A.
Hardcover. Condition: new.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Penguin Random House, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: As New. Unread copy in mint condition.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Published by Penguin Random House, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: 369 Bookstore _[~ 369 Pyramid Inc ~]_, Dover, DE, U.S.A.
Hardcover. Condition: Good. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film?which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages?"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Wizard Books, Long Beach, CA, U.S.A.
Hardcover. Condition: new. New.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GoldenDragon, Houston, TX, U.S.A.
Hardcover. Condition: new. Buy for Great customer experience.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Books Unplugged, Amherst, NY, U.S.A.
Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 2.55.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 2.55.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Big Bill's Books, Wimberley, TX, U.S.A.
Hardcover. Condition: new. Brand New Copy.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: new. New Copy. Customer Service Guaranteed.
Published by The MIT Press / Alphabet City Media, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Remarks Used Books, Pittsfield, MA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, 1st printing. Attractive & unread hardcover in Fine+ condition, w/slight nick on printed clear acetate jacket front & slight bowing to binding due to unique oblong presentation, o/w good as new. "'Every film is a foreign film,' Atom Egoyan and Ian Balfour tell us in their introduction to SUBTITLES. How, then, to translate the experience of film---which, as Egoyan says, makes us 'feel outside and inside at the same time'? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation, to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the 'foreign film' category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages---'Somehow, I'd like to think it's harder to kill people when you hear their voices,' she writes. And Slavoj Zizek considers the 'foreign gaze' (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much." [jacket copy] "Designed by Egoyan and graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. SUBTITLES gives us not only a new way to think about film but also a singular design object." Hardcover w/brilliant corners & crisp edges; 532pp; looks perfectly Fine w/o the printed acetate jacket, quite presentable & collectible.
Published by MIT Press, Cambridge, 2004
Seller: MARK POST, BOOKSELLER, San Francisco, CA, U.S.A.
First Edition
Hard Cover. First printing. NEAR-FINE IN NEAR-FINE, CLEAR PLASTIC DJ. UNCOMMON.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: very good. Very Good Copy. Customer Service Guaranteed.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GoldenWavesOfBooks, Fayetteville, TX, U.S.A.
Hardcover. Condition: new. New. Fast Shipping and good customer service.
Published by MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Ergodebooks, Houston, TX, U.S.A.
Hardcover. Condition: New. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.""Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film-which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-two contributors to this unique collection consider translation, foreignness, and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles themselves to the xenophobic reaction to translation to subtitles as a metaphor for the distance and intimacy of film. The essays, interviews, and visuals include a collaboration by Russell Banks and Atom Egoyan, which uses quotations from Banks's novel The Sweet Hereafter as subtitles for publicity stills from Egoyan's film of the book; three early film reviews by Jorge Luis Borges; an interview with filmmaker Claire Denis about a scene in her film Friday Night that should not have been subtitled; and Eric Cazdyn's reading of the running subtitles on CNN's post-9/11 newscasts as a representation of new global realities. Several writers deal with translating cultural experience for an international audience, including Frederic Jameson on Balkan cinema, John Mowitt on the history of the "foreign film" category in the Academy Awards, and Ruby Rich on the marketing of foreign films and their foreign languages-"Somehow, I'd like to think it's harder to kill people when you hear their voices," she writes. And Slavoj Zizek considers the "foreign gaze" (seen in films by Hitchcock, Lynch, and others), the misperception that sees too much. Designed by Egoyan and award-winning graphic designer Gilbert Li, the book includes many color images and ten visual projects by artists and filmmakers. The pages are horizontal, suggesting a movie screen; they use the cinematic horizontal aspect ratio of 1.66:1. Subtitles gives us not only a new way to think about film but also a singular design object.Subtitles is being copublished by The MIT Press and Alphabet City Media (John Knechtel, Director). Subtitles has been funded in part by grants from The Canada Council for the Arts, The Henry N.R. Jackman Foundation, and the Toronto Arts Council, and the Ontario Arts Council.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: GF Books, Inc., Hawthorne, CA, U.S.A.
Condition: New. Book is in NEW condition. 2.55.
Published by MIT Press Ltd, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Toscana Books, AUSTIN, TX, U.S.A.
Hardcover. Condition: very good. Purchase pre-owned books for prompt service and customer satisfaction.
Published by MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by MIT Press Ltd, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Translating the experience of film: filmmakers, writers, and artists explore the elements of film that make us feel "outside and inside at the same time.".
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Basi6 International, Irving, TX, U.S.A.
Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Published by The MIT Press, 2004
ISBN 10: 0262050781 ISBN 13: 9780262050784
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In.