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Published by Aperture, 1993
ISBN 10: 0893815527ISBN 13: 9780893815523
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.85.
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Published by Konemann UK Ltd, 1997
ISBN 10: 389508610XISBN 13: 9783895086106
Seller: Goldstone Books, Llandybie, United Kingdom
Book
hardcover. Condition: Good. Evans, Walker (photographer); Over 50 B/w Photographs (illustrator). All orders are dispatched the following working day from our UK warehouse. Established in 2004, we have over 500,000 books in stock. No quibble refund if not completely satisfied.
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Published by Aperture, 2005
ISBN 10: 0893817414ISBN 13: 9780893817411
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Aperture, 1980
ISBN 10: 0893810428ISBN 13: 9780893810429
Seller: HPB-Ruby, Dallas, TX, U.S.A.
Book
Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Published by Aperture, 2016
ISBN 10: 1597113433ISBN 13: 9781597113434
Seller: Coas Books, Las Cruces, NM, U.S.A.
Book
Condition: Good. Dust jacket is worn. Hardcover.
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Published by Aperture, New York, 1979
ISBN 10: 0893810428ISBN 13: 9780893810429
Book First Edition
Hardcover. Condition: As New. No Jacket. 1st Edition. First edition: no later printings listed. No wear to the binding. No distortion from improper shelving. Pages tight and clean with no marks. No name of previous owner. No odor. No water damage. No soiling. No sun fading. No dust jacket.
Published by QUAI BRANLY, 2007
ISBN 10: 2915133654ISBN 13: 9782915133653
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Book
Condition: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.
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Published by Aperture, 1993
ISBN 10: 0893815519ISBN 13: 9780893815516
Seller: Dorothy Meyer - Bookseller, Batavia, IL, U.S.A.
Book
Hardcover. Condition: fine. Dust Jacket Condition: fine. no additional printings listed . NOT an ex library book. 96 pages. Dust jacket has no chips or tears, museum price sticker on rear.
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Published by GRIN Verlag Aug 2010, 2010
ISBN 10: 3640673158ISBN 13: 9783640673155
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Book Print on Demand
Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2007 in the subject History - America, grade: 1, The University of Liverpool, language: English, abstract: This source commentary deals with the methodological, interpretive and theoretical issues raised by using documentary photographs as historical sources. The problems and advantages connected with this type of historical source are going to be illustrated taking documentary photographs created for the photographic section of the US American federal government during the interwar period as an example. By focusing on two out of the approximately 80, 000 photos of this collection which were produced by the two most renown photographers working for the project, Dorothea Lange and Walker Evans, this source commentary is going to argue that using them profitably as sources in writing cultural history, requires at least as much or even more critical consideration and background information than is required by other sources. 20 pp. Englisch.
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Published by Aperture, New York, 1979
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Hardcover. Condition: Near Fine. First edition. Near fine. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Published by Hill and Wang, New York, 1989
ISBN 10: 0809080370ISBN 13: 9780809080373
Book
Hardcover. blue boards w/ black quarter spine. book xxi, 326 pgs w/ bw illustratins. blue, illustrated dustjacket w/ protective plastic. Pages clean and bright. From a former college library; library card stamped twice. "Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs."-WorldCat. VG- (ex-library w/ stamps to upper & lower textblock, endpaper & title pg; card pocket on back cover pastedown. dustjacket has edge-wear; plastic cover has ID to spine; taped to cover edges).
Published by London: Phaidon, 2001
Seller: MW Books, New York, NY, U.S.A.
Special Edition. Fine paperback copies in a slightly edge-nicked box set. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 5 Volumes [Boxed set]: ill., port.; 16cm. Subjects; Photographers Czech Republic. Photographers, United States. Biographies. Portrait photography, France Paris. Photojournalism. Artistic criticism. 1 Kg.
Published by London: Phaidon, 2001
Seller: MW Books Ltd., Galway, Ireland
Special Edition. Fine paperback copies in a slightly edge-nicked box set. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 5 Volumes [Boxed set]: ill., port.; 16cm. Subjects; Photographers Czech Republic. Photographers, United States. Biographies. Portrait photography, France Paris. Photojournalism. Artistic criticism. 1 Kg.
Couverture souple. Condition: bon. R110675618: Décembre 1989. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 126 pages. Nombreuses illustrations en couleurs et noir et blanc dans et hors texte. . . . Classification Dewey : 770-Photographie.
