From MW Books, New York, NY, U.S.A. Seller rating 5 out of 5 stars
AbeBooks Seller since July 12, 2005
An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 248 pages; Description: 248 p. : ill. ; 30 cm. Subjects: Film noir --United States --History and criticism. 2 Kg. 248 pp. Seller Inventory # 102845
An encyclopedic reference of the Noir style of filmmaking covers everything from the classic period of The Maltese Falcon and Touch of Evil to present-day films that capture of feeling of Noir. 10,000 first printing.
Review: Standard histories of film noir commence the coining of the term (which means "black film") by French writers in the years after the war when they saw a new mingling of grit, wit, and swooning Thanatos in movies like The Maltese Falcon and Double Indemnity. Alain Silver's and James Ursini's nearly libidinous collection of "duo-tone" (i.e., black and white) movie stills reaches far afield, finding noir's style radiating from the Brucke painters in the 1920s, Edward Hopper's wee-small-hours townscapes of the 1940s, and Weegee's bloody, beautiful photos. In page after oversized page, the authors park perceptive readings beside images of classic rainy streets (Underworld, USA, The Money Trap), doomy women in lipstick (Laura, Gilda), disturbed interiors (Sunset Boulevard), and wrenching ironies (DOA). The commentary reveals how light, frame, composition, body language, and a few other irreducibles charge individual scenes and contribute to the look of noir as a whole, beginning with gangster and horror films in the 1930s and closing with Silence of the Lambs in 1992. The texts lapse occasionally into heavy breathing about Meaning, but the authors invite us to get what we want from this most stylish of American movie genres by just flipping the pages. With hardly a cliché image in the bunch, we can eagerly fall afresh into Jane Russell's outstretched arms (in Macao), zoom down the black sidewalk stretching behind a dying John Garfield (in He Ran All the Way), and contemplate once more the tissue of lies between Humphrey Bogart and Mary Astor in The Maltese Falcon. --Lyall Bush
Title: The Noir Style / Alain Silver & James Ursini...
Publisher: Woodstock, N. Y. : Overlook Press
Publication Date: 1999
Binding: Hardcover
Dust Jacket Condition: Dust Jacket Included
Edition: First Edition.
Seller: Books From California, Simi Valley, CA, U.S.A.
Hardcover. Condition: Very Good. First Edition. First edition. Seller Inventory # mon0003564289
Quantity: 1 available
Seller: Rob & June Edwards, Salem, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Ed Thus. First ed. thus. Very good/Good condition, moderate over all wear to book, dustjacket has large crinkled to bottom edge of back cover, otherwise moderate over all wear. Book. Seller Inventory # 041056
Quantity: 1 available
Seller: WONDERFUL BOOKS BY MAIL, Durham-CA, CA, U.S.A.
Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. first edition,1p"; 135798642 print line. VERY GOOD CONDITION IN VERY GOOD UNCLIPT(S50.00) DUST JACKET, CLEAN, SOLID,BRIGHT.BLACK ENDPAPER .; SILVER titles on black TEXTURED HARD COVERS; 248 pages; superb collection, covers everything from the classic period of The Maltese Falcon and Touch of Evil to present-day films that capture of feeling of Noir. At times brutal, darkly humorous, and revelatory--. Seller Inventory # 128451
Quantity: 1 available