Synopsis:
Rainer Werner Fassbinder was the most innovative practitioner of New German Cinema. He worked at breakneck speed and in fourteen years made forty-four films, including Ali: Fear Eats the Soul (1973) and The Marriage of Maria Braun (1978). Fassbinder ruthlessly attacked both German bourgeois society and the larger limitations of humanity, and his films detail the desperate yearning for love and freedom and the many ways in which society defeats that desire.In Fassbinder, Christian Thomsen, a close friend of the director, illuminates Fassbinder's body of work while revealing his insider views of a man who, despite a furious temper, manic working habits, and rampant drug addiction, supported an extended family- including his mother, a string of male lovers, lovelorn women, and even a pair of frustrated wives-with his intoxicating and prolific imagination. This book, like Fassbinder's often-used image of the mirror, brilliantly reflects the sexual, political, and overwhelmingly human contradictions inherent in the life of this intensely creative man and the remarkable films he directed.Christian Braad Thomsen is a Danish filmmaker and scholar.
Review:
Rainer Werner Fassbinder is perhaps the most arresting and controversial film director of all time. In a career that lasted only 16 years, ending abruptly when he died of a drug overdose at age 36, Fassbinder wrote and directed 34 films and two lengthy television miniseries. He was also a prolific playwright and actor in other people's films. Comprehensive assessments are hard to come by, but this book, written by one of Fassbinder's friends, does an admirable job of covering the prolific director's career and analyzing all of his films, including the masterworks Effie Briest, The Marriage of Maria Braun, Lola, Veronika Voss, and Berlin-Alexanderplatz. The book ends with an intriguing reassessment of Fassbinder's final movie, Querelle.
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