Published by Phaidon Press, London, 2001
Seller: C P Books Limited, Oxted, United Kingdom
Softcover. Condition: Fine. B&W Photographs; 24mo 5" - 6" tall; Boxed set of 5, which will require additional postage.
Published by Uppsala University Press, 2007
Seller: Structure, Verses, Agency Books, Spray, OR, U.S.A.
First Edition
Softcover. Condition: As New. First Edition. A spectacularly engaging dissertation by the author for her Ph.D. degree of Doctor of Philosophy in Art History. Augmented with several score iconic Depression-era black-and-white photographs. As New condition, being printed black-and-white wraps in perfect-bound, Imperial octavo softcover format. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. The author, the art historian Cecelia Strandroth, recounts here a vibrant history of the Great Depression-Era in the United States. She defended her dissertation at Uppsala University in Uppsala, Sweden on December 14, 2007. She asked pressing questions such as "Can documentary photographs be regarded as credible depictions of events in the world or are they rather staged representations of a special perspective?" Can documentary photos be deployed to fight against injustice? Strandroth's database is comprised of photographs taken during the 1930s by photographers employed by the Farm Security Administration, part of Franklin Delano Roosevelt's "New Deal." the author takes the negative charge of the word "propaganda" as attached to F.S.A. photographers and fieldworkers to tweak criticisms regarding objectivity and authenticity and shows that the fact that the political function of the F.S.A. was purposely written out of its history, to greatly ill effect, so as to "serve as a symbol and a national legacy," a legacy that couldn't present "negative" images of racism and poverty, ecological disasters and illness. She writes that ?This is most clearly the case when it comes to the best-known FSA photographer, Walker Evans, who is seen today as one of the greatest American artists of the 20th century. Despite this status, much of his production for FSA has not received much notice.? Additionally, she shows a large number of photographs not previously ascribed to Walker Evans. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. [9], 10-380 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
Condition: Used - Good.
Seller: Librairie Chat, Beijing, China
Condition: Fine. Number of books: 1.
Published by China Photographic Publishing House, 2015
ISBN 10: 7517903047ISBN 13: 9787517903048
Seller: liu xing, Nanjing JiangSu, JS, China
Book
Hardcover. Condition: New. HardCover. Pub Date: 2015-11-01 Pages: 96 Publisher: China Photo Press Walker Evans (1903 born in St. Louis. Missouri. in 1975 and died in New Haven. Conn.) In shaping the language of art and documentary photography Yiqijuechen aspect. deeply influenced generations of artists to follow him. He created a lot of milestones in the history of photography photo. also known for its straightforward. descriptive shooting on the local community and well-known. especially his shooting for the Farm Secu.
Published by Fraenkel Gallery, San Francisco, CA, 2009
ISBN 10: 188133726XISBN 13: 9781881337263
Seller: Lost Books, AUSTIN, TX, U.S.A.
Book
Hard cover. Sewn binding. Cloth over boards. 120 p. Audience: General/trade. Very good in very good dust jacket.
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Published by [New York], 1953
Seller: Cleveland Book Company, ABAA, Rocky River, OH, U.S.A.
Condition: Near fine. One black and white photographic print, measuring about 9" x 6.25". Very near fine, with a tiny corner crease, barely notable, and some gentle glue lifting to the edges of the verso. Really an excellent print, well-preserved. On the verso, two pencil inscriptions in different hands are present. The first reads, "photo taken by Walker Evans the winter of 1953-54--W. Keimbusch." The other reads, "Taken at McDonald's Apt. on Morton Street" (New York City)." This photograph emerged from the estate of a bookseller on Cranberry Island, Maine, which was a summer home or frequent destination of three individuals associated with the photograph. The main subject, William Keinbusch, was an abstract artist born in New York City, who spent every summer of his adult life on Great Cranberry, while the photographer, Walker Evans, is known to have spent at least one summer on the island in the 1960s, likely at his friend Keimbusch's insistence. Finally, the woman in the photograph is identified as "Dorothy." This could be either Dorothy Andrews, a close friend of Keinbusch's (whom he said had an "enormous influence on my life") who spent summers in Boothbay Harbor, ME and lived on W. 12th St. in New York in the off-season; or, it could be Dorothy Eisner, the painter and wife of John McDonald, whose apartment is identified here as the location of the photograph. One way or another, this is a lively photograph bringing together several figures of the New York art scene of the 1950s, all of whom have a relationship to coastal Maine, from which this photograph emerged.