14/18 - Rupture or Continuity (Paperback)

Inga Rossi-Schrimpf

ISBN 10: 9462701369 / ISBN 13: 9789462701366

Published by Leuven University Press, Leuven, 2018

About this Item

Paperback. World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile, led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 - Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.Contributors: Werner Adriaenssens (Royal Museums of Art and History, Brussels), Erik Buelinckx (Royal Institute for Cultural Heritage, Brussels), Sophie de Schaepdrijver (Pennsylvania State University), Ole W. Fischer (University of Utah, Salt Lake City), Eva Francioli (Universit degli Studi di Firenze), Laura Kollwelter (Royal Museum of Fine Arts of Belgium, Brussels), Christina Kott (Universit Panth on-Assas Paris 2), Fran oise Lucbert (Universit Laval, Qu bec), Peter Pauwels (independent art historian, Antwerp), Hubert Roland (F.R.S. - FNRS / Universit Catholique de Louvain), Inga Rossi-Schrimpf (Royal Museum of Fine Arts of Belgium, Brussels), Sergio Servell n (FeliXart Museum, Drogenbos), Sandrine Smets (Royal Museum of Armed Forces and Military History, Brussels), Hans Vandevoorde (Vrije Universiteit Brussel), Caterine Verdickt (Universiteit Antwerpen) The impact of the Great War and its aftermath on Belgian artistic life Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Seller Inventory # 9789462701366

Bibliographic Details

• Title: 14/18 - Rupture or Continuity (Paperback)
• Publisher: Leuven University Press, Leuven
• Publication Date: 2018
• Language: English
• ISBN 10: 9462701369
• ISBN 13: 9789462701366
• Binding: Paperback
• Condition: new

About this title

Synopsis

World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile, led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.

Contributors: Werner Adriaenssens (Royal Museums of Art and History, Brussels), Erik Buelinckx (Royal Institute for Cultural Heritage, Brussels), Sophie de Schaepdrijver (Pennsylvania State University), Ole W. Fischer (University of Utah, Salt Lake City), Eva Francioli (Università degli Studi di Firenze), Laura Kollwelter (Royal Museum of Fine Arts of Belgium, Brussels), Christina Kott (Université Panthéon-Assas Paris 2), Françoise Lucbert (Université Laval, Québec), Peter Pauwels (independent art historian, Antwerp), Hubert Roland (F.R.S. – FNRS / Université Catholique de Louvain), Inga Rossi-Schrimpf (Royal Museum of Fine Arts of Belgium, Brussels), Sergio Servellón (FeliXart Museum, Drogenbos), Sandrine Smets (Royal Museum of Armed Forces and Military History, Brussels), Hans Vandevoorde (Vrije Universiteit Brussel), Caterine Verdickt (Universiteit Antwerpen)

About the Author

Inga Rossi-Schrimpf is the curator of modern works on paper (19th–21st century) at the Royal Museums of Fine Arts of Belgium and Coordinating Curator of the Fin-de-Siècle Museum, Brussels, Belgium.